Burt has to concoct a wild story to explain to Mary why he failed to come home the night before; Jessica confides that Chester may have started cheating on her on their wedding night, which explains ...
Dick Loudon and his wife Joanna decide to leave life in New York City and buy a little inn in Vermont. Dick is a how-to book writer, who eventually becomes a local TV celebrity as host of "... See full summary »
This sitcom follows recently divorced mother (Ann Romano) and her two teenage daughters (Barbara and Julie) as they start a new life together in Indianapolis, They are befriended by the ... See full summary »
Pat Harrington Jr.
Parody of television soap-operas--the show's humor relies on exaggerating soap-operas' characteristic plot implausibility and melodrama to ridiculous extremes, then adds a fair bit of the truly bizarre, including some remarkable characters. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The series ended with several cliffhangers unresolved, including Jessica about to be executed by a communist firing squad. A 1983 episode of spin-off series Benson (1979) mentions Jessica's disappearance, noting the Tate family is seeking to have her declared legally dead. In this episode, Jessica appears as an apparition whom only Benson can see or hear, revealing to Benson that she is not dead, but in a coma somewhere in South America. The other cliffhangers are not referenced, leaving it to the viewers' imagination as to what might have happened. See more »
[on trying to establish alibi's for Peter's murder]
Where were you between midnight and 7am?
I was with Bob here.
Yes he was I can vouch for him.
O.K. I can cross you off my list... wait a minute suspect number ten.
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Original network broadcasts opened with an on-screen content warning. This was one of the first TV programs to include such a warning, though such disclaimers are now commonplace. See more »
This is the greatest sitcom ever made, a tremendous parody of the trashy soap operas that were all the rage when it was in production. There was topicality -homosexuality, racism, revolution, crime, and other things- and there was plenty of comedy, physical and otherwise. In particular, I think that the thing which hooked me on this program was the psychotic young ventriloquist and his dummy, which seemed at times to be more alive than some of the people! At least it was real to him! I particularly remember the scene where there is a discussion concerning a murder and the Black dummy, Bob, looks over at Benson and remarks, "I think the Black guy did it." Benson then coolly crosses the room, yanks the dummy out of Chuck's hands and throws it out a window, which sends Chuck into furious hysterics!
This is one of the very few shows from the 1970s that I can honestly say I miss. Good job, all!
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