A mysterious black, sleek automobile terrorizes everyone that comes in contact with in a small town in Utah. The local sheriff may be the only person who can stop this menace which has been possessed by pure evil.

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Cast

Cast overview, first billed only:
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Kathleen Lloyd ...
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Elizabeth Thompson ...
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Kate Murtagh ...
Robert Phillips ...
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Henry O'Brien ...
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Lee McLaughlin ...
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Storyline

While traveling through the desert nearby the small town of Santa Ynez on their bicycles to camp, two teenage bicyclers are murdered by a mysterious black car. Then the car hit-and-run a hitchhiker and the crime is witnessed by the local Amos Clements. Sheriff Everett puts his men in alert and plans road blocks in the area to arrest the murderer. He sooner becomes a victim of the car and Sheriff Wade Parent begins a hunting of the vehicle that is threatening his town and seems to be impossible to be located. When his beloved girlfriend and teacher Lauren Humphries challenges the driver in a cemetery, the car hunts her in her home and Wade realizes that he might be dealing with supernatural powers. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

There's nowhere to run, nowhere to hide, no way to stop... The Car See more »


Certificate:

PG | See all certifications »

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Details

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Release Date:

13 May 1977 (USA)  »

Also Known As:

Wheels  »

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The quotation said by Church of Satan leader Anton LaVey heard at the beginning of the film, "Oh great brothers of the night who rideth upon the hot winds of hell, who dwelleth in the Devil's lair; move and appear" was from the "Invocation of Destruction" in The Satanic Bible. See more »

Goofs

During the opening murder scene of the two bicyclists, one of the helicopters used for filming can be heard hovering over the bicyclists. See more »

Quotes

Everett: [to Wade] As your father once said to me....
[pauses a moment]
Everett: [Wade's looking at him interested] Forget it, I would have made it up anyway!
See more »

Connections

Edited into Knight Rider: Forget Me Not (1982) See more »

Soundtracks

Dies Irae, Dies Illa
Traditional, thought to be written by Thomas of Celano
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Frequently Asked Questions

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User Reviews

 
Come on down and get a good deal on existential horror!
20 March 2001 | by (Palm Desert, California) – See all my reviews

I was watching an episode of the animated sci-fi comedy "Futurama" on television and was laughing away at this episode about "The Curse Of The Were-Car" and sure enough....the car they had used was an animated version of that wonderful demon-possessed black sedan from 1977's The Car! Fond memories of that film flooded back to me....

Some critics dismissed The Car as a Jaws on wheels, and it was also lost in the wake of Star Wars' release pouncing any other films out at that time. The general audience was a bit befuddled by the more cerebral aspects of The Car and just weren't sure what they were watching. That's what makes this film one that has made a nice comeback on VHS/DVD for collectors who appreciated all the elements that made The Car unique.

While the film Christine was more of a commercial success, it was a much cruder telling of a story and didn't have a sense of wonderment that drew us into the fantasy. The Car was, as New York Press writer Jim Knipfel wrote, "If Ingmar Bergman had made a horror movie about a murderous automobile, he would have made The Car." The philosophical edge didn't turn the story into a joke, but rather gave some weight to a fantastic and desperate situation, balancing the dread and the actions of the townspeople.

The Car is visually stunning, the desert location is used in a very scenic way instead of vast empty spaces that usually are obvious for film economics. Here, the locations are all over, bridges, mountains, and yes, open spaces...all are used well and keep the beauty in contrast to the sinister element driving through and plowing people down. Excellent camera work keeps this one a notch above even more mainstream films.

I've always though that cars up through the 1970s had faces on them, mostly expressions of anger or sinister intentions. The most beautiful cars in the world could just be so frightening if you look right at them. This black sedan custom made for the film could just sit there and do nothing (well, it does sit on dark streets sometimes) and you'll get chills.

Combine the scenery with the deadly car and the various personalities of the characters, and you have something more profound than just a movie about a mysterious car running people down. These people have purposes, ideals, and obviously problems, and put those against the situation they're faced with...this film is chock full of substance. In a way, like an "art" film, it is true as Knipfel also noted that Ronnie Cox (the alcoholic deputy) is weeping a lot and is seen mostly in doorways and windows. James Brolin (the sheriff) does tend to stop and stare at walls as if to find answers, and Kathleen Lloyd (the school teacher) decides to get in a debate with the Car as it has them trapped in a strangely placed graveyard.

While you won't be terrified out of your seat, you will definitely feel some goose bumps and find yourself with a serious look on your face as you gaze at several scenes. Yes, there is something about this film that transcended the typical horror genre. I have a first printing of the paperback novelization by Dennis Shryack And Michael Butler (Dell Books, May 1977) and the book does go a bit deeper into the why's and how's and such of the Car and the mysticism involved. But the film does a fine job of entertaining, even if you want to say it's schlock, you can't deny it's much elevated above the other B-horror efforts of the time.

Many, many horror films like the pretty-teens-in-peril ones being manufactured ad nauseam are pretty much forgotten after the initial video rentals die down. Then there are films like The Car that have been sought after for years and celebrated when it arrived on VHS/DVD for the first time since its theatrical release in 1977. Films as unique as The Car have held their own because there was care put into their production, more thought to its intention, and a long-lasting affect on those who have understood it and appreciated it.

Sure, a horror film doesn't have to be full of "importance" to be a fun and scary experience, but when film makers take that chance to make something more unique, then good for them! Long live The Car!


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