Black Sunday (1977)

Director:

John Frankenheimer

Writers:

Thomas Harris (by)
Ernest Lehman (screenplay) ...

Release Date:

11 March 1977 (USA)

Genre:

Action | Drama | Thriller

Tagline:

There has never been a motion picture adventure like...

Plot:

An Isreali anti-terrorist agent must stop a disgruntled Vietnam vet cooperating in a plot to commit a terrorist plot at the Super Bowl.

Plot Keywords:

Blimp | Violence | American Football | Psychopath | Syringe

Awards:

1 nomination

Cast

Robert Shaw	...	Kabakov
Bruce Dern	...	Lander
Marthe Keller	...	Dahlia
Fritz Weaver	...	Corley
Steven Keats	...	Moshevsky
Bekim Fehmiu	...	Fasil
Michael V. Gazzo	...	Muzi
William Daniels	...	Pugh
Walter Gotell	...	Colonel Riat
Victor Campos	...	Nageeb
Joseph Robbie	...	Joseph Robbie
Robert Wussler	...	Robert Wussler
Pat Summerall	...	Pat Summerall
Tom Brookshier	...	Tom Brookshier
Walter Brooke	...	Fowler

Runtime:

143 min

Country:

USA

Language:

English

Color:

Color (Movielab)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono | Stereo

Certification:

Singapore:NC-16 | Canada:18A (Ontario) | West Germany:18 (nf) | Argentina:18 | Finland:K-16 | France:-12 | Norway:18 | Sweden:15 | USA:R (certificate #24543) | Netherlands:16 | Iceland:16

Filming Locations:

Carson, California, USA

Company:

Paramount Pictures

Trivia:

Director Cameo: [John Frankenheimer]the TV director covering the Miami Superbowl game.

Goofs:

Errors in geography: When the blimp takes off from its base in South Florida en-route to the SuperBowl, you can see mountains in the distance. South Florida's terrain is flat.

Quotes:

Robert Moshevsky: My mother once said "Anyone who has a nervous breakdown has got to have something wrong with them".

Movie Connections:

Referenced in Kill Bill: Vol. 1 (2003)

Soundtrack:

Hatikvah

A long shelf-life

This is such a disturbing film, based on a very disturbing book by Thomas Harris, the creator of Hannibal the Cannibal. I read the book in 1976 and actually believed that cunning terrorists might be able to think up a really spectacular way of killing a whole lot of people at one time, but we'd be able to see it coming and stop them, just like in the book. Little did we know . . .

I imagine what it would have been like to see a mid-1930s era movie about a carrier-borne air-strike against an American naval base. It would have seemed so far-fetched, and it would have drawn fire for smearing the race or nationality of the aggressors. Yet, here's Thomas Harris's novel of a disgruntled POW who is hired by Palestinians to set off an enormous shaped charge, packed with steel darts, into the crowd at a Super Bowl. With John Frankenheimer's skill and a great cast of actors, Harris's story really does come to life, and even with the occasional special effects flaw and some really unpleasant violence, it works! I remember being so excited about the movie--it had Bruce Dern and Robert Shaw and that gorgeous woman from Marathon Man, Marthe Keller. The art work was so imaginative! Even in dopey little Spokane, Washington, the Fox Theatre put up a billboard sized blimp on their roof. Frankenheimer even shot two scenes of the President of the United States coming down to watch the action--one, a Jimmy Carter lookalike and the other, Gerry Ford. The movie felt real, even with, as a I mentioned before, some special effects cheese that, for its time, couldn't be avoided.

In January 1977 I had not seen The Manchurian Candidate--I didn't even know who Frankenheimer was; the only directors I knew were Don Siegel (because I loved Dirty Harry) and Roman Polanski (because of--my chronology might be off here--his little dust up with an underage girl at Jack Nicholson's house, or something like that). If I had seen TMC, I might have noticed certain similarities between Candidate and Black Sunday--the damaged war veteran, the cold manipulators, the driven investigator of the truth, and the interspersal of violent, ugly images. Yet, Black Sunday is truly an action movie; its relation to The Manchurian Candidate stops as the bombs and bullets start tearing up the place.

Finally, it's strange to say that casting Bruce Dern as a psychologically damaged former carrier pilot was inspired--the man got rich and famous off playing wackadoodles--but Dern is more tortured, more pathetic than anything I ever saw him in. His character is so sad, so torn up by his experience in the Hanoi Hilton that, while it doesn't excuse his perfidy, he is as three dimensional as Sgt. Raymond Shaw. But Shaw did right at the end; Lander dies trapped by his own anger and hate.

So, if you can find it, I would strongly suggest renting this film. It is disturbingly topical, intense and suspenseful, and an example of a good movie made about an attack against the Super Bowl, unlike the other winter 1977 football disaster, Two-Minute Warning.