After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but ... See full summary »
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After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but sympathetic arguments. Lots of social causes and interpersonal relationships. Written by
Ed Stephan <stephan@cc.wwu.edu>
Mrs. Pynchon, the widowed owner of the fictional Los Angeles Tribune, was based on Katherine Graham, the real widowed owner of the Washington Post, and on Dolly Schiff. See more »
Judged by 1977-82 standards, this show was peerless.
Today, it's a bit "dated" in certain ways. But these elements actually make it a valuable portrait of its era.
Talented cast, right down the line. Terrific writing. Skillful, sensitive directing. Highly relevant. Courageous. And one of TV's all-time-best role models in the lead.
Every Emmy -- & there were MANY -- was fully deserved. Also the Peabody, the Humanitas, & all the other awards it won.
Each season was as strong as or stronger than its predecessor; this is one show that was NOT running out of steam.
In fact, during the Reagan Years, we needed it more than ever! (Would have loved to see its take on Iran-Contra.)
Shame on CBS for bowing to pressure because of Asner's politics and the show's oft-controversial scripts.
LOU still shines.
Waiting impatiently for (legal) DVD release!
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Judged by 1977-82 standards, this show was peerless.
Today, it's a bit "dated" in certain ways. But these elements actually make it a valuable portrait of its era.
Talented cast, right down the line. Terrific writing. Skillful, sensitive directing. Highly relevant. Courageous. And one of TV's all-time-best role models in the lead.
Every Emmy -- & there were MANY -- was fully deserved. Also the Peabody, the Humanitas, & all the other awards it won.
Each season was as strong as or stronger than its predecessor; this is one show that was NOT running out of steam.
In fact, during the Reagan Years, we needed it more than ever! (Would have loved to see its take on Iran-Contra.)
Shame on CBS for bowing to pressure because of Asner's politics and the show's oft-controversial scripts.
LOU still shines.
Waiting impatiently for (legal) DVD release!