A bomb attack in a cinema in Palermo kills all the fellows of Attardi's clan a part from Cocchi. He immediately understands that the author of the bomb attack is Daniello from Don ... See full summary »
Carlo Antonelli, an engineer from Genoa, gets mugged and decides to take justice into his own hands. At first the muggers seem to get the upper hand, but then he's helped by Tommy, a young robber who takes his side.
A woman, a survivor of a failed murder attempt by a person dubbed "The Half-Moon Killer" by the police, and her husband must find the connecting thread between herself, six other women, and... See full summary »
Pier Paolo Capponi
A shoot out after a robbery ends with the death of the Chief of Police. Police detective Ghini goes in search of a suspect, Lanza, to avenge the death of his boss. Ghini's search leads him ... See full summary »
Il maresciallo Nico Giraldi aspetta il suo primo figlio ed è in vacanza con la moglie e la nonna di lei, sorda, ma esperta levatrice. Ma l'imprevisto è in agguato e Nico viene richiamato in... See full summary »
Tomas Milian stars in this poliziottesco and he plays a dual role as scumbag twin brothers!; given that I too have a twin brother, I could totally relate to their love/hate relationship!
The lead character is a creepy-looking hunchbacked gangster (sort of a cross between Richard III and John Barrymore's Hyde in the 1920 version of DR. JEKYLL AND MR. HYDE!) - who, actually, had already featured in Lenzi's ROME ARMED TO THE TEETH (1976); his brother is the dim-witted and more overtly comical "Monnezza", decked out in bum's clothing and sporting a particularly ridiculous Afro-wig (for him, this was the third and last appearance)! This is the first film I've watched for either of them and all I can say is that I was a lot more intrigued by the antics of The Hunchback...
The action scenes (often involving The Hunchback alone as "Monnezza" is useless in such situations - though he gets the last laugh!) deliver the goods but, even if the latter's low brand of comedy never really takes centre-stage, the film is still unbalanced by these scenes (though one in particular is quite inspired - when he's brought in for questioning at a police station and, in his feverish state of mind, mistakes a bearded hippie who's been arrested for Christ and thinks that he has died and gone to Heaven)! With respect to The Hunchback, the disco scene where he's ridiculed by the establishment's habitual bourgeois customers - to their eventual regret - introduces an unexpected poignancy into the fray (especially with the impassioned speech he delivers to them at gunpoint!), which suggests that the film-makers' intention was perhaps more serious than the end result would indicate...
As a matter of fact, star and director allegedly fell out during the making of this film (their sixth 'collaboration' in 4 years!) and, indeed, rather than sticking to a script Milian virtually improvised all his dialogue as he went along!! Besides, The Hunchback's nemesis here - Commissioner Sarti - is mostly ineffective (making a poor substitute for Maurizio Merli or even Luc Merenda) while the finale shamelessly rips off THE WAGES OF FEAR (1953)...but, at least, it does feature a typically bouncy score by Franco Micalizzi!
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