Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Mille is a... See full summary »
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
During a future ice age, dying humanity occupies its remaining time by playing a board game called "Quintet." For one small group, this obsession is not enough; they play the game with living pieces ... and only the winner survives.
A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ... See full summary »
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Mille is a lonely outcast who desperately tries to win attention with constant up-beat chatter. They hang out at a bar owned by a strange pregnant artist and her has-been cowboy husband. After two emotional crises, the three woman steal and trade personalities until they settle into a new family unit that seems to give each woman what she was searching for. Written by
danetta cox cordova
Robert Altman had a believer in the head of production at 20th Century Fox, Alan Ladd Jr.. He felt that he could indulge Altman's offbeat projects, while the studio's more commercial films like Star Wars: Episode IV - A New Hope (1977) would make up for any financial loss. Peter Biskind, author of "Easy Riders," reports in his book that Altman and Tommy Thompson were driving to the airport, when Altman said, "Let's stop at 20th. I had a dream last night, I want to sell it to Laddie. Keep the engine running, it'll only take a minute." Altman darted into Ladd's office, made a deal for "3 Women," and was back in the car in time to make his flight. See more »
When Millie and Pinkie prepare for dinner party, the time line is way out of whack. Scene begins in early morning, as Millie wakes Pinkie and tells her she is going grocery shopping for the dinner. Millie returns from store (presumably within an hour or so), Pinkie carries out garbage after spilling shrimp cocktail on herself and, en route to trash cans, meets dinner guests who say they can't come because they're on way to a beer joint instead - a scene that would have occurred no later than mid-morning and means that seven or more hours are unaccounted for. See more »
I'm going to tell you exactly what the doctor told her parents. She's obviously suffering from temporary amnesia. It's not uncommon in cases like this. Since the... since the presence of her parents agitates her, we suggest she doesn't see them for a while. She seems to recognize you, and feel comfortable around you, so we think in a few days, she should be going home with you. And her recovery should be fairly rapid.
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Mix Drama with Black Comedy with Bizarre with Fantasy = Wonderful
Indeed, few movies can haunt you 20 years after you've first seen them. Not only that, even after you've seen them 20 times, still leaving you with a desire to see them again and again? 3 Women is just such a movie. From it's haunting Gerald Busby score, to Bodhi Wind's arresting murals, to the captivating performances by Shelley Duvall and Sissy Spacek to Robert Altman's deft writing and direction. This is a movie which will haunt you and fascinate you.
I knew this movie was no ordinary movie when I seemed to be the only one in that 1977 audience who caught onto Shelley's disobedient skirt. Things began to appear slanted just off center - you just didn't know how off center they were. And that was and is the magic of this film. You never know what utter ridiculous impossibility of life will take hold of you and bring you through such a unusual journey.
Even as the credits start to roll, you begin to wonder: what have I just witnessed? what does this mean? why does it leave me wanting for answers?
Only after you've seen it as many times as I have do you stop asking those questions and accept all of these occurences as another window in the mind of a genius, which is Robert Altman. With all due respect to Nashville, this is his pinnacle of achievement.
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