A Bridge Too Far (1977) - News Poster


Terence Marsh, Two-Time Oscar-Winning Art Director, Dies at 86

Terence Marsh, Two-Time Oscar-Winning Art Director, Dies at 86
Terence Marsh, the prolific art director and production designer who received Academy Awards for his work on David Lean's Doctor Zhivago and Carol Reed's Oliver!, has died. He was 86.

The London native died Tuesday at his Pacific Palisades home after a four-year battle with cancer, his wife, former talent agent Sandra Marsh, announced.

Marsh's meticulous design skills are prominent in Sydney Pollack's Absence of Malice (1981), Paul Verhoeven's Basic Instinct (1992), Richard Attenborough's A Bridge Too Far (1977) and the Frank Darabont dramas The Shawshank Redemption (1994) and The Green Mile (1999), for which he designed the electric chair.

See full article at The Hollywood Reporter - Movie News »

Terence Marsh, Oscar-Winning Art Director of ‘Doctor Zhivago,’ Dies at 86

Terence Marsh, Oscar-Winning Art Director of ‘Doctor Zhivago,’ Dies at 86
Terence Marsh, the Academy Award-winning art director and production designer behind “Doctor Zhivago,” “Oliver!,” and “The Shawshank Redemption” died in his Pacific Palisades, Calif. home on Jan. 9 after battling cancer for four years. He was 86.

Marsh shared two Oscar wins for his work as art director on David Lean’s sprawling epic “Dr. Zhivago” and on Charles Dickens period piece “Oliver!,” directed by Carol Reed. He also received Academy Award nominations as production designer for “Mary, Queen of Scots” and “Scrooge.”

He was nominated for three BAFTA Awards for “The Hunt for Red October,” “A Bridge Too Far” and “Scrooge.” Throughout his career, he collaborated with acclaimed directors such as Sydney Pollack and John Huston. Among the other films he worked on as production designer and art director were “The Green Mile,” “Clear and Present Danger,” “Absence of Malice” and “A Touch of Class.”

Marsh produced, wrote, and acted in some of his films. He designed
See full article at Variety - Film News »

Oscar-winning UK production designer Terence Marsh dies aged 86

Oscar-winning UK production designer Terence Marsh dies aged 86
Terence Marsh, the two-time Oscar-winning production designer and art director whose credits included The Shawshank Redemption and Doctor Zhivago, has died at the age of 86 following a battle with cancer.

Across a more than 50-year career, the UK-born Marsh worked on a host of award-winning films with directors including David Lean, Sydney Pollack, John Huston, Carol Reed, Fred Zinnemann and Frank Darabont.

He won two Oscars for his work as an art director on David Lean’s romantic epic Doctor Zhivago and Carol Reed’s 1968 musical Oliver!, and was nominated for three Baftas.

Marsh began his career as a draughtsman at Pinewood Studios, where he honed his talents in production design. In 1960, he was hired to work as assistant art director on Lawrence Of Arabia.

After re-locating to Los Angeles in 1975, his credits included A Bridge Too Far, Spaceballs, The Hunt For
See full article at ScreenDaily »


A huge summer hit and a righteous blow struck for positive, non-comic book entertainment, Christopher Nolan’s account of a WW2 crisis is a major war picture with amazing, full-scale visuals that we are told were only slightly augmented with CGI effects. Hallelujah.


Blu-ray + Digital + 4K Ultra HD

Warner Home Video

2017 / Color / 2.20:1; 1:78 (IMAX scenes) / 106 min. / Street Date December 18, 2017 / available through the WBshop / 44.95

Starring: Fionn Whitehead, Aneurin Barnard, Barry Keoghan, Mark Rylance, Tom Glynn-Carney, Tom Hardy, Jack Lowden, Kenneth Branagh, Cillian Murphy, James D’Arcy.

Cinematography: Hoyte Van Hotyema

Film Editor: Lee Smith

Production Design: Nathan Crowley

Original Music: Hans Zimmer

Produced by Christopher Nolan, Emma Thomas

Written and Directed by Christopher Nolan

Scenes of Real action, filmed with a Real camera, do make a difference: audiences respond differently, and become more involved.

When it comes to war movies the public is fickle: they want war combat to
See full article at Trailers from Hell »

Call Of Duty: WWII review

Call Of Duty heads back to its roots and finds form as it does so. Here's our look at Call Of Duty: WWII...

In the interests of full disclosure I should admit that I’m not a huge Call of Duty fan. Actually, that’s not entirely accurate; it’s more a case of not having been a Cod fan for a while, a good while, in fact. If I’m brutally honest, the last Call Of Duty that I really enjoyed was Black Ops in 2010, and the last instalment that truly blew me away was the first Modern Warfare back in 2007!

I started to lose interest in the series when it decided to push beyond historical and contemporary battlegrounds in favour of futuristic landscapes and environments. That’s not to say that I have an issue with futuristic Fps games – I thought last year’s Doom reboot was a riot,
See full article at Den of Geek »

Handmaid's Recap: Taking the Plunge

Need to catch up? Check out the previous The Handmaid’s Tale recap here.

Everybody needs a cheerleader every now and then. And in The Handmaid’s Tale this week, Moira’s sports a white bonnet and really ugly boots instead of pom-poms and a varsity sweater.

Offred returns to Jezebel’s in the Hulu drama’s latest installment, and she’s hurt to find her formerly rebellious friend’s spirit broken beyond recognition. Meanwhile, one of Offred’s fellow handmaids gets screwed in a different, even more heartbreaking way — if that’s even possible — and is thwarted as she
See full article at TVLine.com »

Raising Caine: Sir Michael Going On In Style

Tony Black on screen legend Michael Caine

His recent political leanings aside, Sir Michael Caine remains one of the surviving legends of British and indeed American cinema of the last fifty years, and this weekend’s Going in Style–a heist caper directed by none other than ScrubsZach Braff–sees him share top billing with fellow aged legend Morgan Freeman for what seems the first time in a while. Over recent years the iconic British figure–known for his slick Cockney accent which bore fruit with numerous catchphrases in more than one seminal British film–has become more widely known to audiences as a character actor, heavily used in Christopher Nolan’s body of work since appearing as Alfred Pennyworth in Batman Begins.

So began a certain career resurgence for the man born Maurice Micklewhite under the sound of bow bells, but as Sir Michael–now into his 80’s
See full article at Flickeringmyth »

The Best Of The Best: The Greatest Movie Actors and the roles that made them great

  • HeyUGuys
Author: Dave Roper

The prospective candidates for admission to MiB were hand-picked because they were the best of the best of the best. That’s a lot of superlatives. Eric Roberts and Chris Penn were two of the more unlikely members of a Tae Kwon Do team that took on Korea in The Best of the Best and across pretty much every athletic and artistic theatre of endeavour you can think of, debate rages as to who is the best of the best. Today we look at the greatest movie actors.

This new series of articles is not intended to lay such arguments to rest. Instead it will hopefully prompt some discussion and (polite) debate as we consider, within certain film-making disciplines, who might be considered to be the best and what is their best work. Highly subjective, of course, but that is whence springs healthy debate. We’ll get to actresses,
See full article at HeyUGuys »

The True Story Behind The Omen, One of the Most Haunted Film Productions in History

As Summer came to an end in 1975, production began on one of the more well-known entries in the horror film canon. A chilling portrayal that depicts the foretold arrival of the Antichrist and the inevitable end of times, The Omen came hot off the success of The Exorcist, a frightening and devilish adaptation that had changed the landscape of the movie genre forever. The Exorcist had been a monstrous hit. To this day, it ranks as one of the top-grossing horror films of all time, having earned over $232 million in revenue. It also earned a staggering 10 Academy Award nominations, which included best picture, best actress, best actor, best supporting actress, and best director. With this kind of success, it seemed like The Omen would be a surefire hit; producer Harvey Bernhard had counted on that. What he might not have expected, though, was the strange set of occurrences that would
See full article at BuzzSugar »

TV Review: The Strain: Season 3, Episode 6: The Battle of Central Park [FX]

The Strain: The Battle of Central Park Review The Strain, season 3, episode 6, ‘The Battle of Central Park,’ was basically A Bridge Too Far. A forgone conclusion in hindsight; but a steady climb to follow – even if you weren’t aware of the steep drop, at the end. Fet (Kevin Durand) had handed Feraldo (Samantha Mathis) an opportunity to stick […]
See full article at Film-Book »

Haugesund: Liv Ullmann to retire from directing

  • ScreenDaily
Haugesund: Liv Ullmann to retire from directing
Norwegian actress and filmmaker announces end to directing on panel with fellow filmmakers Pernilla August and Iram Haq.

Norwegian actress and filmmaker Liv Ullmann, the two-time Oscar nominee and director of films including Cannes competition title Faithless, has announced that she doesn’t plan to direct again.

Ullmann made the announcement during a talk today at Haugesund’s Norwegian International Film Festival.

“I don’t want to direct anymore,” she said during the festival’s annual public talk, The Amanda Conversation.

“I want to use my strength to act in a film - there I can use it with a sensitive director, and write. I took that decision right now,” the 77-year-old veteran said with a smile.

As an actress, she is hoping to work with Anthony Hopkins in 2017 on an as yet unannounced film. The duo previously worked together on 1977 feature A Bridge Too Far.


This year’s Amanda Conversation was between Ullmann, whose most recent
See full article at ScreenDaily »

Stage Tube: On This Day for 5/22/16- Laurence Olivier

Happy Birthday, Laurence Olivier Born in 1907, Olivier remains one of the most revered actors of the 20th century. He was the first artistic director of the National Theatre of Great Britain and its main stage is named in his honour. Olivier's career as a stage and film actor spanned more than six decades and included a wide variety of roles, from the title role in Shakespeare's Othello and Sir Toby Belch in Twelfth Night to the sadistic Nazi dentist Christian Szell in Marathon Man and the kindly but determined Nazi-hunter in The Boys from Brazil. Olivier played more than 120 stage roles Richard III, Macbeth, Romeo, Hamlet, Othello, Uncle Vanya, and Archie Rice in The Entertainer. He appeared in nearly sixty films, including William Wyler's Wuthering Heights, Alfred Hitchcock's Rebecca, Stanley Kubrick's Spartacus, Otto Preminger's Bunny Lake Is Missing, Richard Attenborough's Oh What a Lovely War,
See full article at BroadwayWorld.com »

Drive-In Dust Offs: Magic (1978)

It’s the eyes, isn’t it? Wide like saucers and twice as deep, they’re impenetrable. And the wooden leer of the wide open maw betrays them, separate and with its own agenda. Of course I’m referring to ventriloquist dummies, and the eerie spell they cast upon the viewer. The horror viewer, specifically; we’ll seek out anything that gives us a sense of unease. Which brings us to Richard Attenborough’s Magic (1978), a wryly creepy tale of encroaching madness and showbiz folly. (Aren’t they the same thing?)

Produced by 20th Century Fox and Joseph E. Levine (Carnal Knowledge) and released by 20th Century, Magic opened in November of ’78 in the U.S. and rolled out to the rest of the world in early ’79. Grossing nearly $24 million U.S. against a $7 million budget with positive reviews to boot, Magic was an unqualified success – with one of the
See full article at DailyDead »

Co-Stars Who Should Have Worked Together More Than Once

  • Cinelinx
Sometimes actors are cast in a movie together and instantly display great onscreen chemistry. You look at them and think, “These two should work together again. They make a good team.” Sometimes they do reunite and it leads to a series of great screen collaborations, but sometimes they don’t and we’re left wishing the pair would have made more films together.

Back in the days of the old ‘Studio System,’ movies studio execs would look for actors who had good on-screen chemistry and repeatedly cast them together in films. This was called “packaging”, and it lead to the frequent teaming of people like Fred Astaire & Ginger Rogers; William Powell & Myrna Loy; Humphrey Bogart & Lauren Bacall; Boris Karloff & Bela Lugosi; Bob Hope & Bing Crosby; Errol Flynn & Olivia de Havilland; Nelson Eddy & Jeannette MacDonald; etc., etc.

The ‘Studio System’ is long gone and so is “packaging”. It’s a pity
See full article at Cinelinx »

Antony Gibbs, Editor of ‘Dune,’ ‘Fiddler on the Roof,’ Dies at 90

Antony Gibbs, a British-born film editor who cut dozens of pictures, including such ’60s classics as “Tom Jones” as well as “Fiddler on the Roof,” “Rollerball,” “Dune” and “Ronin,” died February 26. He was 90.

The Guild of British Film and Television Editors reported his death on Facebook.

Gibbs was nominated for four of the American Cinema Editors’ Eddie Awards, including for “Tom Jones” in 1964 and “Fiddler on the Roof” in 1972. He won Eddies in 1998 for his work on John Frankenheimer’s TNT miniseries “George Wallace,” starring Gary Sinise, and in 2002 for his editing of Mark Rydell’s TNT TV movie “James Dean,” starring James Franco (a film for which he also picked up an Emmy nomination). Also in 2002, he received an Ace career achievement award.

The Ace said of Gibbs in 2002: “With ‘Reindeer Games’ he continued his successful collaboration with John Frankenheimer, but his friend director Mark Rydell allowed Tony to
See full article at Variety - Film News »

Classic film books: Adventures In The Screen Trade by William Goldman




This month's classic film book is William Goldman's entertaining screenwriting memoir, offering untold insight into the movie business...

You get the feeling, when you read Adventures In The Screen Trade, that the author (and the incredibly successful screenwriter) William Goldman is all about structure.

He has brought clarity and meaning to films such as All The President's MenA Bridge Too FarMarathon Man, and Butch Cassidy And The Sundance Kid. In life, he has approached these projects with a well-planned method, and the determination to see them through to completion. And in writing this book about those screenplays he has given us one of the most ordered and understandable books ever written about how screenplays work. He claims structure is everything; well, he proves it here.

It's a beautifully laid out book that is arranged into three equally enjoyable sections. Section One gives you an
See full article at Den of Geek »

Bridge of Spies | Review

A Bridge Too Far: Spielberg Gets Chilly with Cold War Curiosity

We’re used to seeing Steven Spielberg’s penchant for WWII recuperations, whether it be via the Nazi villains of his Indiana Jones films or the more solemn remonstrance of Schindler’s List or Saving Private Ryan. He’s budged a little further past that historical marker to tackle America’s next dark chapter with Bridge of Spies, a true story examining the murky shenanigans of the Cold War and the desperate, hysterical fight against Communism. Handsomely assembled, it’s a film that would’ve been descried as a watered down bit of propaganda had this been produced during or shortly after the McCarthy witch hunts of the 1950s. Starring All-American everyman Tom Hanks, who certainly evokes the correct feel of privileged bemusement and disinterest in the labyrinthine, international netherworld yawning outside the borders of the Land of the Free,
See full article at IONCINEMA.com »

Warner Bros.’ Production Exec Roy Button on Working with Hollywood Directors

London — At the Production Guild of Great Britain’s annual awards on Saturday, Roy Button, executive VP and managing director, Warner Bros. Productions Ltd., received an award for his contribution to the industry. Variety spoke to him about his 46-year career.

Button started as a runner, rising up through the ranks of 1st and 2nd assistant director, production manager and producer. In his assistant director roles he worked with such filmmakers as Richard Attenborough (“Cry Freedom,” “Gandhi,” “A Bridge Too Far”), Steven Spielberg (“Indiana Jones and the Temple of Doom,” “Raiders of the Lost Ark,” “Empire of the Sun”), Sydney Pollack (“Out of Africa”), Richard Marquand (“Star Wars: Episode VI – Return of the Jedi”) and Richard Donner (“Superman”).

As head of physical production for Warner Bros. Productions Ltd., Button is responsible for all the studio’s movies based out of the U.K., Europe, Africa and the Middle East.
See full article at Variety - Film News »

’24: Live Another Day’ Team Wins U.K. Production Guild Award

London — The U.K. production team behind Twentieth Century Fox Television’s TV series “24: Live Another Day” was named team of the year at the Production Guild of Great Britain awards on Saturday. The awards, which took place at The Grove in Hertfordshire, recognize achievements made by guild members working in film or television within the production office, production accounts, location management, VFX, post-production or assistant directing roles.

The “24” team, which was led by producer and British Film Commission chairman Iain Smith, included unit production manager Kathy Nettleship, location manager Casper Mill and production accountant David Jones. “The production team delivered on every count, achieving a fast-paced, challenging shoot with precision. The speed of turnover of writing, shooting and going to air was unprecedented in British production with filming taking place around the clock and Fox’s U.S. air dates rolling as the team worked,” the guild said.
See full article at Variety - Film News »

What’s new on Hulu August 2015

Here are the streaming movies and shows that are new on Hulu August 2015, including the new comedy series Difficult People (pictured). Available August 1 8 Heads in a Duffle Bag (1997) Another Woman (1988) A Bridge Too Far (1977) Everything You Always Wanted to Know About Sex (1972) Mr. Mom (1983) Available August 2 Basketball Wives La: Season 4 Premiere (VH1) Available August 4 Bachelor in Paradise: Season 2 Premiere (ABC) Available August 5 Difficult People: Series Premiere (Hulu Original) — Billy Eichner and Julie Klausner star as best friends living in New York City. Their typical, irreverent behavior … Continue reading →

The post What’s new on Hulu August 2015 appeared first on Channel Guide Magazine.
See full article at ChannelGuideMag »
An error has occured. Please try again.

See also

Showtimes | External Sites