In this series, inspired by real events during World War II, the kind, intelligent and worrisome Albert Foiret runs both a café, which is the only notable public house in a small Belgian ... See full summary »
Brian Ash (Anthony Andrews) is a young lieutenant who is assigned to a UXB unit in the early days of World War II. UXB (UneXploded Bomb) is the signal that an aerial bomb has not exploded. ... See full summary »
In WW2 France, Rene Artois runs a small café where Resistance fighters, Gestapo men, German Army officers and escaped Allied POWs interact daily, ignorant of one another's true identity or presence, exasperating Rene.
The series followed the wavering relationship between two ex-lovers, Penny Warrender, a secretary for an advertising firm, and Vincent Pinner, an ex ice cream salesman turned turf ... See full summary »
The story of two Army officers, one a ruthless, career-obsessed schemer, the other his exact opposite, and their personal and professional lives from the end of World War I to the beginning of Vietnam.
In this spin-off from the World war II resistance-series "Secret Army", the tables turn: ambitious, cruel Gestapo-officer Ludwig Kessler, the most implacable Nazi hunter of every opponent ... See full summary »
This grim and claustrophobic drama chronicles the lives of the prisoners in Colditz Castle from the arrival of the first British prisoners after Dunkirk until the liberation of the castle ... See full summary »
In this series, inspired by real events during World War II, the kind, intelligent and worrisome Albert Foiret runs both a café, which is the only notable public house in a small Belgian town, where locals therefore naturally mix with the Nazi occupation forces, and a just as publicity-shy (even his bed-ridden wife knows nothing) network of the Belgian resistance, devoted to the evacuation of shot-down Allied pilots to Britain. He and his secret 'army' (including some of his staff and the Brussels Dr. Pascal Keldermans), taking orders by illegal radio from London, constantly risk their lives -and if caught by the professionally torturing Gestapo, possibly everyone else's- to find the pilots, hide, nurse and prepare them for the long, dangerous journey out of the Reich under the Nazis' noses, a never ending cat-and-mouse game against specialized German hunters, run by the gentleman Luftwaffe (Air Force)- Major Erwin Brandt and the ruthless Nazi 'secret state police' run by the cunning,... Written by
Each of the scripts were based on real events and thoroughly researched. On several occasions throughout the series's run, the BBC would reject a script as it was deemed too accurate and potentially upsetting to audiences or too politically sensitive. See more »
I wasn't even born when this series was first made. It was my mother who introduced me to the series on uk drama. She insisted that I 'give it a chance.'I am glad that I did!
During the first series the show showed little potential, the characters were stereotypical and shallow, such as Kessler, with his robotic like ways and constant determination to get one over on life line. The melodramatic content was so bad you could almost hear him shouting: 'I'll get you next time!' at the end of every episode. However somebody waved their magic wand at the start of the second series, because the show changed it's angle completely. With the dramatic exit of Yvette, (one of my favourite scenes in television)and the introduction of the Candide. We saw alot of changes for the characters. Kessler gained a love interest, and at last we could see his human side.Life line too showed it had some weak human traits, more often then not Albert's greed resulted in him ordering command just so that he could keep his precious restaurant. And when Monique was left in charge at the end of series two she turned into a bit of a boozer! More importantly, as the storylines developed and conspiracies got more complicated, life line didn't always end up on top, usually at the expense of poor Natalie or Monique.
The show came to prove that it was more about humans fight for survival. And less about the adventurous action man enthusiasm sometimes given to war in american films. What a shame that somebody made a spoof in the form of 'allo, 'allo. This became more famous than the original classic and now shadows it's brilliance. As my Mother insisted to me, I would insist to you: 'give it a chance, please!'
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