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Adéla jeste nevecerela (1978)

7.8
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Ratings: 7.8/10 from 680 users  
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When the famous detective Nick Carter visits Prague, he becomes involved in strange case of a missing dog and even stranger carnivorous plant. He becomes convinced that he is standing ... See full summary »

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Title: Adéla jeste nevecerela (1978)

Adéla jeste nevecerela (1978) on IMDb 7.8/10

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Cast

Cast overview, first billed only:
Michal Docolomanský ...
Detective Nick Carter / Countryman Larry Matejka
Rudolf Hrusínský ...
Commisar Ledvina
Milos Kopecký ...
Gardener
Václav Lohniský ...
Kratzmar's chamberlain
Ladislav Pesek ...
Professor Albín Bocek
Nada Konvalinková ...
Kvetuska
Kveta Fialová ...
Countess Thun
Martin Ruzek ...
Chevalier Franz von Kaunitz
Olga Schoberová ...
Karin - countess companion
Zdenek Díte ...
Hotel manager
Karel Effa ...
Baddy / Veteran
Vladimír Hrubý ...
Aviator
Petr Brukner ...
Kurátko
Vladimír Hrabánek ...
Entertainer in the cabaret
Milan Mach ...
Warder #1
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Storyline

When the famous detective Nick Carter visits Prague, he becomes involved in strange case of a missing dog and even stranger carnivorous plant. He becomes convinced that he is standing against his greatest enemy - the Gardener, who supposedly died years ago in a swamp... Written by Marek 14

Plot Summary | Add Synopsis

Genres:

Comedy | Crime | Mystery

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Details

Country:

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Release Date:

1 August 1978 (Czechoslovakia)  »

Also Known As:

Adele Hasn't Had Her Dinner Yet  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

| (Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Robert Redford and Jirí Kodet were considered for the part of Nick Carter, eventually played by Michal Docolomanský. See more »

Connections

Featured in Max, Sally and the Magic Phone (2001) See more »

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User Reviews

 
Surreal costume party with Nick Carter and carnivorous plant
4 January 2012 | by (Greece) – See all my reviews

More famously this one gets credit for predating Inspector Gadget, whether or not it was the actual source of inspiration. Gadget was daft but coasted on technology, often disastrous, stupid luck, and borrowed genius from his friends. Here we have another such private dick wired with all sorts of gizmo that save the day, but is seen more shrewdly within the original context of inspiration: Sherlock Holmes, where all the machinations were cranked out in the mind.

Pulp lore tells us Nick Carter actually debuted a year before Sherlock Holmes so could not have been influenced, but historical adherence is hardly the point here. Nick Carter is as much the object of sheer movie enjoyment, as a kind of James Bond test run, as a hodge podge of the suave American movie icon, the private dick, the action star, the movie hunk, as of biting scrutiny. This is never more obvious than in his overt reliance to eccentric gadgetry to see him through. It's his fat, bumpy, Czech colleague, his Dr. Watson as it were, who finally brings Moriarty down, by sheer street-wise craftsmanship and a good mark.

It helps to know as background on what this is, that this is by the same filmmaker behind the anti-capitalist western farce Lemonade Joe.

Otherwise, it's as you know Czech comedy; a broadly surreal imagination centered nowhere, with no deeper, cultural identity other than visual, worked out in terms of representational theater or ballroom jazz. Lovely energy, but loud structure. Flowery visual gaudiness.

Example of this here is the business with mirrored selves. The bookish maid turns out to be the sultry cabaret dancer, seducing behind a cat mask. Our mysterious evil nemesis is the world's biggest crook. Nick Carter dresses up his Dr. Watson as himself, and appears a third time in the end as the dreamy lover.

What a more erudite filmmaker could do, say, is that he could center each of these shifting selves within a shifting part of the world, so that each new swirl with each new guise revealed a part that we didn't know before. This is merely a papier-mache costume party, kind of fun on the spot, but you had to be there.


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