| Tomas Milian | ... | Sergio Marazzi / 'Monnezza / Vincenzo Marazzi / 'Il Gobbo' | |
| Pino Colizzi | ... | Commissario Sarti | |
| Isa Danieli | ... | Maria | |
| Sal Borgese | ... | Milo Dragovic - l'Albanese | |
| Luciano Catenacci | ... | Adalberto Maria Perrone | |
| Solvi Stubing | ... | Marika Engver - embassy clerk (as Solvy Stubing) | |
| Guido Leontini | ... | Mario Di Gennaro - 'Sogliola' | |
| Francesco D'Adda | ... | The Bespectacled Psychiatrist | |
| Fulvio Mingozzi | ... | Commissioner Mingozzi | |
| Carlo Gaddi | ... | Il Faina - Gobbo's friend | |
| Alessandra Cardini | (as Sandra Cardini) | ||
| Livio Galassi | ... | Giggi - Gobbo's friend | |
| Pierangelo Civera | ... | Agente Romeo Esposito (as Angelo Civera) | |
| Nello Pazzafini | ... | Carmine Ciacci | |
| Franco Odoardi | ... | The Chief Psychiatrist | |
| Valentino Macchi | ... | Brigadiere | |
| Roberto Caporali | ... | Man with white suit at the nightclub | |
| Rosario Borelli | ... | Romolo - Gobbo's friend | |
| Fortunato Arena | ... | The Male Nurse | |
| Tony Morgan | ... | Monnezza's Stuttering Friend | |
| Cesare Di Vito | ... | The Psychiatrist with slit lamp | |
| Mario Savini | |||
| Mario Piave | ... | Commissario Valenzi | |
| Tom Felleghy | ... | Questore | |
| Ennio Antonelli | ... | Osvaldo Albanese | |
| rest of cast listed alphabetically: | |||
| Salvatore Billa | ... | Hitman | |
| Massimo Bonetti | ... | Calogero Ciacci | |
| Nestore Cavaricci | ... | Policeman | |
| Bruno Di Luia | ... | Milo's friend | |
| Jimmy il Fenomeno | ... | Mentally ill man | |
| Riccardo Petrazzi | ... | The Chauffeur | |
| Carolyn De Fonseca | ... | Maria (voice: English version) (uncredited) | |
| Michael Forest | ... | Commissario Sarti (voice: English version) (uncredited) | |
| John Gayford | ... | Transvestite (voice: English version) (uncredited) | |
| Edward Mannix | ... | Mario Di Gennaro - 'Sogliola' (voice: English version) (uncredited) | |
| Taylor Mead | ... | Mentally ill Man (uncredited) | |
| Mimmo Poli | ... | Salvatore (uncredited) | |
| Bruno Rosa | ... | The Manager of the nightclub (uncredited) | |
| Ted Rusoff | ... | Commissario Valenzi (voice: English version) (uncredited) | |
| Robert Spafford | ... | Garage Owner (voice: English version) (uncredited) | |
Directed by | |||
| Umberto Lenzi | |||
Writing credits(in alphabetical order) | ||
| Umberto Lenzi | writer | |
| Tomas Milian | writer | |
Produced by | |||
| Luciano Martino | .... | producer | |
Original Music by | |||
| Franco Micalizzi | |||
Cinematography by | |||
| Federico Zanni | |||
Film Editing by | |||
| Eugenio Alabiso | |||
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| Roma a mano armata | Milano odia: la polizia non può sparare | Napoli violenta | Il giustiziere sfida la città | Da Corleone a Brooklyn |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Italy section | Add this title to MyMovies |
Tomas Milian stars in this poliziottesco and he plays a dual role as scumbag twin brothers!; given that I too have a twin brother, I could totally relate to their love/hate relationship!
The lead character is a creepy-looking hunchbacked gangster (sort of a cross between Richard III and John Barrymore's Hyde in the 1920 version of DR. JEKYLL AND MR. HYDE!) - who, actually, had already featured in Lenzi's ROME ARMED TO THE TEETH (1976); his brother is the dim-witted and more overtly comical "Monnezza", decked out in bum's clothing and sporting a particularly ridiculous Afro-wig (for him, this was the third and last appearance)! This is the first film I've watched for either of them and all I can say is that I was a lot more intrigued by the antics of The Hunchback...
The action scenes (often involving The Hunchback alone as "Monnezza" is useless in such situations - though he gets the last laugh!) deliver the goods but, even if the latter's low brand of comedy never really takes centre-stage, the film is still unbalanced by these scenes (though one in particular is quite inspired - when he's brought in for questioning at a police station and, in his feverish state of mind, mistakes a bearded hippie who's been arrested for Christ and thinks that he has died and gone to Heaven)! With respect to The Hunchback, the disco scene where he's ridiculed by the establishment's habitual bourgeois customers - to their eventual regret - introduces an unexpected poignancy into the fray (especially with the impassioned speech he delivers to them at gunpoint!), which suggests that the film-makers' intention was perhaps more serious than the end result would indicate...
As a matter of fact, star and director allegedly fell out during the making of this film (their sixth 'collaboration' in 4 years!) and, indeed, rather than sticking to a script Milian virtually improvised all his dialogue as he went along!! Besides, The Hunchback's nemesis here - Commissioner Sarti - is mostly ineffective (making a poor substitute for Maurizio Merli or even Luc Merenda) while the finale shamelessly rips off THE WAGES OF FEAR (1953)...but, at least, it does feature a typically bouncy score by Franco Micalizzi!