As a thirteen year old, Martha Caldwell witnessed the death of her parents in a terrible railway accident. Barely surviving the tragedy herself, Martha was struck dumb due to the shock. Now... See full summary »
Diablo is a biker gang leader executed for the murder of a young woman. A year after his death, it's time for Spring Break. Football players Skip and Ronnie head to the beach, where Skip ... See full summary »
Nicolas De Toth,
A race-car driver whose life, both personal and professional, is in a rapid downfall is invited by her ex-husband's new wife to stay at their plush estate. The two women form a bond, and ... See full summary »
In 19th century the Japanese Emperor sends a gift pony to the US President. The pony is stolen and ransomed by Indians. Sheriff Gideon aided by an inept Japanese servant who believes he is a true Samurai offers to deliver the ransom money.
Sadistic no-count killer Nanni Vitali and three other equally brutish hoodlums escape from prison. The foul foursome embark on a savage rape, murder, and robbery spree. Vitali even abducts ... See full summary »
An American narcotics agent is murdered in Italy. The head of the department decides to hire Larry Stanziani, 'The Cobra'. Larry, a former agent and now a third-rate private detective, uses... See full summary »
Enzo G. Castellari
An overweight high school student is relentlessly bullied due to weight. Out of the blue, she wins a trip to New York, where she sheds 80+ pounds and then returns home to take revenge on her tormentors.
Tomas Milian stars in this poliziottesco and he plays a dual role as scumbag twin brothers!; given that I too have a twin brother, I could totally relate to their love/hate relationship!
The lead character is a creepy-looking hunchbacked gangster (sort of a cross between Richard III and John Barrymore's Hyde in the 1920 version of DR. JEKYLL AND MR. HYDE!) - who, actually, had already featured in Lenzi's ROME ARMED TO THE TEETH (1976); his brother is the dim-witted and more overtly comical "Monnezza", decked out in bum's clothing and sporting a particularly ridiculous Afro-wig (for him, this was the third and last appearance)! This is the first film I've watched for either of them and all I can say is that I was a lot more intrigued by the antics of The Hunchback...
The action scenes (often involving The Hunchback alone as "Monnezza" is useless in such situations - though he gets the last laugh!) deliver the goods but, even if the latter's low brand of comedy never really takes centre-stage, the film is still unbalanced by these scenes (though one in particular is quite inspired - when he's brought in for questioning at a police station and, in his feverish state of mind, mistakes a bearded hippie who's been arrested for Christ and thinks that he has died and gone to Heaven)! With respect to The Hunchback, the disco scene where he's ridiculed by the establishment's habitual bourgeois customers - to their eventual regret - introduces an unexpected poignancy into the fray (especially with the impassioned speech he delivers to them at gunpoint!), which suggests that the film-makers' intention was perhaps more serious than the end result would indicate...
As a matter of fact, star and director allegedly fell out during the making of this film (their sixth 'collaboration' in 4 years!) and, indeed, rather than sticking to a script Milian virtually improvised all his dialogue as he went along!! Besides, The Hunchback's nemesis here - Commissioner Sarti - is mostly ineffective (making a poor substitute for Maurizio Merli or even Luc Merenda) while the finale shamelessly rips off THE WAGES OF FEAR (1953)...but, at least, it does feature a typically bouncy score by Franco Micalizzi!
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