After landing the city editor job at the Los Angeles Tribune, Lou Grant's first major story is a sex scandal concerning the LAPD and underage girls. However, in order to get it published he must deal...
Lou is the only witness to a neighborhood murder and is mystified by the way the police handle the case, thereby discovering a touchy area of crime. At the same time, a fatal fire in a gay bar poses ...
After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but sympathetic arguments. Lots of social causes and interpersonal relationships. Written by
Ed Stephan <firstname.lastname@example.org>
What do I mean, shoehorned dialogue? What I mean is this: it seems as though every issue-oriented episode (and there were a LOT of them) had someone spouting some obscure statistic as casually as they would say, "I'll take cream and two sugars in my coffee". The overly earnest dialogue was a harbinger of things to come--Quincy, ER, Designing Women all used the same technique to advance a largely left-wing agenda.
That being said, I really enjoyed Rossi and Billie's constant bickering. He never gave up (or had a clue). Ed Asner's portrayal was REALLY better in the MTM Show. The crustiness was just endearing, when he'd threaten to rearrange Ted Baxter's face. Here it was just pontificating. Sorry guys, just can't give the thumbs up to this one.
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