Dr. Mark Sloan is a doctor at Community General Hospital, and he is a consultant for the police department. His son Steve Sloan is a detective for the department. He and his father, along ... See full summary »
Dick Van Dyke,
Barry Van Dyke,
Ben Matlock is a very expensive criminal defense attorney who charges $100,000 to take a case. Fortunately, he's worth every penny as he and his associates defend his clients by finding the real killer.
Father Frank Dowling, a fine Catholic parish priest in Chicago, drives housekeeper Marie to despair by his habit of being late for dinner as he and his assistant (streetwise nun Stephanie '... See full summary »
After a serial killer imitates the plots of his novels, successful mystery novelist Richard "Rick" Castle gets permission from the Mayor of New York City to tag along with an NYPD homicide investigation team for research purposes.
Molly C. Quinn
San Francisco attorney Stuart McMillan is named Commissioner of the San Francisco Police Department. With his pretty, but somewhat kooky, wife Sally, her hard-drinking housekeeper Mildred, ... See full summary »
Susan Saint James
Deputy Police Chief Brenda Johnson runs the Priority Homicide Division of the LAPD with an unorthodox style. Her innate ability to read people and obtain confessions helps her and her team solve the city's toughest, most sensitive cases.
"CHiPS," which stood for California Highway Patrol, followed the daily beats of two state motorcycle patrolmen as they patrolled the freeway system in and around Los Angeles. Officer Jon Baker was the straight, serious officer while Frank "Ponch" Poncherello was the more free- wheeling member of the duo; both reported to Sgt. Joe Getraer, who gave out assignments and advice in handling the cases. Each episode saw a compilation of incidents, ranging from the humorous (e.g., a stranded motorist) to criminal investigations (such as hijackings) and tragic incidents (such as a fiery multi-car pile-up with multiple deaths. Other aspects of Ponch and Jon's daily work were highlighted as well; the social lives of both officers (they were both single) often provided the lighter moments. On occassion, Ponch and Jon were assisted by a female "Chippie" at first, the very beautiful Sindy Cahill; and later, the more wholesome Bonnie Clark. In 1982, Ponch got a new partner, Bobby Nelson (series star... Written by
Brian Rathjen <email@example.com>
Early in season five, Erik Estrada briefly walked off the show due to contract disputes. He was replaced by Bruce Jenner as Steve McLeish. During the absence, normal opening credits with Estrada's name and image continued to run, and Jenner's name was listed among the guest stars. See more »
This was one of the shows that made up my afternoon routine as a grade-schooler in the early to mid '80s. "CHiPs Patrol" as the syndicated reruns were tagged, played every day at 4 pm, in their scratchy 16mm glory, on our local NBC affiliate, and for a little car-fixated youngster like me, it was like...well, like a car crash played in slow-motion. Literally. Set to bad disco music. The whole thing was so outrageously bad that I couldn't turn away. All the impossiblly stupid motorists doing impossibly stupid things on the sunny LA freeways, invariably ending up in a bloodless, perfectly timed explosion of the said automobile's fuel tank, held me rapt. Ah, the explosions. Large, chrome laden '70s cars flipped through air, jumping *through* telephone poles, turned into piles of twisted sheetmetal, or even just sitting there on the asphalt broken down...somehow they'd ALWAYS end up exploding spectacularly (except when they'd land in someone's swimming pool...damn physics!) with disco-horror music on the TV speaker. Even if it's a diesel powered school bus (which by definition can't explode) it's gonna explode as soon as Ponch and John courageously escort the last bowl-haircitted '70s child to safety.
Did I mention Ponch and John? Or rather Ponchenjohn? I almost forgot about them. These two suntanned, good-looking-in-a-70s-kind-of-way motorcycle cops were the viewers' guides through this wacky world of nonstop car crashes. They seemed reasonably okay, as did all their identically dressed CHP colleagues, rescuing vapid motorists when they weren't comically discussing Ponch's impending hot date or the practical birthday joke they were planning to spring on John. But the two storylines rarely mingled. Nothing of real emotional or dramatic depth ever happened. At the end of the closing credits, as the afterimage of Ponch's Pearl Drop smile begins to fade from your retina, all you can think of is: "Man, that was a beautiful '71 Trans Am they blew up."
In other words:
Mindless eye candy with a wonderfully plastic '70s sheen. Don't miss it!
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