Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Millie is ...
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Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
During a future ice age, dying humanity occupies its remaining time by playing a board game called "Quintet." For one small group, this obsession is not enough; they play the game with living pieces ... and only the winner survives.
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Millie is a lonely outcast who desperately tries to win attention with constant up-beat chatter. They hang out at a bar owned by a strange pregnant artist and her has-been cowboy husband. After two emotional crises, the three women steal and trade personalities until they settle into a new family unit that seems to give each woman what she was searching for. Written by
danetta cox cordova
When Millie and Pinkie prepare for dinner party, the time line is way out of whack. Scene begins in early morning, as Millie wakes Pinkie and tells her she is going grocery shopping for the dinner. Millie returns from store (presumably within an hour or so), Pinkie carries out garbage after spilling shrimp cocktail on herself and, en route to trash cans, meets dinner guests who say they can't come because they're on way to a beer joint instead - a scene that would have occurred no later than mid-morning and means that seven or more hours are unaccounted for. See more »
Don't you remember her, Dr. Maas? Pinky Rose. She's all well now, and she wants to come back to work.
Rose? I don't - Lammoreaux, Bunweill's in charge of personnel. And if there's no place for her here, there's no place for her.
But she's already worked here. She's really good, Dr. Maas. Everybody liked her. Really.
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I've wanted to see Robert Altman's "3 Women"(1977) for long time and finally saw it last night. The references to one of my all time favorites, Ingmar Bergman's "Persona" are obvious: two young women, the main characters (seemingly meek, childlike Pinky and outgoing and seemingly popular but in reality a sad loser Millie seem almost to exchange identities, or to become one in a desperate search for connection and sense of belonging but "3 Women" is memorable and haunting on its own terms. It makes you think long time after it's over. As a matter of fact, I am still thinking about it. I think that it is an incredible work of an extraordinary master. As always in his best films, Robert Altman is terrific - innovative, iconoclastic, free-spirited, unconventional, and truly original. He is a great humanist who sees through his characters but never makes fun of them and he understands them. Under his directing, Shelly Duvall and Sissy Spacec gave two astonishing performances. They were both great but Duvall was a revelation. She adapted the loquacious Millie's personality and become the character. Altman had discovered Duvall at one of the malls in Texas where she was selling cosmetics and given her roles in his six films. I want also to mention the eerie music, the dreamy and uneasy atmosphere of something sinister ready to happen, the scary and mesmerizing murals on the bottom of the pool that the third woman, silent and mysterious, tired and wise Willie (Janice Rule) was painting. Altman did not try to trick or confuse me, and the story seems to be simple one but I am not sure that I understood everything, especially the enigmatic ending. Altman was aware of the effect of his movie to the viewers and in his commentary he says that he sees the film as a painting and that the audience should feel it but not understand it. In this regard it also reminds of "Un chien andalou" (1929) which was supposed to be experienced directly and not analyzed by the viewers.
"3 Women" is another great film by one of the best American film directors. I've never seen a bad film from Robert Altman.
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