Hans is a street fruit peddler and born-loser. His choice of career upsets his bourgeois family, causing him to turn to drinking and violence. After recovering from a debilitating heart ... See full summary »
Rainer Werner Fassbinder
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's _Day the World Ended, The (1956)_. The producer is nowhere to be found and director ... See full summary »
Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an ... See full summary »
Hans Christian Blech
The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but ... See full summary »
In 17th-century Salem, Hester Prynne must wear a scarlet A because she is an adulteress, with a child out of wedlock. For seven years, she has refused to name the father. A vigorous older ... See full summary »
Hans Christian Blech,
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks ... See full summary »
Tom Ripley has a sweet deal with an art forger. The forger creates the paintings; Tom sells them. But another criminal business associate wants Tom to go in for an even riskier enterprise: murder. Tom suggests his associate ask a local picture framer instead. That man has a fatal disease, or so it's rumored. More, he has a wife and kid that surely he wouldn't want to leave penniless. Let this picture framer be a hit man, and no one will suspect. The terminally ill craftsman may agree to the misdeed, and several more, but he'll end up needing Tom Ripley in a pinch. Written by
Wim Wenders originally wanted to shoot the film in a static way with no camera movement. He changed his mind and re-shot the first two days of filming, this time including more camera movement. See more »
I want to tell you how incredibly joyous this film is...but I worry that I'll tell you the wrong way and sound ridiculous. So don't read any further. Just see the movie for yourself.
Dennis Hopper and Bruno Ganz are fantastic as the perverse Ripley and his randomly picked/stalked friend. I've never seen a buddy-buddy film where the bonding is done quite like this, unreal. Unreal how deep they go. No, really, it's that amazing.
Odd things that I liked: I like the way the two shift casually between English and German. I like the Bartok-ish music. The cinematography is great, and on the DVD commentary you will hear Wenders talk about Robby's inventiveness with gels. The train scene is one crisis after another but also contains some hilarious bits (the business with the tickets). Another powerful moment takes place later at Tom's house where they try to execute a reverse-ambush. Jonathan, pipe in hand, looking down sadly at the henchman he'd just sent down for good.
What else do I like without revealing too much of the plot? Gee, I guess I like everything about this film. This is one of those films (Je vous salue, Marie; Paris Texas; Lost in Translation; Chungking Express are others) that I LOVE so dearly that I hate myself for talking about it because it's inevitable that I will be wronging it with the inadequacy of my language (ie trying to capture something that is beyond words).
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