IMDb > Sexy Sisters (1977)

Sexy Sisters (1977) More at IMDbPro »Die teuflischen Schwestern (original title)


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Director:
Writers:
Erwin C. Dietrich (screenplay)
Erwin C. Dietrich (story)
Contact:
View company contact information for Sexy Sisters on IMDbPro.
Release Date:
2 September 1977 (West Germany) See more »
Genre:
Tagline:
Sisters of Seduction..!
User Reviews:
SEXY SISTERS (Jesus Franco, 1977) **1/2 See more (3 total) »

Cast

  (in credits order)
Karine Gambier ... Millie
Pamela Stanford ... Edna
Jack Taylor ... Dr. Barnes (as Jack Tylor)
Esther Moser
Eric Falk ... Gigilo
Marianne Graf
Kurt Meinicke
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Directed by
Jesus Franco  (as Jess Franco)
 
Writing credits
(in alphabetical order)
Erwin C. Dietrich  screenplay (as Manfred Gregor)
Erwin C. Dietrich  story (as Manfred Gregor)

Produced by
Erwin C. Dietrich .... producer
 
Original Music by
Walter Baumgartner 
 
Cinematography by
Peter Baumgartner 
 
Production Management
Werner Zeindler .... production manager
 
Crew believed to be complete


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Additional Details

Also Known As:
"Die teuflischen Schwestern" - Switzerland (original title)
"Satanic Sisters" - Switzerland (English title)
"The Devilish Sisters" - International (English title) (informal alternative title)
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Runtime:
Germany:79 min | Spain:75 min | Switzerland:83 min | USA:85 min | UK:83 min
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
1.66 : 1 See more »
Sound Mix:
Company:

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6 out of 11 people found the following review useful.
SEXY SISTERS (Jesus Franco, 1977) **1/2, 13 October 2006
Author: MARIO GAUCI (marrod@melita.com) from Naxxar, Malta

Following a number of disappointments viewing some highly-regarded Jess Franco movies, I warily approached this Erwin C. Dietrich production - which came none too soon, considering that I'd had the VHS of SEXY SISTERS for six days before I could summon enough courage to try it!

It's similar to SINFONIA EROTICA (1979) in that its characters are motivated either by greed or sexual frustration, and in its general depravity. Like SINNER (1972), then, while the film purports to be the character study of a single nymphomaniac, sex is virtually the only thing all the characters - and, by extension, the director himself - think about!; having four women in the brew, for instance, was a bit much, though the nurse's character (torn between her 'boss', Jack Taylor, and her genuine feeling for Karine Gambier) is quite interesting.

The formal look of the film (especially interesting is the interior design of the sisters' mansion with its proliferation of feline imagery) extends itself to the trim plot line, the effective but unobtrusive score and the generally balanced performances (though it must be said that no member of the cast is particularly taxed by the level of acting necessitated by the film). Pamela Stanford gives a fine 'bad girl' performance in the style of Britt Nichols from A VIRGIN AMONG THE LIVING DEAD (1971). The predictable 'climax', however, ends the film on a bit of a whimper: a more dramatic conclusion would not have been amiss.

It's superficial in comparison with other Franco films, but made in a refreshingly self-mocking way (the early scene involving Stanford and the gear-shift of a car, the 'mannerisms' of the numerous studs who 'visit' Gambier {reminiscent of the campy sex films being made contemporaneously by Russ Meyer in the US}, the unorthodox way in which Taylor takes Gambier's temperature) that it's not really oppressive - despite the extensive nudity involved - as others I've watched had been. The relationship between the two sisters does not convince, however - particularly their age difference (which cannot be great) as revealed in a flashback. Besides Gambier does not display enough charisma to sustain her basically one-dimensional role (unlike Monserrat Prous in SINNER and Lina Romay in SINFONIA EROTICA); in fact, her constant 'whining' becomes fairly annoying - to say nothing of unintentionally funny - after a while! The film really falls to pieces every time the characters open their mouths...to speak, that is; for a sex film, it's got an awful lot of dialogue - and practically all of it's silly, would-be titillating talk!

I watched this via a 20-year old VHS: hideously dubbed as always; non-OAR; occasionally fading colors; and, most surprising of all, no credit titles! Even if the film has been released on DVD as part of VIP's "The Jess Franco Collection", it's not substantial enough to merit a purchase from me...

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