| Photos (See all 50 | slideshow) |
| Robin Ellis | ... | Ross Poldark (29 episodes, 1975-1977) | |
| Angharad Rees | ... | Demelza Poldark / ... (28 episodes, 1975-1977) | |
| Jill Townsend | ... | Elizabeth Poldark / ... (27 episodes, 1975-1977) | |
| Ralph Bates | ... | George Warleggan (23 episodes, 1975-1977) | |
| Paul Curran | ... | Jud Paynter (22 episodes, 1975-1977) | |
| Mary Wimbush | ... | Prudie Paynter / ... (22 episodes, 1975-1977) | |
| Judy Geeson | ... | Caroline Penvenen / ... (19 episodes, 1975-1977) | |
| Forbes Collins | ... | Zacky Martin (14 episodes, 1975-1977) | |
| Clive Francis | ... | Francis Poldark (13 episodes, 1975) | |
| Kevin McNally | ... | Drake Carne (13 episodes, 1977) | |
| David Delve | ... | Sam Carne (12 episodes, 1977) |
Series Directed by | |||
| Philip Dudley | (8 episodes, 1977) | ||
| Paul Annett | (7 episodes, 1975-1976) | ||
| Kenneth Ives | (5 episodes, 1975) | ||
| Christopher Barry | (4 episodes, 1975) | ||
| Roger Jenkins | (2 episodes, 1977) | ||
Series Writing credits | ||
| Winston Graham | (24 episodes, 1975-1977) | |
| Paul Wheeler | (5 episodes, 1975) | |
| Jack Russell | (4 episodes, 1975-1976) | |
| Jack Pulman | (4 episodes, 1975) | |
| Martin Worth | (4 episodes, 1977) | |
| Peter Draper | (3 episodes, 1975) | |
| Alexander Baron | (3 episodes, 1977) | |
Series Produced by | |||
| Morris Barry | .... | producer (16 episodes, 1975-1976) | |
| Richard Beynon | .... | executive producer (6 episodes, 1977) | |
| Tony Coburn | .... | producer (4 episodes, 1977) | |
| Colin Tucker | .... | producer (4 episodes, 1977) | |
Series Original Music by | |||
| Kenyon Emrys-Roberts | (1 episode, 1975) | ||
Series Film Editing by | |||
| Alistair McKay | (8 episodes, 1977) | ||
| Chris Lovett | (6 episodes, 1975-1976) | ||
| Dave King | (4 episodes, 1975) | ||
| Richard Trevor | (2 episodes, 1975) | ||
| Ian Pitch | (2 episodes, 1977) | ||
Series Production Design by | |||
| Oliver Bayldon | (16 episodes, 1975-1976) | ||
| Michael Edwards | (8 episodes, 1977) | ||
| Gavin Davies | (2 episodes, 1977) | ||
Series Costume Design by | |||
| John Bloomfield | (15 episodes, 1975-1976) | ||
| Penny Lowe | (11 episodes, 1975-1977) | ||
Series Makeup Department | |||
| Magdalen Gaffney | .... | makeup artist (16 episodes, 1975-1976) | |
| Sylvia James | .... | makeup artist (10 episodes, 1977) | |
Series Production Management | |||
| Christopher D'Oyly John | .... | unit production manager (22 episodes, 1975-1977) | |
| Edwina Craze | .... | unit production manager (unknown episodes) | |
Series Art Department | |||
| Gavin Davies | .... | designer (unknown episodes) | |
| Michael Edward | .... | designer (unknown episodes) | |
Series Sound Department | |||
| John Gilbert | .... | film sound (10 episodes, 1977) | |
| Peter Mellors | .... | sound: studio (8 episodes, 1977) | |
| Neil Glyn-Wilkinson | .... | sound: studio (4 episodes, 1975-1976) | |
| Derek Medus | .... | film sound (4 episodes, 1975-1976) | |
| Graham Bedwell | .... | film sound (4 episodes, 1975) | |
| Allan Haynes | .... | film sound (4 episodes, 1975) | |
| Mike Jones | .... | sound: studio (4 episodes, 1975) | |
| Frank Radcliffe | .... | sound: studio / studio sound (4 episodes, 1975) | |
| Richard Boulter | .... | film sound (3 episodes, 1975) | |
| Bill Meekums | .... | film sound (3 episodes, 1975) | |
| Richard Partridge | .... | sound: studio (3 episodes, 1975) | |
| Clive Derbyshire | .... | boom operator (2 episodes, 1975) | |
| Ramon Bailey | .... | sound: studio (2 episodes, 1977) | |
Series Visual Effects by | |||
| Peter Pegrum | .... | visual effects designer (2 episodes, 1976) | |
Series Stunts | |||
| Peter Diamond | .... | fight arranger (5 episodes, 1977) | |
Series Camera and Electrical Department | |||
| Alec Robson | .... | studio lighting (9 episodes, 1977) | |
| Godfrey Johnson | .... | film cameraman (8 episodes, 1975-1976) | |
| Michael Williams | .... | film camera / film cameraman (8 episodes, 1977) | |
| Dave Sydenham | .... | studio lighting (4 episodes, 1975-1976) | |
| Peter Catlett | .... | studio lighting (4 episodes, 1975) | |
| Keith Hopper | .... | camera operator / film cameraman (4 episodes, 1975) | |
| John Treays | .... | studio lighting (3 episodes, 1975-1976) | |
| Elmer Cossey | .... | film cameraman (2 episodes, 1975) | |
| John Dixon | .... | studio lighting (2 episodes, 1975) | |
| John Williams | .... | film camera / film cameraman (2 episodes, 1977) | |
Series Editorial Department | |||
| John Barclay | .... | vision mixer (3 episodes, 1975) | |
Series Music Department | |||
| Kenyon Emrys-Roberts | .... | composer: theme music / conductor: theme music / ... (26 episodes, 1975-1977) | |
| Max Harris | .... | composer: incidental music (7 episodes, 1975-1977) | |
Series Other crew | |||
| Simon Masters | .... | script editor (16 episodes, 1975-1976) | |
| Roselyn Parker | .... | production assistant (8 episodes, 1975-1976) | |
| Edwina Craze | .... | production assistant (6 episodes, 1975-1977) | |
| Cicely Cawthorne | .... | script editor (6 episodes, 1977) | |
| Lovett Bickford | .... | production assistant (4 episodes, 1977) | |
| Geraldine Stephenson | .... | choreographer (2 episodes, 1975-1976) | |
| Thea Murray | .... | production assistant (2 episodes, 1977) | |
| Margot Eavis | .... | video presentation (unknown episodes) | |
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OK, so Ross originally fought AGAINST us in our Revolution, but he is one of us at heart. A fellow with an appropriate sense of noblesse oblige, even if he ignores his own safety and interests in carrying it out, is so irresistible. How could Elizabeth have been so foolish as to not appreciate that essential element of his character?
Robin Ellis' performance is so amazingly positive we can't help but feel that anyone who finds themselves on a downward spiral can get it together if they have enough courage and determination. He's a role model for anyone who's even tempted to throw in the towel.
And a big Bronx cheer to the late Louis B. Mayer for denigrating things "where people write with feathers." The period of this story is one of my all-time favorites and not just for the clothes (I challenge anyone to say that the men of this series look anything but appropriately masculine), but for the ideals that were born in it. Sometimes we need to go back to our roots...