5.9/10
4,565
71 user 50 critic

Audrey Rose (1977)

A stranger attempts to convince a happily married couple that their daughter is actually his daughter reincarnated.

Director:

Writers:

(screenplay), (novel)
Reviews

Watch Now

With Prime Video

WATCH NOW
ON DISC
Edit

Cast

Cast overview, first billed only:
...
...
...
...
...
...
Scott Velie
...
...
Judge Langley
...
Mary Lou Sides
Stephen Pearlman ...
Russ Rothman
Aly Wassil ...
Maharishi Gupta Pradesh
...
Mother Veronica
...
Policeman #1
Tony Brande ...
Detective Fallon
Elizabeth Farley ...
Carole Rothman
Edit

Storyline

In New York, Janice Templeton is happily married to executive Bill Templeton and they live in a comfortable and fancy apartment with their eleven-year-old daughter Ivy. One day, Janice is stalked by a weirdo and she tells her husband. Soon afterwards the stranger contacts them and invites the couple to meet him in a restaurant. Elliot Hoover tells Janice and Bill that his daughter Audrey Rose died eleven years ago, burned in a car crash, and her soul has been reincarnated in Ivy's body. Bill and Janice believe that Elliot is nuts, and Bill tells his lawyer to get a restraining order against Elliot. However, Ivy has dreadful nightmares and only Elliot is able to calm her down. When Elliot abducts Ivy, Bill and Janice go to court to have him arrested. But Elliot wants to prove that Ivy and Audrey Rose are the same soul. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

A Modern Mystery That Will Shock the Hell Out of You! See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

6 April 1977 (USA)  »

Also Known As:

As Duas Vidas de Audrey Rose  »

Company Credits

Production Co:

 »
Show more on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

The place where Ivy Templeton's (Susan Swift's) parents lived, was the Hotel Des Artistes in New York City, New York. See more »

Goofs

The school for girls where Ivy was sent during the trial was administrated by a character dressed as a Catholic nun and addressed as "mother superior". In the mid 1970s Catholic schools still had not fully embraced the celebration of Halloween due to its secular roots. Therefore, it is highly unlikely a Catholic school would allow a ritual with such pagan undertones as students dancing around a large bonfire to melt a giant snowman while chanting blessings for an early spring. See more »

Quotes

[first lines]
Janice Templeton: Ivy!
Ivy Templeton: Hi mom!
See more »

Connections

Referenced in Blue Nude (1978) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Robert Wise obviously had a mortgage.
17 November 2006 | by See all my reviews

I saw the movie last night, and I have to say that I was shocked by the poorness of the plot, the bad acting and the absence of the director touch; the producers tried to get a good hit with a really low budget, and it would be interesting to know how the film did in 1977.

The movie is full of awkward scenes: the girl screams and runs into thing, and the parents just look at her and run to the phone; the tribunal scenes are going nowhere.

M. Mason is overacting beyond any limits and, poor woman, she has to support over her shoulders one of the worst scripts ever: A. Hopkins seems lost and the actor playing the role of the father is useless (and have a very bad written character). I guess she thought she would film the new Exorcist, and she found herself in a low level exploitation of that trend.

Watch The Exorcist, Rosemary's Baby, and The Omen series. They are way better directed and have a strong script. And they are much scarier and leave you with a sense of unease that lasts.

The only interesting scene, and there you see the director's touch, is when the little girl has a crisis and runs all over the house followed by the mother: everything is filmed from behind a window, and you can only hear the noise of the rain. Too bad the scene is then ruined at the next take.


15 of 26 people found this review helpful.  Was this review helpful to you?
Review this title | See all 71 user reviews »

Contribute to This Page

Paul Scheer on Why There Are No Bad Movies

Paul Scheer discusses The Disaster Artist and his love of awesomely bad movies. Plus, we dive into the origins of midnight movies and explore how The Room became a cult classic.

Watch now