|
| Jeff Alexander | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Robert Alton | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Robert Arthur | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| S.N. Behrman | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Busby Berkeley | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Irving Berlin | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Pandro S. Berman | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Ralph Blane | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Frank Borzage | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Charles Brackett | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Lou Breslow | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Nicholas Brodszky | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Nacio Herb Brown | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Harold S. Bucquet | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Hugo Butler | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Sammy Cahn | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Saul Chaplin | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Jack Cole | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Betty Comden | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Bobby Connolly | .... | acknowledgement: the special style and content of the musical sequences were created by |
| John W. Considine Jr. | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Jack Conway | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| George Cukor | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Jack Cummings | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Gene de Paul | .... | acknowledgement: the special style and content of the musical sequences were created by (as Gene De Paul) |
| Buddy G. DeSylva | .... | acknowledgement: the special style and content of the musical sequences were created by (as B.G. De Sylva) |
| Adolph Deutsch | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Helen Deutsch | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Jacques Deval | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Howard Dietz | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Stanley Donen | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Jack Donohue | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Carmen Dragon | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Vernon Duke | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Jimmy Durante | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Julien Duvivier | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Roger Edens | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Gus Edwards | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Howard Estabrook | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Percy Faith | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Ted Fetter | .... | acknowledgement: the special style and content of the musical sequences were created by |
| James A. FitzPatrick | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Victor Fleming | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Sidney Franklin | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Arthur Freed | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Jules Furthman | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Tay Garnett | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| George Gershwin | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Ira Gershwin | .... | acknowledgement: the special style and content of the musical sequences were created by |
| E. Ray Goetz | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Frances Goodrich | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Leon Gordon | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Ruth Gordon | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Martin A. Gosch | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Dave Gould | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Edmund Goulding | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Adolph Green | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Johnny Green | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Albert Hackett | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Oscar Hammerstein II | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Otto A. Harbach | .... | acknowledgement: the special style and content of the musical sequences were created by (as Otto Harbach) |
| Lorenz Hart | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Lennie Hayton | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Samuel Hoffenstein | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Robert E. Hopkins | .... | acknowledgment: the non-musical sequences represent outstanding contributions by (as Robert Hopkins) |
| Sidney Howard | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Bernard H. Hyman | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Bert Kalmar | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Garson Kanin | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Bronislau Kaper | .... | acknowledgement: the special style and content of the musical sequences were created by |
| George S. Kaufman | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Jerome Kern | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Michael Kidd | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Arthur Kober | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| John La Touche | .... | acknowledgement: the special style and content of the musical sequences were created by (as John Latouche) |
| Charles Lederer | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Sammy Lee | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Franz Lehár | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Robert Z. Leonard | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Alan Jay Lerner | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Mervyn LeRoy | .... | acknowledgement: the special style and content of the musical sequences were created by (as Mervyn Leroy) |
| Edgar Leslie | .... | acknowledgement: the special style and content of the musical sequences were created by |
| W.P. Lipscomb | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Frederick Loewe | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Anita Loos | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Ernst Lubitsch | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| John Lee Mahin | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Rouben Mamoulian | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Herman J. Mankiewicz | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Joseph L. Mankiewicz | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Hugh Martin | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Samuel Marx | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| James Kevin McGuinness | .... | acknowledgment: the non-musical sequences represent outstanding contributions by (as James K. McGuinness) |
| John Meehan | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Johnny Mercer | .... | acknowledgement: the special style and content of the musical sequences were created by |
| George W. Meyer | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Vincente Minnelli | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Alfred Newman | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Ivor Novello | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| George Oppenheimer | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Hermes Pan | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Joe Pasternak | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Nat Perrin | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Robert Pirosh | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Cole Porter | .... | acknowledgement: the special style and content of the musical sequences were created by |
| André Previn | .... | acknowledgement: the special style and content of the musical sequences were created by (as Andre Previn) |
| Gottfried Reinhardt | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Walter Reisch | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Allen Rivkin | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Leo Robin | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Richard Rodgers | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Sigmund Romberg | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Harry Ruby | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Morrie Ryskind | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Conrad Salinger | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Victor Saville | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Dore Schary | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Arthur Schwartz | .... | acknowledgement: the special style and content of the musical sequences were created by |
| George Seaton | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| David O. Selznick | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Sidney Sheldon | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| George Sidney | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Sol C. Siegel | .... | acknowledgement: the special style and content of the musical sequences were created by |
| S. Sylvan Simon | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Donald Ogden Stewart | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| George Stoll | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Axel Stordahl | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Herbert Stothart | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Johann Strauß | .... | acknowledgement: the special style and content of the musical sequences were created by (as Johann Strauss) |
| Hunt Stromberg | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Jule Styne | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Norman Taurog | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Kay Thompson | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Richard Thorpe | .... | acknowledgement: the special style and content of the musical sequences were created by |
| W.S. Van Dyke | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Jimmy Van Heusen | .... | acknowledgement: the special style and content of the musical sequences were created by (as James Van Heusen) |
| Salka Viertel | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Charles Walters | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Harry Warren | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Lawrence Weingarten | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| George Wells | .... | acknowledgement: the special style and content of the musical sequences were created by |
| Fred M. Wilcox | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Billy Wilder | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| P.J. Wolfson | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Sam Wood | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| Sam Zimbalist | .... | acknowledgment: the non-musical sequences represent outstanding contributions by |
| |
company.
This film was another excuse to look through those old MGM film vaults and get out some old film reels, to enjoy once more. This excuse cetainly pays off with over 2*hrs of stunning musical/dance performances. It is even more enjoyable than the first, as Fred Astaire and Gene Kelly even entertain us with numerous dance numbers during the films intervals - the last time they were to dance together on screen. The clips are indelible as they are precious, which includes rare footage of Greta Garbo dancing!, Robert Taylor singing!, and Esther Williams Skiing!.
Overall it is action packed enjoyment throughout, simply bursting through the screen. Fans of musicals and any of the old stars, will relish with the opportunity to see the talented MGM stars in action once more. Lots of MGM glitz and Glamour thrown in too!!!