After landing the city editor job at the Los Angeles Tribune, Lou Grant's first major story is a sex scandal concerning the LAPD and underage girls. However, in order to get it published he must deal...
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After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but sympathetic arguments. Lots of social causes and interpersonal relationships. Written by
Ed Stephan <firstname.lastname@example.org>
When CBS canceled the series in 1982, NBC considered picking it up, but ultimately decided against it. Grant Tinker, who was chairman of NBC at the time, later commented that the reason the network passed on the show was because they judged it as "a little tired". See more »
Talk to Dr. Shephard at the Historical Society, find out what's in the time capsule. Give me a little 'Gee whiz, nothing ever stays the same' or 'Gee whiz, nothing ever changes.'
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Excellent television series! Good shows like Lou Grant are not readily available.
James L. Brooks (As Good as it Gets, Terms of Endearment) was one of the producers and acted as executive producer of the fabulous series. Edward Asner (Mary Tyler Moore Show, Down on the Waterfront) played Lou Grant in a spin off of the Mary Tyler Moore Show. The editor of the L.A. Tribune. Nancy Marchand (Dear God ) Margaret Pynchon was the big boss and owner of the newspaper. She would show up occasionally with her good advice, a walking cane, and wearing a very expensive suit. Although she was the head, she was very nice. Mason Adams (From the Earth to the Moon) was Charlie Hume, Managing Editor. Robert Walden (All the President's Men) Joe Rossi, was a reporter. Linda Kelsey (The Midnight Man) played Billie Newman McCovey who was a very smart reporter. The most interesting thing about this show was the serious journalism they engaged in providing for the audience. The issues raised on the show were very current. It raised some controversy which might have affected the future existence of the show. It was an outstanding series. It was nice to see Lou Grant more mature in his carrier as a journalist. The series was nominated for and won the most prestigious awards in the U.S. such as: Emmy, Golden Globe, American Cinema Editors, USA, Directors Guild of America, USA, Human Family Educational & Cultural Institute, USA, Won Humanitas. The series was done by very intelligent people and demonstrated that television can be good when the people doing the show are bright. Unfortunately this is not always the case. Good shows like Lou Grants are not readily available.
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