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Live Like a Cop, Die Like a Man (1976)

Uomini si nasce poliziotti si muore (original title)
Not Rated | | Thriller | 11 March 1976 (Italy)
Fred and Tony are members of an elite 'special squad' of police in Rome, Italy whom are licensed-to-kill, undercover cops whom thrive on living dangerously.



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Cast overview, first billed only:
Marino Masé ...
Sergio Ammirata ...
Bruno Corazzari ...
Corrupt Cop
Lina Pasquini (as Flavia Fabiani)
Tom Felleghy ...
Margherita Horowitz ...
Marcello Monti ...
3rd kidnapper


Fred and Tony are members of an elite 'special squad' of police in Rome, Italy whom are licensed-to-kill, undercover cops whom thrive on living dangerously.

Plot Summary | Plot Synopsis




Not Rated | See all certifications »




Release Date:

11 March 1976 (Italy)  »

Also Known As:

Live Like a Cop, Die Like a Man  »

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


This was given a major TV advertising campaign when released in the UK, which was very unusual at the time. See more »


Referenced in Ban the Sadist Videos! (2005) See more »


Won't Take Too Long
Written by Fraser & Ruggero Deodato
Performed by Ray Lovelock
See more »

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User Reviews

Unorthodox-Copper Holocaust!
13 May 2007 | by See all my reviews

You just know you're in for one hell of a thrill-ride when the movie you're watching opens with a 10-minutes-long chase sequence on motorcycles; through the crowd-infested streets of Rome and ending with a shocking execution that truly goes against all the rules of ethically correct police work. "Live like a Cop, Die Like a Man" is a work of genuine 70's exploitation, scripted by the multi-talented Fernando Di Leo and directed by the almighty Ruggero Deodato. Deodato is, without a doubt and hands down, the KING of exploitation cinema! A couple of years before he dedicated himself to the notorious jungle adventures ("Jungle Holocaust", "Cut and Run" and, of course, his ultimate masterpiece "Cannibal Holocaust") and brutal revenge-horror ("House on the Edge of the Park"), Deodato made his one and only "Polizieschi" movie, but it's definitely memorable & unique enough to rank among the best in the sub genre. "Live Like a Cop, Die Like a Man" is an indescribably sadistic and cynical film and it's very different from the usual efforts in the "Polizieschi" genre. These raw and explicit Italian crime-thrillers always introduce macho cop characters that shoot first and ask questions later, but at least they usually have good reasons for their very unorthodox investigation techniques. They either want to avenge a murdered friend or colleague, or they're on a tight time-schedule to rescue kidnapped children or recover a stolen treasure. (Al)Fred(o) and (An)Tony(o), the two protagonists in Deodato's film, are different. They simply cross the thin line between justice and delinquency because they enjoy it! Much more than any other entry in the Polizieschi sub genre, "Live Like a Cop, Die like a Man" glorifies extreme violence and nearly encourages people to take justice into their own hands. Fred and Tony terminate unarmed & defenseless gangsters, force female suspects into having sex with them, burn down fancy cars and invade private clubs for no real reason and they carelessly endanger the lives of civilians. And whilst they're performing their "jobs", they never for one second stop to pay attention to their good playboy-looks and macho charisma. This film is fast-paced and multiple isolated sequences are terrific (the hostage-situation! The bank robbery!), but the script as a whole sadly lacks continuity and depth. There's no actual plot, as Fred & Tony are simply hunting down Rome's biggest crime boss, Roberto Pasquini, and they eliminate a lot of his accomplices and random street scum during their 'assignment'. Most other Polizieschi flicks have a slightly more intelligent script, but "Live Like a Cop, Die Like a Man" primarily benefices from sickening violence, gratuitous sleaze and unscrupulous controversy. The editing is sharp, the lurid 70's music is fabulous and Deodato's profound direction is brilliant and ultimately praiseworthy. I read somewhere that the motorcycle chases amidst crowded shopping streets and during broad daylight were filmed without official permission. Your name simply has to be Ruggero Deodato if you risk endangering the lives of unsuspecting civilians only to shoot credible and realistic footage of Rome!

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