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Directed by | |||
| Franco Zeffirelli | |||
Writing credits | ||
| Anthony Burgess | (written by) & | |
| Suso Cecchi d'Amico | (written by) & | |
| Franco Zeffirelli | (written by) | |
| David Butler | (additional dialogue) | |
Produced by | |||
| Tarak Ben Ammar | .... | deputy producer: Tunisia (as Tarak ben Ammar) | |
| Lew Grade | .... | executive producer (as Sir Lew Grade) | |
| Bernard J. Kingham | .... | executive producer | |
| Vincenzo Labella | .... | producer | |
| Dyson Lovell | .... | associate producer | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Armando Nannuzzi | |||
| David Watkin | |||
Film Editing by | |||
| Reginald Mills | |||
Casting by | |||
| Dyson Lovell | |||
Production Design by | |||
| Gianni Quaranta | |||
Costume Design by | |||
| Marcel Escoffier | |||
| Enrico Sabbatini | |||
Makeup Department | |||
| Ennio Cascioli | .... | hair stylist | |
| Otello Fava | .... | makeup artist | |
| Stefano Fava | .... | makeup artist | |
| Giancarlo Marin | .... | hair stylist | |
Production Management | |||
| Abdellatif Ben Ammar | .... | production manager | |
| Eros Lafranconi | .... | production manager (as Eros La Franconi) | |
| Luciano Piperno | .... | production supervisor | |
| Abdelaziz Ramdani | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pippo Pisciotto | .... | assistant director (as Guiseppe Pisciotto) | |
| Mohamed Abbazi | .... | assistant director (uncredited) | |
Art Department | |||
| Francesco Fedeli | .... | scenic artist | |
Sound Department | |||
| Gerry Humphreys | .... | sound recordist | |
| Simon Kaye | .... | sound recordist | |
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| Don Sharpe | .... | dubbing editor | |
| Peter Maxwell | .... | adr mixer (uncredited) | |
| Lionel Strutt | .... | sound re-recording mixer (uncredited) | |
Camera and Electrical Department | |||
| Freddie Cooper | .... | camera operator | |
| Nino Cristiani | .... | camera operator | |
Costume and Wardrobe Department | |||
| Giovanni Viti | .... | assistant costume designer (uncredited) | |
Editorial Department | |||
| Chris Kelly | .... | assistant editor (uncredited) | |
Music Department | |||
| Maurice Jarre | .... | conductor | |
| Frank Barber | .... | music assistant (uncredited) | |
Other crew | |||
| Yvonne Axeworthy | .... | continuity (as Yvonne Axworthy) | |
| Alberto Testa | .... | choreographer (1977) | |
| Stefano Priori | .... | assistant accountant (uncredited) | |
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| The Greatest Story Ever Told | Ben-Hur | The Passion of the Christ | Fratello sole, sorella luna | San Paolo |
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I am not ashamed to say that as a man in my mid thirties I cry like a baby every time I watch this epic. Robert Powell's portrayal of Jesus was exquisite, I've said Powell looks more like Jesus than Jesus did. Of course, in this day and age, people say things like "Oh, Jesus didn't have blue eyes". I know many Hebrews, and some have blue eyes. But this isn't important. What is important were his teachings. Love, love, and more love, to each and every man, pagan, enemy, or friend. Jesus even showed love to outright sinners and especially the Romans, which to my mind would have been utterly unthinkable and absolutely an astounding idea at the time. It's this doctrine that is so profound, so original, so revolutionary that convinced me that Jesus was indeed a man sent by God to show us the way how to live in harmony with our fellow man and how not to destroy ourselves.