Lou Grant (1977–1982)

TV Series  |  TV-PG  |   |  Drama
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The trials of the former TV station manager, turned newspaper city editor, and his journalist staff.

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Title: Lou Grant (1977–1982)

Lou Grant (1977–1982) on IMDb 7.1/10

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5   4   3   2   1  
1982   1981   1980   1979   1978   1977  
Won 3 Golden Globes. Another 24 wins & 72 nominations. See more awards »

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Cast

Complete series cast summary:
...
 Lou Grant (114 episodes, 1977-1982)
...
 Joe Rossi (114 episodes, 1977-1982)
...
 Charlie Hume (114 episodes, 1977-1982)
Jack Bannon ...
 Art Donovan (114 episodes, 1977-1982)
...
 Dennis "Animal" Price / ... (114 episodes, 1977-1982)
...
 Mrs. Pynchon (114 episodes, 1977-1982)
...
 Billie Newman (111 episodes, 1977-1982)
Allen Williams ...
 Adam Wilson / ... (89 episodes, 1977-1982)
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Storyline

After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but sympathetic arguments. Lots of social causes and interpersonal relationships. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

TV-PG
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Details

Country:

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Release Date:

20 September 1977 (USA)  »

Also Known As:

Gazeteciler  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

(113 episodes) | (114 episodes)

Sound Mix:

Aspect Ratio:

4:3
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Did You Know?

Trivia

The Trib uncovered numerous scandals in the small city of Newton, California. Newton is the name of an LAPD district, but there is no city of Newton, California. See more »

Quotes

Lou Grant: Talk to Dr. Shephard at the Historical Society, find out what's in the time capsule. Give me a little 'Gee whiz, nothing ever stays the same' or 'Gee whiz, nothing ever changes.'
See more »

Connections

Referenced in Saturday Night Live: Ed Asner/The Kinks (1984) See more »

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User Reviews

America right on the button
23 January 2005 | by (United Kingdom) – See all my reviews

In the UK this series was not networked, but in the regions of the country it was shown it collected a devoted following. Ed Asner played his roll with gusto, but with help from the excellent cast, the show began to resemble more of a documentary than a drama, as it bravely tackled contemporary social issues and concerns. American import shows had never been like this, living a fantasy world of copsnrobbers, witches and talking horses, but this was perhaps the start of a new wave? which would include shows like 'Quincy' and 'Soap'. It was apparent when this was being run in the UK that the American far right did not like the show one bit! regarding it as wet liberalism . However in countries where it was shown, it possibly showed a compassionate side of America in which it did have concerns for the ' loosers ' as well as the winners in life. Theme tune must be a classic also? Don't think it could be made in the USA today?


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