A black and white lowlife duo drives around Australia's Outback in a stolen vehicle and finds trouble after trouble.

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Cast

Cast overview:
...
Jack
Gary Foley ...
Gary
Zack Martin ...
Joe (as Zac Martin)
...
Jean Claude
Julie McGregor ...
Anna
Essie Coffey ...
Aboriginal Woman
Doc Coffey ...
Card Player
Richard Sullivan ...
Card Player
Stan Penrose ...
Policeman
Allan Penney ...
Shopkeeper
Max Andrews ...
Garageman
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Storyline

A black and white lowlife duo drives around Australia's Outback in a stolen vehicle and finds trouble after trouble.

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Genres:

Crime | Drama

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Release Date:

27 June 1977 (Australia)  »

Also Known As:

Back Roads  »

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Did You Know?

Trivia

This is one of a handful of mid-late 1970s Australian feature films that were road movies. The pictures include High Rolling in a Hot Corvette (1977), Summer City (1977), 20th Century Oz (1976), Cosy Cool (1977), In Search of Anna (1978) and Backroads (1977). See more »

Connections

Featured in Reading Australian Film (1988) See more »

Soundtracks

They Say It's A Crime
Written by Dougie Young
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User Reviews

Australia's racial Easy Rider?
5 March 2003 | by (Melbourne) – See all my reviews

This movie reminded me of EASY RIDER. While not documenting the emergence of a freer counter-culture or revealing the shortcomings of contemporary society, it flowed on similarly as a thoroughly fluid road-movie that sought to uncover deeply-engrained prejudices that still persist, even latently, in attitude formation: black or white.

The two protagonists are once again outcasts; Bill the itinerant, petty-thief rebel-rouser and Dave his good, clear-thinking, articulate Aboriginal friend. They pick up hitchhikers on their way across Northern New South Wales, stopping by Dave's reservation and generally having a good time. The movies ends in an element of pathos analogous to EASY RIDER.

The movie gives the actors scope to make a balanced statement on the nature of racism. Bill Hunter plays an essentially fair, full-loving and decent bloke, who still had ingrained reservations about fully recognising Aboriginal cultural-sovereignty. BACKROADS succeeds because it is sensible and makes no definite statement on the race debate.

A very enjoyable film that probably gave the Australian Film Commission courage to make others like "Wrong Side Of The Road".


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