After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but ... See full summary »
After landing the city editor job at the Los Angeles Tribune, Lou Grant's first major story is a sex scandal concerning the LAPD and underage girls. However, in order to get it published he must deal...
After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
Spinoff from the popular "Mary Tyler Moore" series has Mary Richards' landlady, Phyllis Lindstrom, moving back to her hometown of San Francisco with her teenage daughter Bess following the ... See full summary »
This sitcom follows recently divorced mother (Ann Romano) and her two teenage daughters (Barbara and Julie) as they start a new life together in Indianapolis, They are befriended by the ... See full summary »
Pat Harrington Jr.
Located in the Los Angeles area, Medical Center was an otherwise unnamed hospital complex that was part of a large university campus. Dr. Paul Lochner was the chief of staff, an experienced... See full summary »
After everyone on the "Mary Tyler Moore Show" got fired, Lou Grant went to Los Angeles and became city editor of the L.A. Tribune, owned by Mrs. Pynchon, with whom Lou often has loud but sympathetic arguments. Lots of social causes and interpersonal relationships. Written by
Ed Stephan <firstname.lastname@example.org>
The producers of the show wanted to air a final episode that dealt with the paper going out of business. They actually interviewed reporters from real newspapers that closed in order to prepare for this episode. The show was taken off the air before that episode could be filmed. See more »
What do I mean, shoehorned dialogue? What I mean is this: it seems as though every issue-oriented episode (and there were a LOT of them) had someone spouting some obscure statistic as casually as they would say, "I'll take cream and two sugars in my coffee". The overly earnest dialogue was a harbinger of things to come--Quincy, ER, Designing Women all used the same technique to advance a largely left-wing agenda.
That being said, I really enjoyed Rossi and Billie's constant bickering. He never gave up (or had a clue). Ed Asner's portrayal was REALLY better in the MTM Show. The crustiness was just endearing, when he'd threaten to rearrange Ted Baxter's face. Here it was just pontificating. Sorry guys, just can't give the thumbs up to this one.
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