Burt tries to end his relationship with Sally; Eunice and Dutch have visitors at the farmhouse; Detective Donohue reports Chester's death, unaware that he's now a stranded hobo, still suffering from ...
The police catch up with Dutch; Tim decides to make his peace with God by going off to live in a cave; Jodie meets a suicidal girl who reveals that she too is gay (her father's secretary was dating ...
A greasy-spoon diner in Phoenix, Arizona is the setting for this long-running series. The title character, Alice Hyatt, is an aspiring singer who arrives in Phoenix with her teenaged son, ... See full summary »
Parody of television soap-operas--the show's humor relies on exaggerating soap-operas' characteristic plot implausibility and melodrama to ridiculous extremes, then adds a fair bit of the truly bizarre, including some remarkable characters. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The character of Father Timothy Flotsky is an in-joke referencing the character created by Lenny Bruce in his classic routine "Father Flotsky's Triumph" (from the 1958 LP "Interviews of Our Times"). See more »
Mary Gatling Dallas Campbell:
[at the sex therapist's office]
This is a perfectly normal office.
Normal, huh? Take a look at some of these books: "Sexual Perversion: Fact or Fiction" Normal? "Sexuality in Infancy" Oh, I like that one a lot. "The Frigid Woman", "The Impotent Male" - I have to get out of here.
See more »
Original network broadcasts opened with an on-screen content warning. This was one of the first TV programs to include such a warning, though such disclaimers are now commonplace. See more »
This is the greatest sitcom ever made, a tremendous parody of the trashy soap operas that were all the rage when it was in production. There was topicality -homosexuality, racism, revolution, crime, and other things- and there was plenty of comedy, physical and otherwise. In particular, I think that the thing which hooked me on this program was the psychotic young ventriloquist and his dummy, which seemed at times to be more alive than some of the people! At least it was real to him! I particularly remember the scene where there is a discussion concerning a murder and the Black dummy, Bob, looks over at Benson and remarks, "I think the Black guy did it." Benson then coolly crosses the room, yanks the dummy out of Chuck's hands and throws it out a window, which sends Chuck into furious hysterics!
This is one of the very few shows from the 1970s that I can honestly say I miss. Good job, all!
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