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Alucarda (1977)
"Alucarda, la hija de las tinieblas" (original title)

6.2
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Ratings: 6.2/10 from 1,547 users  
Reviews: 38 user | 57 critic

A young girl's arrival at a convent after the death of her parents marks the beginning of a series of events that unleash an evil presence on the girl and her mysterious new friend, an ... See full summary »

Director:

(as Juan L. Moctezuma)

Writers:

(novel), (story), 5 more credits »
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Title: Alucarda (1977)

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Cast

Cast overview, first billed only:
Claudio Brook ...
David Silva ...
Tina Romero ...
Susana Kamini ...
Lili Garza ...
Daniela Oszek (as Lily Garza)
Tina French ...
Birgitta Segerskog ...
Adriana Roel ...
Antonia Guerrero
...
Brother Felipe (as Martín Lasalle)
Manuel Dondé ...
Wagon Driver
Adriana Riveroll
Susan Inman
Alejandra Moya
Agustín Isunza ...
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Storyline

A young girl's arrival at a convent after the death of her parents marks the beginning of a series of events that unleash an evil presence on the girl and her mysterious new friend, an enigmatic figure known as Alucarda. Demonic possession, Satan worship, and vampirism follows. Written by acidxian

Plot Summary | Add Synopsis

Taglines:

They gave their souls to Hell... but the Devil wanted MORE! [Canada]

Genres:

Horror | Thriller

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

26 January 1978 (Mexico)  »

Also Known As:

Alucarda  »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Connections

References The Exorcist (1973) See more »

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User Reviews

 
Satanic panic theater
13 March 2013 | by (Greece) – See all my reviews

You can have so much fun with this!

In this crazy exploitation movie, young nuns Alucarda (anagram for Dracula) and Justine strike a blood pact, summon demonic forces of some sort and wreak havoc in a small religious community in Mexico. That's it in a nutshell.

It isn't simply a bad film, though it is in conventional terms. It's so utterly nonsensical, so bizarre and hysteric it becomes much more than it is. And isn't the whole point with movies that we construct what they mean to us?

It falls somewhere between Jess Franco's lesbian vampire films, and unconsciously Arrabal's Panic Theater and the Pythons. The beauty of it is that you can read it any way you feel like, there is no logic which is something I seek in films. Or rather, the logic is so inane compared to the anarchic joy, it breaks. My preferred reading is that the whole cacophonous mess is something between Justine's fears of motherhood strangling her sexuality (viewed through a Catholic prism), a confessional of scandalous teenage thoughts, and mischief caused by two young nuns in the back benches during Sunday school, perhaps imaginary, perhaps blown up into 'possession' by the shrill teacher.

It is all entirely theatric, but unselfconscious which is why its chaos works. Everyone is acting crazy, nuns drop down out of the blue. A book (ostensibly on demonology) simply reads 'Satan'. It's all of it disconnected, we visit one place then another. There is a satanic ritual and orgy for no good reason.

There is so much screaming, there is screaming inside the screaming.

It's awesome.


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