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The American Friend (1977)
"Der amerikanische Freund" (original title)

7.4
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Ratings: 7.4/10 from 6,881 users  
Reviews: 48 user | 38 critic

Tom Ripley, who deals in forged art, suggests a picture framer he knows would make a good hit man.

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Title: The American Friend (1977)

The American Friend (1977) on IMDb 7.4/10

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7 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Lisa Kreuzer ...
Gérard Blain ...
Raoul Minot
Nicholas Ray ...
Samuel Fuller ...
Der Amerikaner
Peter Lilienthal ...
Marcangelo
...
Igraham
Sandy Whitelaw ...
Arzt in Paris
Jean Eustache ...
Freundlicher Mann
...
Rodolphe
Andreas Dedecke ...
David Blue ...
Allan Winter
Stefan Lennert ...
Auktionator
Rudolf Schündler ...
Gantner
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Storyline

Tom Ripley has a sweet deal with an art forger. The forger creates the paintings; Tom sells them. But another criminal business associate wants Tom to go in for an even riskier enterprise: murder. Tom suggests his associate ask a local picture framer instead. That man has a fatal disease, or so it's rumored. More, he has a wife and kid that surely he wouldn't want to leave penniless. Let this picture framer be a hit man, and no one will suspect. The terminally ill craftsman may agree to the misdeed, and several more, but he'll end up needing Tom Ripley in a pinch. Written by J. Spurlin

Plot Summary | Add Synopsis


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Details

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Language:

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Release Date:

24 June 1977 (West Germany)  »

Also Known As:

The American Friend  »

Box Office

Budget:

DEM 3,000,000 (estimated)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

First major film role of Bruno Ganz. See more »

Quotes

[first lines]
Derwatt: Who is it?
Tom Ripley: It's Ripley.
Derwatt: The door is open.
See more »

Connections

Referenced in Lena (2001) See more »

Soundtracks

Too Much on My Mind
Written by Ray Davies
Performed by The Kinks
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User Reviews

 
probably postmodern
13 April 1999 | by (Toronto, Canada) – See all my reviews

A wonderful film whose plot elements are not nearly as important as the characters' development. Hopper is endearing, and the suspense created in a few paramount scenes is very effective. The music, and the surreal cameos and nature of the story create a very involving film full of clever twists, scenes, and dialogue. The use of different characters might be interpreted as symbols for different national characteristics; but the film is best seen for what it is. A really good story that plays on many of the cliches that were established ten or twenty years before it. Wenders knows his American films.


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