Just after boarding a train, much to the surprise of his fellow passengers, a man pours a bucket of water over a young girl on the platform. Over the next few hours he explains (and we see ... See full summary »
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable ... See full summary »
Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
A surrealist tale of a man and a woman who are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society.
Caridad de Laberdesque
A surrealistic film with input from Salvador Dalí, director Luis Buñuel presents stark, surrealistic images that shock the viewers including the slitting open of a woman's eye and a dead ... See full summary »
Just after boarding a train, much to the surprise of his fellow passengers, a man pours a bucket of water over a young girl on the platform. Over the next few hours he explains (and we see in flashback) how he became obsessed by her (so much so that he failed to notice that she was played by two different actresses, representing different sides of her personality), and how she tantalised him, but would never allow him to satisfy his desire for her... Written by
Michael Brooke <email@example.com>
Pierre Louys 's novel had already transferred thrice to the screen:by Jacques de Baroncelli in 1928,Von Sternberg in 1935 ( "Devil is a woman" starring Marlene Dietrich) and finally Julien Duvivier (1958,starring Brigitte Bardot).
When Bunuel takes a book ,he always makes it his very own :see for instance what he did with "Robinson Crusoe" !So his permanent features are present here even if personally ,I think that "cet obscur..." is the weakest of his latter days works.But even when Bunuel is not at his best,he's better than most of the rest .
Like the bourgeois in "discreet charm of the bourgeoisie" are searching for a good meal which ,in spite of their dough,they can never get,Rey is on fire:he covets a woman ,he wants to have sex with her but something happens every time he is about to assuage his passion.Besides,in order to puzzle his pitiful hero,Bunuel uses two different actresses:Carole Bouquet's character belongs to the perverse young girls with a Madonna face ,recalling Deneuve's Tristana or Severine ("Belle de jour" )whereas Angela Molina is the sensuous bitchy woman (Djin (Simone Signoret)in "la mort en ce jardin" ;Pedro's mother in "los olvidados").
Religion had always been Bunuel's bête noire :here he works ,so to speak,on a large scale(the terrorists kill in the name of the Jesus baby !) and on a smaller one (Conchita's mother ,a military man's(!) widow, goes to church every day but she is not afraid of making a prostitute of her daughter .)
The strange gathering on the train recalls that scene in "phantom of liberty "where the guests at the inn meet in a room in the middle of the night to chat,which Milena Vukotic's presence reinforces (she's featured in the two movies).
And ,last by not least,Bunuel's final opus includes a tribute to Lumière's "l'arroseur arrosé" (1895).Quoting the pioneers of cinema,what a wonderful way to say goodbye!
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