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Three friends face mid-life crises. Paul is a writer who's blocked. François has lost his ideals and practices medicine for the money; his wife grows distant, even hostile. The charming ... See full summary »
Pialat's portrait of contemporary France mocks prosperity as a substitute for social and sexual revolution. Isabelle Huppert abandons her bourgeois friends and a steady relationship for the... See full summary »
Two men break out of prison; a rival gang ambushes them. One is mortally wounded and tells the other, Mickey, to take him to the estate of a retired robber, Noel, who lives in comfort with ... See full summary »
Solange is depressed: she's stopped smiling, she eats little, she says less. She has fainting fits. Her husband Raoul seeks to save her by enlisting Stephane, a stranger, to be her lover. ... See full summary »
It divided the critics when it was shown at the Cannes Festival although it obtained the surprising endorsement of Pauline Kael.Duras' cinema usually is light in plot and incident but here she takes her usual style to an extreme of minimalism.In a dark room the woman(Duras) and the man (Depardieu)talk for about eighty minutes. The woman talks about the film which she would have made,a film about a woman who hitches a ride with a truck driver ,coincidentally perhaps a film not unlike the minimalist "Je tu il elle" by another feminist director Chantal Akerman. Spliced between these conversations are shots of a truck driving through endless Parisian suburbs,a landscape which has a certain bleak industrial beauty.It becomes clear that Duras is both the writer/director and the woman who is hitching the ride while Depardieu is both the actor and the truck driver and between the two settings, the interior of the script and the exterior where it would be played out a film,struggling to find expression,is born in the imagination of the receptive viewer.
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