Warren Kooey is a man who's tired of his current life; a witch of a wife, a boss who complains about everything he does and looses his lifesavings (stolen by the wife). He has only one ... See full summary »
Sketch comedy show set around the fictitious TV station SCTV. The programs broadcast by SCTV were parodies of films and other television shows. They included "Farm Film Report", Woody Allen's "Play It Again, Bob!", "Monster Horror Chiller Theatre", and "Great White North." Other skits involved the staff of SCTV, like president Guy Caballero, clueless newscaster Earl Camembert, washed up actor Johnny LaRue, and leopard-skin print wearing station owner Edith Prickley. Written by
The pope's coming to town next week.
You want me to off him?
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In the first 2 seasons the cast names were given by voiceover (by Dave Thomas) instead of opening credits, and the last name was given as "And Dave Thomas as the Beaver". In the first 2 seasons the opening includes a parody of the Indian-head test pattern. See more »
Like SATURDAY NIGHT, SECOND CITY TV was a sketch comedy show with a repertory cast. But there, the resemblance ended. Instead of a bunch of disconnected sketches with musical interludes, SECOND CITY TV was a concept show about the programs and behind-the-scenes shenanigans of a cheesy, low-budget TV station. Therefore, unlike SNL, which took potshots at anything from current events to whatever celebrity was guesting, SECOND CITY TV concentrated on the television industry.
The results were some of the most incisive and skillful parodies in TV history, from commercials for useless products to self-congratulatory talk shows to pompous "cultural" programming. The talented cast members skewered such icons as Bob Hope and Barbra Streisand and created such memorable characters like Joe Flaherty's sleazy station owner Guy Caballero and Andrea Martin's vulgar station manager Edith Prickley. Unlike SNL, SECOND CITY TELEVISION never pandered to the lowest common denominator; it always respected its audience with intelligent humor that satirized the foibles of both the television industry and the people in it. The syndicated show's success would result in a 90-minute network version.
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