This historical drama is an account of the early life of British politician Winston Churchill (Simon Ward), including his childhood years, his time as a war correspondent in Africa, and ... See full summary »
In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
It is near the end of WWII. The Germans have lost most of France, and the Allied forces decide to give them the final hit. They plan to drop thousands of paratroopers in Holland and keep a few key positions there, until reenforcements arrive. The most important spot is the bridge of Arnhem; once it's captured, it can block everything west of Germany Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
As real Waffen-SS reversible camouflage smocks were unavailable, smocks used in the movie were tailored from post-war German shelter halves in the 'Amoeba' camouflage pattern. See more »
During shots of Nijmegen, the tower of the Sint Stevenschurch is standing tall. In fact the tower was destroyed by an American bombing off Nijmegen in February 1944. It was not put back on the church until the late sixties. The opening of the renewed tower was in 1969. See more »
Col. Robert Stout:
Could you get a message down to XXXth Corps on that dingus?
Yes, sir. Uh, we just got word from the 82nd up ahead. They captured the Graves bridge completely intact!
Col. Robert Stout:
Aw, that's terrrific. Except XXXth Corps ain't about to reach the godam intact Graves bridge until the godam Son bridge gets fixed. Tell our British cousins to hustle up some Bailey stuff.
Col. Robert Stout:
I'll meet 'em in Eindoven when they get there. Tell those schmucks to do this right and have their Bailey stuff at the front of their ...
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Quite a few bad things have been written about A Bridge Too Far. Richard Attenborough's elephantine recreation of the battle for several strategically valuable Dutch bridges in the winter of 1944 is a star-studded, lengthy and exhausting film (and many critics at the time seemed to be of the opinion that it collapsed beneath its own weight). Almost thirty years on, the film is now viewed somewhat more favourably. It may feel 30 minutes too long, and the need for so many stars in so many tiny parts is questionable, but A Bridge Too Far successfully shows a fierce episode of the Second World War in all its chaotic glory. Incredibly, there's no use of the computer generated effects during the big battle scenes that it is relied upon in modern films like Gladiator and Troy. The scenes in this film were shot pretty much as you see them - so the 35,000 parachutists storming Holland, the river crossing led by Robert Redford under intense enemy fire, and other such staggering combat sequences were filmed with thousands of extras and a good deal of meticulous planning and preparation.
The film is based upon Operation Market Garden, an Allied plot hatched towards the end of 1944 with the intention of ending the war in Europe. The concept behind the plan was to drop 35,000 soldiers into Holland approximately 60 miles beyond the German lines, to seize six vital bridges, and to reinforce the paratroopers by sending in thousands of ground troops. However, various mishaps jeopardised the mission and eventually the Allies were cut off and had to withdraw, suffering severe losses.
As stellar casts go, A Bridge Too Far still takes some rivalling. Among the many famous actors involved, these are just a few: Sean Connery, Robert Redford, Laurence Olivier, Dirk Bogarde, James Caan, Ryan O'Neal, Gene Hackman, Michael Caine, Anthony Hopkins and Elliott Gould. It seems pointless for some of the actors to be cast in these roles - true enough, Connery, Bogarde and Hopkins get decent roles and a fair bit of screen time, but was it really worth paying Redford $2,000,000 for his ten minute heroics? Could a decent actor have not handled the role for a fraction of that amount? Is Gene Hackman really the correct choice for Polish officer Major General Stanislaw Sosabowski? Should a light comic actor like Elliott Gould be doing his cigar-chomping "fun" turn in a movie as serious as this?
Luckily, the film is a big success on other levels. The cinematography is extraordinary; the music is suitably stirring; the potentially confusing story is handled with clarity and true-to-the-facts sensitivity; and amid the chaos a number of very memorable scenes emerge. A Bridge Too Far is a very good war film - maybe the biggest war film ever conceived (The Longest Day and Saving Private Ryan included) - and I feel that, although it has a few casting flaws, it is in almost every other department a great, great achievement.
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