| Lisa Hartman | ... | Tabitha Stephens (12 episodes, 1977-1978) | |
| Robert Urich | ... | Paul Thurston (12 episodes, 1977-1978) | |
| Mel Stewart | ... | Marvin Decker (12 episodes, 1977-1978) | |
| David Ankrum | ... | Adam Stephens (12 episodes, 1977-1978) | |
| Karen Morrow | ... | Aunt Minerva (12 episodes, 1977-1978) |
Series Directed by | |||
| Charles R. Rondeau | (6 episodes, 1977-1978) | ||
| William Asher | (2 episodes, 1976-1977) | ||
Series Writing credits | ||
| Jerry Mayer | (12 episodes, 1977-1978) | |
| Martin Donovan | (2 episodes, 1977-1978) | |
| Bernie Kahn | (2 episodes, 1977-1978) | |
| George Yanok | (2 episodes, 1977) | |
Series Produced by | |||
| Jerry Mayer | .... | executive producer (12 episodes, 1977-1978) | |
| George Yanok | .... | producer (11 episodes, 1977-1978) | |
| Robert Mintz | .... | co-producer (9 episodes, 1977-1978) | |
Series Original Music by | |||
| Shorty Rogers | (10 episodes, 1977-1978) | ||
| Dick DeBenedictis | (2 episodes, 1977) | ||
Series Cinematography by | |||
| Richard A. Kelley | (6 episodes, 1977-1978) | ||
| Gerald Perry Finnerman | (4 episodes, 1977) | ||
Series Film Editing by | |||
| Lee Burch | (4 episodes, 1977) | ||
| Richard Van Enger Jr. | (4 episodes, 1977) | ||
| John Farrell | (3 episodes, 1977-1978) | ||
Series Casting by | |||
| Claire Newell | (10 episodes, 1977-1978) | ||
Series Art Direction by | |||
| Ross Bellah | (13 episodes, 1976-1978) | ||
| John Beckman | (11 episodes, 1977-1978) | ||
Series Set Decoration by | |||
| Sidney Clifford | (7 episodes, 1976-1977) | ||
| James Hassinger | (5 episodes, 1977-1978) | ||
| Audrey A. Blasdel | (2 episodes, 1976-1977) | ||
Series Makeup Department | |||
| Ben Lane | .... | makeup supervisor (13 episodes, 1976-1978) | |
Series Production Management | |||
| Jon Triesault | .... | unit production manager (7 episodes, 1977-1978) | |
| Jon C. Andersen | .... | unit production manager (5 episodes, 1976-1977) | |
Series Second Unit Director or Assistant Director | |||
| Jon Triesault | .... | assistant director (7 episodes, 1977-1978) | |
| Jon C. Andersen | .... | assistant director (5 episodes, 1976-1977) | |
Series Special Effects by | |||
| Larry L. Fuentes | .... | special effects coordinator (11 episodes, 1977-1978) | |
Series Camera and Electrical Department | |||
| Bill Bohny | .... | camera operator (7 episodes, 1977-1978) | |
| Bud Heller | .... | key grip (7 episodes, 1977-1978) | |
| Glen Knight | .... | gaffer (5 episodes, 1977-1978) | |
| Don Cady | .... | gaffer (5 episodes, 1977) | |
| Bob Bergdahl | .... | camera operator (3 episodes, 1977) | |
| Leonard Bukey | .... | key grip (3 episodes, 1977) | |
Series Casting Department | |||
| Al Onorato | .... | casting supervisor (12 episodes, 1977-1978) | |
Series Music Department | |||
| Jeff Barry | .... | composer: theme music (10 episodes, 1977-1978) | |
| Lisa Hartman | .... | singer: theme song (10 episodes, 1977-1978) | |
Series Other crew | |||
| Bernie Kahn | .... | executive story consultant (7 episodes, 1977-1978) | |
| Ed Jurist | .... | executive story consultant (4 episodes, 1977) | |
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| "Bewitched" | "Sabrina and the Groovie Goolies" | I Married a Witch | Bell Book and Candle | "Charmed" |
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As another person wrote What WERE they thinking?! Lisa Hartman was very cute in 1977 but her acting was just plain bad. Perhaps the director told her eye rolling, pouting, huffing and over reacting to "frustrating" situations is funny. I'm also wondering if she was told to try to act like and mimic the wonderful Elizabeth Montgomery as her vocal inflections and reactions are suspiciously very similar. OK It was 1977 a long, long, long time ago so I will cut it some slack. If you watch it for the time warp factor alone (The clothes, the bad disco music, the cheesy laugh track, and the horribly written dialog complete with lines like "Right On" "Foxy Mama" and "Shed those groovy threads") its bearable. Other than that her brother Adam (who i really don't remember much in the original Bewitched) is a dweeb, Aunt Minerva is obnoxious at best and Robert Urich seems completely out of place. Its filmed very similar to many of the TV shows of the 70's - like Wonder Woman the music swells at every commercial break and every ending has to have a close up freeze of Wonder Woman (Diane Prince) smiling and or laughing telling us stupid at home viewers that everything turned out fine. Tabitha has its same bad endings but now we forced to watch Tabitha and the rest of the cast mugging and laughing to idiotic dialog. If it ever finds it's way to TV again its worth seeing just to say I'm embarrassed for everyone involved.
2/10