Lou Grant (1977–1982)

TV Series  -   -  Drama
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After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but ... See full summary »

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Title: Lou Grant (1977–1982)

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5   4   3   2   1  
1982   1981   1980   1979   1978   1977  
Won 3 Golden Globes. Another 24 wins & 72 nominations. See more awards »

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Cast

Complete series cast summary:
...
 Lou Grant (114 episodes, 1977-1982)
...
 Joe Rossi (114 episodes, 1977-1982)
...
 Charlie Hume (114 episodes, 1977-1982)
Jack Bannon ...
 Art Donovan (114 episodes, 1977-1982)
...
 Dennis "Animal" Price / ... (114 episodes, 1977-1982)
...
 Mrs. Pynchon (114 episodes, 1977-1982)
...
 Billie Newman (111 episodes, 1977-1982)
Allen Williams ...
 Adam Wilson (89 episodes, 1977-1982)
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Storyline

After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but sympathetic arguments. Lots of social causes and interpersonal relationships. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

TV-PG
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Details

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Release Date:

20 September 1977 (USA)  »

Also Known As:

På första sidan  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

(113 episodes) | (114 episodes)

Sound Mix:

Aspect Ratio:

4:3
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Did You Know?

Trivia

Mrs. Pynchon, the widowed owner of the fictional Los Angeles Tribune, was based on Katherine Graham, the real widowed owner of the Washington Post, and on Dolly Schiff. See more »

Quotes

Joseph 'Joe' Rossi: [a boy shows his injured foot] Last time I saw an ankle like that it was broken in three places and it was mine.
See more »

Connections

Referenced in Battle of the Network Stars VII (1979) See more »

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User Reviews

 
Well Done Despite World View
30 May 2013 | by (United States) – See all my reviews

I try not to review old stuff from a present day perspective, because those films and shows were meant primarily for people at the time they were made.

Having said that, I love to watch old stuff to revel in the cultural tidbits from bygone eras. L.A. from '77-'82 was still America. People all over town were born in America and were mostly white or black. It was not yet Tijuana , or some other Third World satellite.I love to see the typewriters, old phones, old cars, etc., but I realize that at the time, nothing was old, it was all state-of-the-art.

I also enjoyed seeing the lifestyle of Reporters and Editors on salary. They were not chained to a desk. They could take a long lunch or go about town interviewing people at their leisure. As long as it relates to a story. I like to see how the show incorporates vignettes at restaurants and bars, because they used to play an important role in the Reporter lifestyle.

The mission of a Reporter is to hold the feet of people in power to the fire, or keep them in check so to speak. So yes, investigative reporters would often be hunting down corporate types, cops, the military, etc. That would be the case whether they are liberal or otherwise. Of course this show was developed during the Carter administration and influenced by the general Liberal mentality of that 70s era.

The first episode was more balanced than I expected. Cops are accused of sleeping with teen aged girls, but they claim that the girls looked like women. A reporter with a dad who is a cop, brings in a teenage girl whom everyone thinks is a grown woman. This shows that there was some truth to their claim.

Say what you want about Asner being a blow-hard, but he did play this role with a good deal of intensity and compassion. I don't remember all the social issues brought up, but I don't doubt that they were presented from a Liberal perspective. It's all part of the Hollywood indoctrination process. They used T.V. and film to brainwash multiple generations. But you could say that conservative shows of the 50s and early 60s presented a world view too. The Rifleman comes to mind.

I also loved the presentation of a Newspaper being enormously important as the heartbeat of a city. Again, I am saying this while watching old VHS reruns in the present day. When it was made, Newspapers were kings and no one knew that the Internet was coming in 20 years. So I am watching it as nostalgia. It was not meant as nostalgia when it came out.

Overall, a good ensemble cast, a fun and interesting workplace setting, and some intellectual grit for subject matter. Nice job. It could have been worse.


2 of 6 people found this review helpful.  Was this review helpful to you?

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