Party leader and power broker Aldo Moro, holed up with his cronies and rivals at a monastic retreat where they plot their political fortunes while being led by a Jesuit cleric in spiritual cleansings.

Director:

Writers:

(novel), (screenplay) | 1 more credit »
Reviews
5 wins. See more awards »
Learn more

People who liked this also liked... 

Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A leftist professor wants the truth about two men killed during a hunting party; but the mafia, the Church and corrupt politicians don't want him to learn it.

Director: Elio Petri
Stars: Gian Maria Volontè, Irene Papas, Gabriele Ferzetti
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Total, a young bank cashier, has been wondering for some time if his life, with its grey, dismal prospect, is worth living. He is aware of the illicit careers and rise to riches of many of ... See full summary »

Director: Elio Petri
Stars: Ugo Tognazzi, Flavio Bucci, Daria Nicolodi
Lulu the Tool (1971)
Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A conscientious factory worker gets his finger cut off by a machine. Although the physical handicap is not serious, the accident causes him to become more involved in political and revolutionary groups.

Director: Elio Petri
Stars: Gian Maria Volontè, Mariangela Melato, Gino Pernice
Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A middle-aged plumber quits his job and questions his life after seeing somebody his own age suddenly die from a heart attack on his way to work.

Director: Elio Petri
Stars: Salvo Randone, Franco Sportelli, Regina Bianchi
The Assassin (1961)
Crime | Thriller
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Alfredo Martelli is picked up by the police in his apartment without justification. In the precinct, he slowly discovers what is the investigation about as we find out details about his life.

Director: Elio Petri
Stars: Marcello Mastroianni, Micheline Presle, Cristina Gaioni
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A chief of detectives, homicide section, kills his mistress and deliberately leaves clues to prove his own responsibility for the crime.

Director: Elio Petri
Stars: Gian Maria Volontè, Florinda Bolkan, Gianni Santuccio
Action | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Some people like violence so much, that they decide to create a club in which human hunts are organized - members being alternately hunters, and prey, until they end up dead.

Director: Elio Petri
Stars: Marcello Mastroianni, Ursula Andress, Elsa Martinelli
Drama | Horror
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A popular painter, plagued by nightmares that he and his lover/sales agent are engaging in bizarre, ritualistic, sadistic sexual acts, seeks to escape the city and rent a house in the country.

Director: Elio Petri
Stars: Franco Nero, Vanessa Redgrave, Georges Géret
Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Enrico Mattei helped change Italy's future, first as freedom-fighter against the Nazis, then as an investor in methane gas through a public company, A.G.I.P., and ultimately as the head of ... See full summary »

Director: Francesco Rosi
Stars: Gian Maria Volontè, Luigi Squarzina, Peter Baldwin
Many Wars Ago (1970)
Drama | War
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

On the Italian/Austrian front during World War I, a disastrous Italian attack upon the Austrian positions leads to a mutiny among the decimated Italian troops.

Director: Francesco Rosi
Stars: Mark Frechette, Alain Cuny, Gian Maria Volontè
Good News (1979)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  
Director: Elio Petri
Stars: Giancarlo Giannini, Ángela Molina, Aurore Clément
Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Prior to a city council election, the collapse of a building leaves a land developer and his political backers defending themselves against a scandal.

Director: Francesco Rosi
Stars: Rod Steiger, Salvo Randone, Guido Alberti
Edit

Cast

Cast overview, first billed only:
...
M.
...
Don Gaetano
...
Giacinta
Ciccio Ingrassia ...
Voltrano
...
Autista di M.
Cesare Gelli ...
Arras
Tino Scotti ...
Il cuoco
Adriano Amidei Migliano ...
Capra-Profiri
Giancarlo Badessi ...
Ventre
Mario Bartoli ...
Primogenito Lombo
Nino Costa ...
Prete giovane
Guerrino Crivello ...
Speaker TV
Marcello Di Falco ...
Saccà
Giulio Donnini ...
Bastante
Aldo Farina ...
Restrero
Edit

Storyline

Party leader and power broker Aldo Moro, holed up with his cronies and rivals at a monastic retreat where they plot their political fortunes while being led by a Jesuit cleric in spiritual cleansings.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

See all certifications »
Edit

Details

Country:

|

Language:

| |

Release Date:

30 April 1976 (Italy)  »

Also Known As:

Juízo Final  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)
See  »
Edit

Did You Know?

Trivia

This movie was intended to satirize Italy's ruling political party, the Democrazia Cristiana. 'Gian Maria Volonté''s character was a caricature of one of DC leader's, statesman Aldo Moro. Two years later, Moro was kidnapped and murdered by communist terrorists. See more »

Quotes

Giacinta: Speak 'officialese' only if you have nothing to say.
See more »

Connections

Edited into Marcello, una vita dolce (2006) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Political satire and parody of a high and creative order
18 March 2015 | by (United States) – See all my reviews

"Todo Modo" is unique. There is no other film like it. It's an original from director Elio Petri and a film that cannot be imitated.

The set and production design is excellent. Architecture permeates the very unusual story, that story serving more as a means of presenting the political criticism than anything else. The story takes place in an unusual underground set of quarters and halls, run by a Jesuit order. The cavernous meeting rooms and corridors are sprinkled with white sculptured figures depicting religious figures and the stations of the cross. Below that level is a crypt, like the catacombs. The quarters are sparse.

Two world class actors share the acting honors: Marcello Mastroianni and Gian-Maria Volonte. But several others shine in their roles too: Ciccio Ingrassia and Mariangela Melato. Mastroianni plays a fervent Jesuit priest who is leading a spiritual retreat for a large number of top establishment types, political, business and finance mainly. His eyes show an actor totally into the part. Volonte gives an unforgettable portrayal of the "President", a man with a quest for power who acts out all sorts of roles to get his way, often simulating weakness, humility and honesty. He has managed to smuggle in his wife who supports him all the way in his ambition for more power and a 7-year mandate. Ingrassia portrays a guilt-ridden "pansy" who flagellates himself.

The party of men who figure in the retreat, about 50 of them, are shown as grasping and squabbling hypocrites who use the occasion cynically. Spirituality is the last thing on their minds.

As the story proceeds, they are being murdered. This mystery pulls us along but it's not the central concern of the story. Their murders are really a bold and subversive message of the movie itself; or reflective of the turbulent Italian society of that time. I cannot imagine a movie like this being made anywhere but in Italy, and that's partly because the Italian film makers of the time were so creative and willing to make films that spoke on many levels, avoiding clichés and tired conventions. This film has loose ends. It has exchanges that are not transparent. It is not always clear what the point is, at least on first viewing. But one still feels the messages strongly. The surviving members are not terribly affected emotionally when some of them are being killed, not until they realize that they too may be targets. They are so into the accumulation of money and power that they are thinking along other lines. Volonte is anxious to recover material confided in past years to Mastroianni, files on his associates. Some of them are interested in the value of the art works surrounding them. Their squabbles dominate them. Volonte and Mastroianni have had an unholy alliance, and Mastroianni is now calling him to account. Volonte is the movie's central figure and he dominates the film.


3 of 4 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
I want to buy it..... octorom
Discuss Todo modo (1976) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?