| Lewis Fiander | ... | Tom | |
| Prunella Ransome | ... | Evelyn | |
| Antonio Iranzo | ... | Father of Crying Girl | |
| Miguel Narros | ... | Guardacostas 1 | |
| María Luisa Arias | (as Mª Luisa Arias) | ||
| Marisa Porcel | |||
| Juan Cazalilla | |||
| Luis Ciges | ... | Enrique Amorós - the Postman | |
| Antonio Canal | |||
| Aparicio Rivero | |||
| Fabián Conde | ... | Camera shop clerk | |
| Andrès Gomez | (as Andrés Gómez) | ||
| Maria Druille | ... | Child (Crying daughter) | |
| Lourdes De La Camara | ... | Child (Lourdes) (as Lourdes de la Cámara) | |
| Roberto Nauta | ... | Child | |
| José Luis Romero | ... | Child | |
| Javier De La Camara | ... | Child (Leader) (as Javier de la Cámara) | |
| Marián Salgado | ... | Child | |
| Cristina Torres | ... | Child | |
| Luis Maleas | ... | Child (as Luis Mateos) | |
| Adela Blanco | ... | Child | |
| Juan Carlos Romero | ... | Child | |
| Julio Jesús Parra | ... | Child | |
| Carlos Parra | ... | Child | |
| Juan Antonio Balandín | ... | Child | |
| Pedro Balandín | ... | Child | |
| rest of cast listed alphabetically: | |||
| Narciso Ibáñez Serrador | ... | Man next to bus (uncredited) | |
Directed by | |||
| Narciso Ibáñez Serrador | |||
Writing credits | ||
| Juan José Plans | (novel "El juego de los niños") | |
| Narciso Ibáñez Serrador | (screenplay) (as Luis Peñafiel) | |
Produced by | |||
| Manuel Salvador | .... | executive producer | |
Original Music by | |||
| Waldo de los Ríos | |||
Cinematography by | |||
| José Luis Alcaine | |||
Film Editing by | |||
| Antonio Ramírez de Loaysa | |||
| Juan Serra | |||
Art Direction by | |||
| Juan Gracia | |||
Set Decoration by | |||
| Juan Alonso | |||
Costume Design by | |||
| Carmen de la Casa | |||
Makeup Department | |||
| Fernando Florido | .... | makeup artist | |
Production Management | |||
| Julio Parra | .... | unit production manager | |
| Manuel Pérez | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mahnahén Velasco | .... | assistant director | |
Sound Department | |||
| Jose Antonio Arijita | .... | sound assistant | |
| Sebastián Cabezas | .... | sound technician | |
| Julio Calvo | .... | sound assistant | |
| Francisco Peramos | .... | sound effects engineer | |
Special Effects by | |||
| Juan Antonio Balandín | .... | special effects technician | |
Camera and Electrical Department | |||
| José Castedo | .... | camera helper | |
| Mariano Cárdenas | .... | lighting technician | |
| Federico G. Grau | .... | still photographer | |
Other crew | |||
| Marisa Ibarra | .... | script supervisor | |
| Recent Posts (updated daily) | User |
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| Dutch is not german ffs | Thom_azzz |
| Horror movie???? | anamd |
| german part | ppeerrssoonnaa |
| Why the kids became killers | fireball718 |
| Just saw the 'remake' | KREEPY |
| massively overrated | jpfisterc |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Spain section |
While on vacation, a man and his pregnant wife visit an island that the former knows from his past. They arrive to find that the place is not how he remembered. In fact, it appears to be quite deserted aside from several children. It isn't too long before they come across an adult. Pity the kids get to him first, killing him and stringing his body up for use as a human piñata. You see, adults are no longer welcome on this island. At least not if they're still among the living.
For my money, "Who Can Kill a Child?" is a masterpiece of the genre. It makes other killer kid films look like jokes in comparison. Originally seeing it via the "Island of the Damned" cut, it's a very tense and unsettling film with some interesting socio-political subtext as relates to child violence. The likable main characters really struggle here, both physically and morally, in a picture as bleak as they come. It has such an impeccable mood and atmosphere to it. The closest comparison I can make is to that of Werner Herzog's short documentary, "La Soufrière". The isolated, disquieted feel of the island is very predominant.
It's unfortunate that director Serrador faded into the land of television after this film. He clearly had a lot to offer the genre.