| Photos (See all 17 | slideshow) | Videos |
| Dennis Hopper | ... | Tom Ripley | |
| Bruno Ganz | ... | Jonathan Zimmermann | |
| Lisa Kreuzer | ... | Marianne Zimmermann | |
| Gérard Blain | ... | Raoul Minot | |
| Nicholas Ray | ... | Derwatt | |
| Samuel Fuller | ... | Der Amerikaner | |
| Peter Lilienthal | ... | Marcangelo | |
| Daniel Schmid | ... | Igraham | |
| Sandy Whitelaw | ... | Arzt in Paris | |
| Jean Eustache | ... | Freundlicher Mann | |
| Lou Castel | ... | Rodolphe | |
| Andreas Dedecke | ... | Daniel | |
| David Blue | ... | Allan Winter | |
| Stefan Lennert | ... | Auktionator | |
| Rudolf Schündler | ... | Gantner | |
| Gerty Molzen | ... | Alte Dame | |
| Heinz Joachim Klein | ... | Dr. Gabriel | |
| Heinrich Marmann | ... | Herr im zug | |
| Satya De La Manitou | ... | Angie | |
| Axel Schiessler | ... | Lippo | |
| Adolf Hansen | ... | Schaffner | |
| Rosemarie Heinikel | ... | Mona | |
| rest of cast listed alphabetically: | |||
| Enzo Robutti | ... | Falling man (uncredited) | |
| Wim Wenders | ... | Figure Wrapped in Plaster Bandages in Ambulance (uncredited) | |
Directed by | |||
| Wim Wenders | |||
Writing credits | ||
| Patricia Highsmith | (novel "Ripley's Game") | |
| Wim Wenders | ||
Produced by | |||
| Renée Gundelach | .... | supervising producer | |
| Margaret Ménégoz | .... | line producer | |
| Joachim von Mengershausen | .... | producer: WDR | |
| Wim Wenders | .... | producer | |
Original Music by | |||
| Jürgen Knieper | |||
Cinematography by | |||
| Robby Müller | |||
Film Editing by | |||
| Peter Przygodda | |||
Art Direction by | |||
| Heidi Lüdi | |||
| Toni Lüdi | |||
Costume Design by | |||
| Isolde Nist | |||
Makeup Department | |||
| Evelyn Döhring | .... | makeup artist | |
| Hannelore Uhrmacher | .... | makeup artist | |
Production Management | |||
| Pierre Cottrell | .... | production manager | |
| Harald Kügler | .... | unit manager | |
| Michael Wiedemann | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Emmanuel Clot | .... | assistant director | |
| Fritz Müller-Scherz | .... | assistant director | |
| Philippe Schwartz | .... | first assistant director | |
Art Department | |||
| Peter Braun | .... | props | |
| Luigi De Luca | .... | props | |
| Bernhard Frey | .... | props | |
| Eckerhard Voggenreiter | .... | props | |
Sound Department | |||
| Milan Bor | .... | sound mixer | |
| Jochen Bärwald | .... | assistant sound | |
| Max Galinsky | .... | sound mixer | |
| Peter Kaiser | .... | sound | |
| Maryte Kavaliauskas | .... | sound assistant | |
| Jens-Uwe Laddey | .... | assistant sound | |
| Martin Müller | .... | sound mixer | |
Special Effects by | |||
| Theo Nischwitz | .... | special effects | |
Stunts | |||
| Klaus Schichan | .... | stunts | |
Camera and Electrical Department | |||
| Jean-François Casi | .... | crane operator: Louma crane | |
| Marc Casi | .... | crane operator: Louma crane | |
| Wolfgang Dell | .... | lighting technician | |
| Hans Dreher | .... | grip | |
| Ernst Harinko | .... | lighting technician | |
| Ekkehard Heinrich | .... | lighting technician | |
| Edward Lachman | .... | assistant camera | |
| Jean-Marie Lavalou | .... | crane operator: Louma crane | |
| Jean-Claude LeBras | .... | electrician | |
| Robert Morsch | .... | electrician | |
| Tassilo Peik | .... | lighting technician | |
| Viktor Sauermann | .... | lighting technician | |
| Martin Schäfer | .... | assistant camera | |
| Jacques Steyn | .... | assistant camera | |
| Hans Volkmann | .... | lighting technician | |
| Andreas Willim | .... | electrician | |
Costume and Wardrobe Department | |||
| Renate Zimmermann | .... | wardrobe | |
Editorial Department | |||
| Gisela Bock | .... | assistant editor | |
| Ingrid Träutlein-Peer | .... | assistant editor | |
| Barbara von Weitershausen | .... | assistant editor | |
Other crew | |||
| Heinz Badewitz | .... | location manager | |
| Claude Bertonazzi | .... | production administrator | |
| Pat Kirck | .... | location manager: New York | |
| Anne Povel | .... | bookkeeper | |
| Philippe Schwartz | .... | location manager: Paris | |
| Harald Vogel | .... | production assistant | |
| Gretl Zeilinger | .... | script supervisor | |
|
|
|
|
|
| The Manchurian Candidate | Strangers on a Train | Mulholland Dr. | The Usual Suspects | Death Wish |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb West Germany section |
Wim Wenders' movies are really a matter of taste. His detractors find his movies to be painfully slow, drawn out, pretentious affairs. Even I can admit to finding the prospect of sitting through some of his movies (particularly 'Until the End of the World' and 'Faraway, So Close!') almost unbearable. But when Wenders is on form he is hard to beat for mysterious, multi-layered, genuinely haunting movies.
Some people regard 'The American Friend' as a total bore, but I found it to be anything but, and almost equal to his masterpieces 'Paris, Texas' and 'Wings Of Desire'. Sure it is slow, and bound to frustrate those with MTV-type attention spans, but bear with it, and you will be rewarded.
Bruno Ganz is first rate as the picture-framer turned reluctant hitman, and Dennis Hopper, who is often ridiculed for his over the top self parodic "crazy guy" roles, is quietly impressive as the enigmatic, almost poetic Ripley. Compare his performance (and this movie as a whole) with Matt Damon's obvious turn in the more recent 'The Talented Mr. Ripley'. It speaks volumes for how much less subtle and intelligent most contemporary movies have become.