Hawken is a rugged drifter and loner who meets and comes to rescue a young Shawnee woman, named Spirit in 1840s Tennessee, whom he leaves after saving her from a rouge group of Shawnee ... See full summary »
A young couple, just married, rents a house in a village in Louisiana. But they are not welcome because the inhabitants of the village look upon them with distrust. Meanwhile, in the house ... See full summary »
Set in the autumn and winter seasons of 1845 Montana, the Blackfoot tribe of Chief Winterhawk are ill. His friend and blood-brother, trapper Guthrie, suggests he ask the Settlers in a nearby settlement for help, but they, learning that Wintehawk's people are infected by smallpox, become afraid and back away quickly. Two fur trappers/smugglers, Gates and Scoby, tell Winterhawk and his Braves to follow them and they will take them to someone that has the cure.The Trappers ambush and murder Winterhawk's Braves as Winterhawk escapes after sensing something is wrong. In retribution, Winterhawk and more of his Braves abducts a young woman, Clayanna, and her brother Cotton, from the settlement. Clayanna's uncle Finley, organizes a posse of several trackers by hiring Guthrie, under protest, to follow Winterhawk and his band of warriors, leaving Guthries woman, Pale Flower alone, to get Clayanna and Cotton back at any cost. However, the two murderous trappers who slaughtered Winterhawk's ... Written by
Volker Boehm & Larry B w/ corrections by Bret Culpepper.
When Brian Shaw, the owner of the Edmonton Oil Kings moved his junior hockey team to Portland, Oregon, he named the team the "Winter Hawks" after this film. In order to save money, the team bought used jerseys from the Chicago Blackhawks, which is why the Portland Winter Hawks continue to have jerseys that are similar to the NHL Blackhawks. See more »
I absolutely don't agree with all the sour apple reviews of this movie. Yes, it definitely has its flaws, but on the whole, I love it - the stirring musical score, the Winterhawk song, the gorgeous scenery, the story, and especially the slow motion sequences displaying Michael Dante's dazzling horsemanship - which was why I saw it 7 times in the theater when it first came out. Well known Chicago film critic Roger Ebert gave this movie three stars! I definitely don't agree with all of Roger's reviews. In fact, I've disagreed very strongly more often than not. But his review of Winterhawk was glowing! I suggest you read it!
Movies / Roger Ebert / October 8, 1975
"Winterhawk" is a traditional Western, simply and well told, almost old-fashioned in the clarity of its narrative. An hour or so into it, there's a scene where a group of mountain men are gathered around a campfire, drinking coffee and huddling beneath their blankets for warmth, and something about the look and sound of them reminded me of the classic Westerns of John Ford. This could, indeed, almost be a Western from 20 or 30 years ago, if it weren't for its sympathetic and evenhanded treatment of Indians. The movie takes place very early in the 19th Century, when most of the West was known only to its Indian inhabitants and a few white trappers and traders and mountain men: Neither the farmers nor the cowmen had arrived to start their disagreements. There's a good attempt to be halfway authentic in terms of the period (although the movie's women apparently have found a supply of eyeliner out there in the wilderness), and the characters aren't burdened with all the heavy symbolism, of latter-day Westerns. The story involves a Blackfoot chief, Winterhawk, who takes furs to trade with the white man in exchange for medicine to fight a smallpox epidemic that's decimating his tribe. He's double-crossed, his furs are stolen and, in revenge, he kidnaps a white woman and her young brother and disappears back into the mountains. Their trek leads them past all sorts of glorious scenery, accompanied by appropriately heroic music. The movie's great to look at. A pursuit party sets off to find Winterhawk and "rescue" the woman and boy (who increasingly don't seem to need rescuing), and the filmmaker, Charles Pierce populates the party and the stops along with way with a gallery of great Western character actors. You may not know them all by name - but, believe me, you've seen them in the forts and stagecoaches and saloons and jails of countless Westerns: Denver Pyle, Lief Erickson, Woody Strode, Elisha Cook Jr., L. Q. Jones, Arthur Hunnicutt - the only ones missing are Strother Martin and good old Dub Taylor. Winterhawk is played by Michael Dante, who uses the strong-and-silent routine for all it's worth: It may be a cliché of a performance, but it works, and it's interesting for once to find a movie Indian who speaks in an Indian language that has to be translated for the other characters. He and the girl, Dawn Wells, exchange many meaningful glances and mutual silences before the movie's ending (which is a happy one, the exception in these cases). There's a love interest, but it's underplayed and allowed to develop convincingly, so we don't mind too much. The movie works directly and doesn't attempt to sneak allegories and messages past us. That makes it all the more convincing after the lugubrious "The Master Gunfighter," which turns up dubious "historical facts," works them into a plot lifted from a samurai drama and has the gall to pass itself off as a meaningful statement. Sometimes the best stories are the ones most simply told. -------
So there you have it!
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