After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but ... See full summary »
After landing the city editor job at the Los Angeles Tribune, Lou Grant's first major story is a sex scandal concerning the LAPD and underage girls. However, in order to get it published he must deal...
After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
Sam McCloud is a rustic country sheriff from a rural part of the United States. He travels to the big city and joins the police force, using his country ways and laid-back approach to nab the bad guys.
Spinoff from the popular "Mary Tyler Moore" series has Mary Richards' landlady, Phyllis Lindstrom, moving back to her hometown of San Francisco with her teenage daughter Bess following the ... See full summary »
This sitcom follows recently divorced mother (Ann Romano) and her two teenage daughters (Barbara and Julie) as they start a new life together in Indianapolis, They are befriended by the ... See full summary »
Pat Harrington Jr.
After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but sympathetic arguments. Lots of social causes and interpersonal relationships. Written by
Ed Stephan <firstname.lastname@example.org>
During the primetime run of the show (1977-1982), Edward Asner became increasingly vocal on behalf of various liberal political causes. Although the series had slipped in ratings by 1982, many critics speculated that the actor's politics played a major role in the show's cancellation. See more »
Talk to Dr. Shephard at the Historical Society, find out what's in the time capsule. Give me a little 'Gee whiz, nothing ever stays the same' or 'Gee whiz, nothing ever changes.'
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Immigration reform, hate crimes against gay people, teen pregnancy, illiteracy, eminent domain, Ponzi schemes, etc. If I stop here and ask you to finish this, you might conclude with a summary about Bernie Madoff or other recent event.
But these are just some of the many subjects shown weekly on Lou Grant from 1977 to 1982. The stories are over 30 years old but amazingly still every bit as relevant in today's society as they were then. And just as amazing was the incredible risk Mary Tyler Moore's MTM Enterprises took when she transitioned to producing a hard-hitting drama from 2 decades of comedy experience. After winning 3 Golden globes, 23 other awards, and 61 various nominations (IMDB 2012), the show has proved worth the risk in a big way.
I didn't have the education or knowledge of world events (such as it is) to appreciate the show's content when it first aired. But I'm glad I rediscovered and watched these episodes while in a nostalgic mood. Now, I can greatly appreciate how progressive MTM and her staff were in the production of Lou Grant and its relevance to today's events.
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