After landing the city editor job at the Los Angeles Tribune, Lou Grant's first major story is a sex scandal concerning the LAPD and underage girls. However, in order to get it published he must deal...
After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
Spinoff from the popular "Mary Tyler Moore" series has Mary Richards' landlady, Phyllis Lindstrom, moving back to her hometown of San Francisco with her teenage daughter Bess following the ... See full summary »
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him nab unsuspecting criminals despite his unbelieving boss.
After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but sympathetic arguments. Lots of social causes and interpersonal relationships. Written by
Ed Stephan <email@example.com>
The producers of the show wanted to air a final episode that dealt with the paper going out of business. They actually interviewed reporters from real newspapers that closed in order to prepare for this episode. The show was taken off the air before that episode could be filmed. See more »
I don't know Lou. I can't stay cheerful and smiling 24 hours a day.
What makes you think that's what your mother wants? She's seen you every way you can be and whatever it is you are, that's what she wants.
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An earlier reviewer's "bleeding heart" references suggest a right-wing orientation. Perhaps this explains his sweeping but unsubstantiated comments concerning how this show's episodes were developed. "Lou Grant" was created by James L. Brooks and Allan Burns, the writer-producers behind "Mary Tyler Moore," and Gene Reynolds, the force behind the TV incarnation of "M*A*S*H," who became the sole Executive Producer in the second year. Younger producers under Reynolds included Seth Freeman from "The Waltons" and Gary David Goldberg. However convenient it may be for people with an agenda to think otherwise the producers, not the star, dictated the content. There's no evidence Edward Asner ever suggested a single storyline, and plenty of testimony crediting others.
The entire MTM library was sold several times after Grant Tinker divested himself in order to run NBC. The likelihood of ever again seeing this fine show, which won 16 Emmys, two Humanitas prizes, and the Peabody Award, is absolutely zilch. Write to 20th Century Fox Television if you'd like the chance to see it, but don't expect to get anywhere.
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