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In New York, Janice Templeton is happily married with the executive Bill Templeton and they live in a comfortable and fancy apartment with their eleven year-old daughter Ivy. One day, Janice is stalked by a weirdo and she tells her husband. Soon the stranger contacts them and invites the couple to meet him in a restaurant. Elliot Hoover tells to Janice and Bill that his daughter Audrey Rose died eleven years ago burned in a car crash and her soul would have reincarnated in Ivy's body. Bill and Janice believe that Elliot is nuts and Bill tells his lawyer to get a restraining order against Elliot. However, Ivy has dreadful nightmares and only Elliot is capable to calm her down. When Elliot abducts Ivy, Bill and Janice go to the court to arrest him. But Elliot wants to prove that Ivy and Audrey Rose are the same soul. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to the book, "The Case for Reincarnation" by Joe Fisher, the screenplay for "Audrey Rose" was inspired by an actual incident in author De Felitta's life. Hearing expert ragtime piano coming from his family's music room, he was astonished to discover it was being produced by his six-year-old son, who had never had a music lesson. "My fingers are doing it by themselves, Daddy!", the boy said. "Isn't it wonderful?" The experience set him to contemplating the possibility of reincarnation. See more »
I saw the movie last night, and I have to say that I was shocked by the poorness of the plot, the bad acting and the absence of the director touch; the producers tried to get a good hit with a really low budget, and it would be interesting to know how the film did in 1977.
The movie is full of awkward scenes: the girl screams and runs into thing, and the parents just look at her and run to the phone; the tribunal scenes are going nowhere.
M. Mason is overacting beyond any limits and, poor woman, she has to support over her shoulders one of the worst scripts ever: A. Hopkins seems lost and the actor playing the role of the father is useless (and have a very bad written character). I guess she thought she would film the new Exorcist, and she found herself in a low level exploitation of that trend.
Watch The Exorcist, Rosemary's Baby, and The Omen series. They are way better directed and have a strong script. And they are much scarier and leave you with a sense of unease that lasts.
The only interesting scene, and there you see the director's touch, is when the little girl has a crisis and runs all over the house followed by the mother: everything is filmed from behind a window, and you can only hear the noise of the rain. Too bad the scene is then ruined at the next take.
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