6.2/10
231
12 user 7 critic

Sunday in the Country (1974)

Three vicious thugs are on the run in rural America after robbing a local bank. They seek refuge at the home of a reclusive farmer, but he is prepared for their arrival and holds them at ... See full summary »

Director:

Writers:

(story), | 1 more credit »
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Cast

Cast overview, first billed only:
...
...
Leroy
Hollis McLaren ...
Lucy
...
Dinelli
...
Ackerman
Vladimír Valenta ...
Luke
...
Sergeant
...
Eddie
Murray Westgate ...
Conway
Ralph Endersby ...
Timmy Peterson
Susan Petrie ...
Jennifer Logan (as Sue Petrie)
Ratch Wallace ...
Policeman
...
Highway Patrolman
Gary Reineke ...
Highway Patrolman
Eric Clavering ...
Station Master
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Storyline

Three vicious thugs are on the run in rural America after robbing a local bank. They seek refuge at the home of a reclusive farmer, but he is prepared for their arrival and holds them at gunpoint. Unable to let them simply wait for the law, he decides to take them into into his cellar and torture them a little before the police arrive. Written by Jonathon Dabell <J.D.@pixie.ntu.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Adam Smith thinks the law is too kind to killers. See more »

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »
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Details

Country:

|

Language:

Release Date:

22 November 1974 (USA)  »

Also Known As:

Blood for Blood  »

Filming Locations:

 »

Box Office

Budget:

CAD 700,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This was the final film from Cinerama Releasing. See more »

Connections

Featured in Trailer Trauma (2016) See more »

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User Reviews

 
Wow, what a flick!
8 February 2004 | by (Elm Mott) – See all my reviews

The movie moves through its plot in subtle ways- no big explosions or car chases, not even any prolonged suspense- you know exactly what is going to happen as it happens, yet I found myself glued to this movie.

The atmosphere was really gritty and things... just happen. Almost like being a cab rolling through unfamiliar territory with a cabbie who is speaking about unpleasent things, the movie takes you on and on but you just can't get off.

Ernest plays a charactor that is rare in a sincere form- an American with backbone combined with wisdom willing to take action.

Unfortunately, his daughter is (forboding of what is coming down the pipeline?) jelly spined and totally with out active morals. She is content to sit back and judge everyone, breakdown emotionally, and then ignore the situation completely by running off with yet another man/support system. She couldn't be blamed, that is until her father sought to teach her an important life lesson, and... she still didn't get it.

Yes, Ernest's charactor goes too far and his daughter practices inconclusive thinking. So the charactors are way too extreme- it turns into a situation that just wouldn't happen with real people. This can be explained that the movie was made in the seventies, when a lot of movies tried to "preach at us" (as opposed to today's movies which now "show us a lesson"). They seem to try to make Ernest's charactor into some kind of bizarre villian, when to me he comes off as an okay guy living in a bizarre world thrown into a situation he never made in the first place.

Everyone says the acting is poor- I don't think so, maybe just a little over played, but I think it is fine for this genre.

I give this movie a 10 because I have watched 15 movies this week that have come out recently and this one is better than all of them, and:

It's watchable.

You want to see how everything comes out.

No where in the movie does someone say "your other left".

It doesn't try to explain much, just lays it out there.


7 of 12 people found this review helpful.  Was this review helpful to you?

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