The paper is on the scene of a series of brush fires in the California Valley. Charlie, who is on the verge of separating from his wife, makes a last ditch effort to save his home from the fires as ...
Lou is the only witness to a neighborhood murder and is mystified by the way the police handle the case, thereby discovering a touchy area of crime. At the same time, a fatal fire in a gay bar poses ...
After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but sympathetic arguments. Lots of social causes and interpersonal relationships. Written by
Ed Stephan <email@example.com>
Allen Williams played Financial Editor Adam Wilson and is seen in the opening credits of every show starting with season 2, but never became a member of the core cast listed in the main credits. He also provided uncredited voice overs nearly every time there's a voice coming from a radio or TV set. See more »
An earlier reviewer's "bleeding heart" references suggest a right-wing orientation. Perhaps this explains his sweeping but unsubstantiated comments concerning how this show's episodes were developed. "Lou Grant" was created by James L. Brooks and Allan Burns, the writer-producers behind "Mary Tyler Moore," and Gene Reynolds, the force behind the TV incarnation of "M*A*S*H," who became the sole Executive Producer in the second year. Younger producers under Reynolds included Seth Freeman from "The Waltons" and Gary David Goldberg. However convenient it may be for people with an agenda to think otherwise the producers, not the star, dictated the content. There's no evidence Edward Asner ever suggested a single storyline, and plenty of testimony crediting others.
The entire MTM library was sold several times after Grant Tinker divested himself in order to run NBC. The likelihood of ever again seeing this fine show, which won 16 Emmys, two Humanitas prizes, and the Peabody Award, is absolutely zilch. Write to 20th Century Fox Television if you'd like the chance to see it, but don't expect to get anywhere.
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