Alvy Singer, a forty year old twice divorced, neurotic, intellectual Jewish New York stand-up comic, reflects on the demise of his latest relationship, to Annie Hall, an insecure, flighty, Midwestern WASP aspiring nightclub singer. Unlike his previous relationships, Alvy believed he may have worked out all the issues in his life through fifteen years of therapy to make this relationship with Annie last, among those issues being not wanting to date any woman that would want to date him, and thus subconsciously pushing those women away. Alvy not only reviews the many ups and many downs of their relationship, but also reviews the many facets of his makeup that led to him starting to date Annie. Those facets include growing up next to Coney Island in Brooklyn, being attracted to the opposite sex for as long as he can remember, and enduring years of Jewish guilt with his constantly arguing parents. Written by
The first rough cut ran 2 hours and 20 minutes. Among the scenes later eliminated were: segments showing Alvy's former classmates in the present day; Alvy as a teenager; a scene in a junk-food restaurant (featuring Danny Aiello); extensive additional scenes featuring Carol Kane, Janet Margolin, Colleen Dewhurst and Shelley Duvall; and a fantasy segment at Madison Square Garden featuring the New York Knicks competing against a team of five great philosophers. Christopher Walken's driving scene was also cut, but was restored a week before the film was completed. New material for the ending was filmed on three occasions, but most was discarded. The final montage was a late addition. See more »
Near the end of the film when Annie and Alvy meet outside at the restaurant, the crew is reflected in Annie's glasses throughout the scene. See more »
[addressing the camera]
There's an old joke - um... two elderly women are at a Catskill mountain resort, and one of 'em says, "Boy, the food at this place is really terrible." The other one says, "Yeah, I know; and such small portions." Well, that's essentially how I feel about life - full of loneliness, and misery, and suffering, and unhappiness, and it's all over much too quickly. The... the other important joke, for me, is one that's usually attributed to Groucho Marx; but, I ...
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Christopher Walken's name is misspelled in the credits as "Christopher Wlaken". See more »
Woody Allen never created a more enjoyable film. Annie Hall is as innovative and clever as any movie has ever been. What makes Annie Hall such a great film is Allen's carefree screenplay and direction, in which he breaks all of the rules, giving the viewer the sense that anything can happen. Allen makes us characters into his story by talking to the camera, telling us jokes, and sharing his opinions with us.
Many of Allen's once original tactics have become commonly used techniques. Woody Allen includes flashbacks, vignettes, voice-over commentary, animation, fantasy, putting himself and others into flashbacks, and subtitles, telling what the characters are thinking. Much of Allen's other works has never been so full of priceless innovations and jokes.
The characters themselves are so well defined that they feel real to the viewer. By the time the film ends, we can see exactly why Alvy Singer and Annie Hall broke up in the first place. That's great filmmaking.
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