| Cast overview, first billed only: | |||
| Woody Allen | ... | ||
| Diane Keaton | ... | ||
| Tony Roberts | ... | ||
| Carol Kane | ... | ||
| Paul Simon | ... | ||
| Shelley Duvall | ... | ||
| Janet Margolin | ... | ||
| Colleen Dewhurst | ... |
Mom Hall
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| Christopher Walken | ... |
Duane Hall
(as Christopher Wlaken)
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Donald Symington | ... |
Dad Hall
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Helen Ludlam | ... |
Grammy Hall
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Mordecai Lawner | ... |
Alvy's Dad
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Joan Neuman | ... |
Alvy's Mom
(as Joan Newman)
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Jonathan Munk | ... | |
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Ruth Volner | ... |
Alvy's Aunt
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Alvy Singer, a forty year old twice divorced, neurotic, intellectual Jewish New York stand-up comic, reflects on the demise of his latest relationship, to Annie Hall, an insecure, flighty, Midwestern WASP aspiring nightclub singer. Unlike his previous relationships, Alvy believed he may have worked out all the issues in his life through fifteen years of therapy to make this relationship with Annie last, among those issues being not wanting to date any woman that would want to date him, and thus subconsciously pushing those women away. Alvy not only reviews the many ups and many downs of their relationship, but also reviews the many facets of his makeup that led to him starting to date Annie. Those facets include growing up next to Coney Island in Brooklyn, being attracted to the opposite sex for as long as he can remember, and enduring years of Jewish guilt with his constantly arguing parents. Written by Huggo
`Annie Hall', long thought to be Woody Allen's opus, is perhaps a perfect romantic comedy because it not only shows the happy, touching moments of relationships, but also displays the reality of coupling the occasional waning of interest in one another, the hypercritical moments, etc. It is absolutely brilliantly written; Woody Allen exhibits his usual dry humor and self-deprecation, but also his sensitive, passionate and romantic side. It was because of this film that I fell in love with Woody Allen at the age of twelve (take your cheap shot here) and almost twenty years later he still is that intellectual, bookish and humorous ideal. Diane Keaton was his muse and co-star for this film, and they are perfect counterparts so much so that their interaction onscreen doesn't seem like viewing two actors in a film, but is a much more voyeuristic experience. Watching `Annie Hall' is like sitting at a bistro table and observing another couple a few tables away, and that is just one of the elements that make this film so endearing. Most people can relate to at least some aspects of Alvy and Annie's relationship, which helps make this film a timeless one.
However, `Annie Hall' is not just a good romantic comedy; it is a film that engages some unusual storytelling techniques. Actors speak directly to the audience, characters interact with strangers on the street who just happen to know the answers to the personal questions posed, there is a brief animation scene, etc. While none of these approaches were new in 1977, their execution was inspired. `Annie Hall' is like a fond memory, or a favorite old song anytime I have discussed this film with others their smiling expressions are usually tinged with a hint of nostalgia, because one can look back on either their past or current relationship and do what precious few films allow us to do relate on a personal level.
--Shelly