A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing ... See full summary »
A couple of English tourists rent a boat to visit the fictitious island of Almanzora, just off the southern Spanish coast. When they arrive, they find the town deserted of adults, there's only children who don't speak but stare at them with eerie smiles. They soon discover that all the children of the island have been posessed by a mysterious force or madness which they can pass from one to another, and which makes them attack and murder their elders, who can't defend themselves because nobody dares to kill a child... Written by
Pablo Montoya <email@example.com>
The film was released simultaneously as "Would You Kill a Child?" and "Death is Child's Play" in the UK. Similarly, American International Pictures released the film as "Trapped!" and "Island of the Damned" simultaneously in the USA. See more »
When Tom finds the switchboard operator's dead body, she is breathing as he leans over her. See more »
There is something wrong on this island and you're trying to keep it from me. If there is something wrong, then whatever it is, I think we should leave.
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Years before the Corn, there were the Children of the Sea...
It is hard not to be suspicious about where Stephen King might have got his "inspiration" for "Children of the Corn" when you witness the striking plot similarities between his novel/movie and the little-known but notable spanish movie "Quien puede matar a un nino?", which was also based on a novel. The subject of children who become a menace has been treated several times in horror cinema(e.g. Village Of The Damned, The Exorcist) because the idea of seemingly-innocent beings hiding dark and murderous forces within them is especially mind-bending and terrifying. Director Ibanez-Serrador (who later became more famous in Spain for directing TV game shows (!)) tries to make the most of this concept, and, although the final result suffers a bit from poor acting and lack of budget, he is altogether quite successful; He intelligently uses a sunny and placid holiday setup which gives us no clue about the horrors we're about to see, and builds up suspense so the film becomes more and more scary as it advances, reaching really sick heights of dementia towards the end. This is definitely a movie to discover for all Horror-cinema-lovers.
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