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A Bridge Too Far (1977)

PG | | Drama, History, War | 15 June 1977 (USA)
Operation Market Garden, September 1944: The Allies attempt to capture several strategically important bridges in the Netherlands in the hope of breaking the German lines. However, mismanagement and poor planning result in its failure.

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Won 3 BAFTA Film Awards. Another 4 wins & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
Siem Vroom ...
Marlies van Alcmaer ...
Underground Leader's Wife (as Marlies Van Alcmaer)
Erik van 't Wout ...
Underground Leader's Son (as Eric Van't Wout)
...
...
General Günther Blumentritt (as Hans Von Borsody)
Josephine Peeper ...
Cafe Waitress
...
...
...
...
...
Walter Kohut ...
Peter Faber ...
...
Frank Grimes ...
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Storyline

The true story of Operation Market Garden, the Allies attempt, in September 1944, to hasten the end of WW2 by driving through Belgium and Holland into Germany. The idea was for US airborne divisions to take the towns of Eindhoven and Nijmegen and a British airborne division, reinforced by a Polish airborne brigade, to take the town of Arnhem. They would be reinforced, in due course and in turn, by the British XXX Corps, land-based and driving up from the British lines in the south. The key to the operation was the bridges, as if the Germans held or blew them, the paratroopers could not be relieved. Faulty intelligence, Allied high command hubris and stubborn German resistance would ensure that Arnhem was a bridge too far. Written by grantss

Plot Summary | Add Synopsis

Taglines:

Out of the sky comes the screen's most incredible spectacle of men and war!

Genres:

Drama | History | War

Certificate:

PG | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

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Language:

| | | |

Release Date:

15 June 1977 (USA)  »

Also Known As:

Die Brücke von Arnheim  »

Box Office

Budget:

$26,000,000 (estimated)

Gross:

$50,800,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm prints)| (70 mm prints)

Color:

(archive footage)| (colour) (Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In the previous Cornelius Ryan film The Longest Day (1962), D-day veteran Richard Todd had been cast as Major John Howard, and re-enacted a genuine event in the taking of Pegasus Bridge, where Howard had met Richard Todd (at the time, an Army Captain) in the middle of the bridge, an uncredited actor played the role of Todd. A similar remarkable re-enactment was planned for this film. Audrey Hepburn was originally cast to play Arnhem resident Kate ter Horst (Liv Ullmann), but was dropped when her asking salary price was too high. Hepburn, who was half English and half Dutch, had been sent from England, to neutral Holland when war broke out, but her mother's home town of Arnhem was overrun by the Germans and she was trapped there for the duration. During Operation Market Garden, the fifteen year old Hepburn ran errands and messages for the Allies fighting in the town, and so, as Kate Ter Horst, would have met herself in the film. See more »

Goofs

When Lt. Col. J.O.E Vandeleur is riding in the car talking to the officer who is driving, you can see in one far away view that their lips are not moving, but you still hear them talking. See more »

Quotes

Wounded Paratrooper: Morphine! Taffy, I must have morphine!
'Taffy' Brace: Morphine's only for the people who are really hurt.
Wounded Paratrooper: I thought I *was* really hurt.
'Taffy' Brace: Well, you're wrong.
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Connections

Referenced in BBC Proms: Prom 2: Music from Great British Films (2007) See more »

Soundtracks

3rd Movement
(from Brandenburg Concerto No. 6 in B-Flat Major, BWV. 1051) (uncredited)
Music by Johann Sebastian Bach
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Frequently Asked Questions

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User Reviews

"It's All A Question Of Bridges"
14 February 1999 | by (London, England) – See all my reviews

"Quite frankly," observes 'Boy' Browning, "this kind of thing's never been attempted before." But it has. In 1962, "The Longest Day" gave the epic star-studded treatment to the D-Day landings, and here we are, 15 years on, doing the same for the Arnhem debacle. It has to be said, the film looks great. From the gently-tinkling light fittings in the Dutch resistors' home to the beauty of the tank tracks in perspective, this is a gorgeously-photographed movie.

In 1944, the German armies were being pushed back across the Low Countries. The Allies' great strategic problem was the Rhine, the wide river which formed Germany's western border. A daring plan was conceived which would overcome the Rhine obstacle and open the road to Berlin. 'Market Garden', as the plan was codenamed, involved parachuting spearhead units onto the great bridges over the Rhine and securing them for the critical few hours it would take for an armoured column to drive up and relieve them.

It is easy now to point to the flaws in 'Market Garden', but at the time it looked like a daring and viable alternative to slogging it out against the Siegfried Line. No-one had anticipated that the Dutch people would pour out onto the streets in throngs, thinking that they had been liberated, and thus bog down the armour. The intelligence indications of heavily-equipped German units in the zone were ignored because they were inconvenient. Critically, the plan allowed for only one solitary road to be available to the Irish Guards for the all-important northward thrust. The film illustrates very effectively the way in which a plan can develop its own momentum, regardless of the shortcomings which riddle it.

The sequence of the boarding and dropping of the paratroops is a thrilling spectacle, shot on a colossal scale. The German ambush which delays the rolling of the armoured column is another terrific action sequence. Attenborough keeps tight control of a big, complex story, and interlards the large-scale stuff with 'human scale' passages, like James Caan's rescue of his buddy (incidentally, the tracking shot which follows his jeep through the forest is quite remarkable).

The fighting at Nijmegen is brilliantly-filmed. Note how the street on the British side grows increasingly littered with war debris as the battle rages. Robert Redford's assault across the river is a symphony in olive drab, leading to a wonderful moment of exhilaration.

Whether the viewer finds the singing of "Abide With Me" moving or grossly sentimental will depend on personal taste, but the subdued ending is very satisfying. 'Market Garden' may have helped shorten the war and may have achieved most of its immediate objectives, but it has to be seen as a tragic mistake.

The film is slick, professional and very pleasing on the eye. One can't help wondering, however, if this kind of 'tank opera' was worth the effort, given that "The Longest Day" had done it all so splendidly a generation earlier.


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