Edit
Storyline
A movie about a good-for-nothing stuntman called Mike Gaucher who can't do one single job without something going wrong. His fiancée wants to kill him, the film studios don't want to give him any more work and, as King Kong for a promotion in a supermarket, he winds up destroying some display shelves. The only role he plays well is pretending not to be able to hear, speak and walk in order to get money from the government. Then along comes the "beautiful" actor called Bruno Ferrari. Supposedly a fearless stuntman, Ferrari turns out to be afraid of heights once his feet leave the ground. So a stuntman is needed to prevent a scandal. And who is the man who looks most (or exactly) like Bruno? You guessed it, good-for-nothing Mike... Written by
Markus Wachenheim <markusw@geocities.com>
Plot Summary
|
Add Synopsis
Edit
Did You Know?
Trivia
After a couple of under performing movies (by Belmondo's high standards anyway), he returns with this movie which was the 5th highest grossing movie of its year in France.
See more »
Connections
References
King Kong (1933)
See more »
Claude Zidi has made comedies with all the best actors in France: Coluche, Thierry Lhermitte, Daniel Auteuil, Josiane Balasko; I imagine they sign on when they know he's directing. Here he has got Belmondo and Raquel Welch in an entertaining but not deeply probing picture(certainly not as deeply as Salut l'artiste, Yves Robert's film on stunt performers, with Mastroianni).
Belmondo has a lot of fun being physical, throwing his 44-year-old body down staircases and over moving cars. That stomach is still as flat as when he made Breathless with Godard, he's a marvel. Raquel Welch looks better here than I can remember her in Hollywood pictures, she's well lit and wears some great outfits by Scherer. She looks a lot better than she did in Mother, Jugs and Speed, or any of those junkfests. Finally, Aldo Maccione as the director is so easy to watch--and I've watched him in many pictures--he's like the perfect shady night club manager, married to the mob.