A traveling projection-equipment mechanic works in Western Germany along the East-German border, visiting worn-out film-theatres. He meets up with a depressed young man whose marriage has just broken up, and the two decide to travel together.
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's Day the World Ended (1955). The producer is nowhere to be found and director Friedrich... See full summary »
Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an ... See full summary »
Hans Christian Blech
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
Tom Ripley has a sweet deal with an art forger. The forger creates the paintings; Tom sells them. But another criminal business associate wants Tom to go in for an even riskier enterprise: murder. Tom suggests his associate ask a local picture framer instead. That man has a fatal disease, or so it's rumored. More, he has a wife and kid that surely he wouldn't want to leave penniless. Let this picture framer be a hit man, and no one will suspect. The terminally ill craftsman may agree to the misdeed, and several more, but he'll end up needing Tom Ripley in a pinch. Written by
Director Wim Wenders originally wanted to adapt his favorite Patricia Highsmith novel, "The Cry of the Owl," but the film rights had already been sold. He then attempted to obtain the rights to his next favorite Highsmith novel, "The Tremor of Forgery," but the rights to this novel had also already been sold. Upon learning that Wenders wanted to adapt one of her novels, Highsmith offered him an unpublished manuscript of "Ripley's Game." See more »
I want to tell you how incredibly joyous this film is...but I worry that I'll tell you the wrong way and sound ridiculous. So don't read any further. Just see the movie for yourself.
Dennis Hopper and Bruno Ganz are fantastic as the perverse Ripley and his randomly picked/stalked friend. I've never seen a buddy-buddy film where the bonding is done quite like this, unreal. Unreal how deep they go. No, really, it's that amazing.
Odd things that I liked: I like the way the two shift casually between English and German. I like the Bartok-ish music. The cinematography is great, and on the DVD commentary you will hear Wenders talk about Robby's inventiveness with gels. The train scene is one crisis after another but also contains some hilarious bits (the business with the tickets). Another powerful moment takes place later at Tom's house where they try to execute a reverse-ambush. Jonathan, pipe in hand, looking down sadly at the henchman he'd just sent down for good.
What else do I like without revealing too much of the plot? Gee, I guess I like everything about this film. This is one of those films (Je vous salue, Marie; Paris Texas; Lost in Translation; Chungking Express are others) that I LOVE so dearly that I hate myself for talking about it because it's inevitable that I will be wronging it with the inadequacy of my language (ie trying to capture something that is beyond words).
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