Taxi Driver (1976) Poster



Jump to: Director Cameo (1) | Spoilers (13)
Robert De Niro worked fifteen hour days for a month driving cabs as preparation for this role. He also studied mental illness.
Paul Schrader wrote the script in ten days via two drafts, one after the other. As he was writing, he kept a loaded gun on his desk for motivation and inspiration.
Jodie Foster was 12 years old when the movie was filmed, so she could not do the more explicit scenes (her character was also 12 years old). Connie Foster, Jodie's older sister who was 19 when the film was produced, was cast as her body double for those scenes.
Director Martin Scorsese claims that the most important shot in the movie is when Bickle is on the phone trying to get another date with Betsy. The camera moves to the side slowly and pans down the long, empty hallway next to Bickle, as if to suggest that the phone conversation is too painful and pathetic to bear.
Between the time Robert De Niro signed a $35,000 contract to appear in this film and when it began filming, he won an Oscar for his role in The Godfather: Part II (1974) and his profile soared. The producers were terrified that De Niro would ask for a deserved large pay raise, since Columbia was very discomfited by the project and were looking for excuses to pull the plug on it, but De Niro said he would honor his original deal so the film would get made.
When Paul Schrader was first writing the script, he believed that he was just writing about "loneliness," but as the process went on he realized he was writing about "the pathology of loneliness." His theory being that, for some reason, some "young men" (such as Schrader himself) subconsciously push others away to maintain their isolation, even though the main source of their torment is this very isolation.
The story was partially autobiographical for Paul Schrader, who suffered a nervous breakdown while living in Los Angeles. He was fired from the AFI, basically friendless, in the midst of a divorce and was rejected by a girlfriend. Squatting in his ex-girlfriend's apartment while she was away for a couple of months, Schrader literally didn't talk to anyone for many weeks, went to porno theaters and developed an obsession with guns. Schrader was working at the time as delivery man for a chain of chicken restaurants. Spending long days alone in his car, he felt--I might as well be a taxi driver. He also shared with Bickle the sense of isolation from being a mid-Westerner in an urban center. Schrader decided to switch the action to New York City only because taxi drivers are far more common there. Schrader's script clicked with both Martin Scorsese and Robert De Niro when they read it.
Robert De Niro has said that, despite having won an Oscar for The Godfather: Part II (1974), he was still a relatively unfamiliar face and was only actually recognized once while driving a New York cab during his research for this film.
The scene where Travis Bickle is talking to himself in the mirror was completely ad-libbed by Robert De Niro. The screenplay details just said, "Travis looks in the mirror." Martin Scorsese claims that he got the inspiration for the scene from Marlon Brando mouthing words in front of a mirror in Reflections in a Golden Eye (1967).
Bernard Herrmann's wife says that when Martin Scorsese, then relatively unknown, called her famous husband to ask Hermann to do the score, he at first refused saying, "I don't write music for car movies." Hermann only accepted after reading the script, and then wrote a highly original score using dissonant brass to punctuate the inner emotions of Travis. After the initial scoring sessions, Scorsese called his composer again, insisting that he needed one more musical cue--a sting, a single frightening chord. Hermann called back a studio orchestra who were paid a day's work for that one effect. Shortly after that ultimate session, Hermann died at the age of 64. He had begun his film career in Hollywood writing the music for Citizen Kane (1941).
Lone assassin John Hinckley's attempt on US President Ronald Reagan's life (Monday 30 March 1981) was apparently triggered by Robert De Niro's obsessive Travis Bickle and his plot to assassinate a presidential candidate. Coincidentally the assassination attempt caused the 53rd Academy Awards ceremonies to be postponed for one day until Tuesday 31 March 1981 when De Niro won his Best Actor Oscar for Raging Bull (1980).
The producers were looking for a "Cybill Shepherd" type to play the female lead in the film. When agent Sue Mengers heard this, she reportedly called them and asked why not hire Cybill Shepherd.
Jodie Foster claims that Robert De Niro would regularly phone her up and suggest they have coffee together. They would then rehearse the diner scene over and over to the point where Foster got bored, but still De Niro would insist they continue rehearsing.
Paul Schrader wrote the part of Travis with Jeff Bridges in mind.
Harvey Keitel rehearsed with actual pimps to prepare for his role. The scene where his character and Iris dance is improvised, and is one of only two scenes in the film that don't focus on Bickle.
Harvey Keitel was originally offered the part of the campaign worker, eventually played by Albert Brooks. He decided to take the role as the pimp, even though in the script he was black and only had about five lines.
In the coffee and pie scene, Travis orders apple pie with melted cheese. When serial killer Ed Gein was arrested, he asked the police for a slice of apple pie with melted cheese in exchange for a full confession.
In Paul Schrader's original screenplay, the characters of Sport, the Mafioso and the hotel clerk were all black. Martin Scorsese felt that, combined with other events in the film, this would have stacked the deck too much towards racism, and suggested that those characters be changed to white men. Schrader relented.
Producer Julia Phillips tells in her auto-biography that Cybill Shepherd had a hard time remembering her lines during the coffee-and-pie scene with Robert De Niro. She writes that De Niro in particular was getting fed up with her and that Phillips and editor Marcia Lucas laughed over all the unusable footage they had to work with in the editing room.
Robert De Niro claimed that the final shootout scene took particularly long, because of both technical problems and the humor which arose from the tension created by the carnage in the scene.
Martin Scorsese has said he offered the role of Travis Bickle to Dustin Hoffman. According to Hoffman, he turned the role down because he "thought [Scorsese] was crazy!" He has since regretted his decision.
Robert De Niro's on-and-off girlfriend in the 70s, Diahnne Abbott, appears as the concession girl in the porno theater near the beginning of the film.
The girl with whom Martin Scorsese studied in order to prepare for the role of Iris (played by Jodie Foster, the actress who won the role) also appears in the film, as Iris' friend on the street.
Steven Prince improvised the list of additional illegal things Easy Andy had for sale after Travis buys the gun.
Robert De Niro studied Midwestern dialects to come up with Travis Bickle's flat voice.
Travis Bickle's famous "You talkin' to me?" scene may have been inspired by Robert De Niro's training under Stella Adler, who (as an exercise) had her students practice different interpretations of a similar phrase. The legendary acting teacher was surprised to see one of her former students use "You talkin' to me?" as a psychotic mantra. Martin Scorsese was encouraging De Niro just below the camera while shooting the scene, which lead to the rest of the "dialogue" Bickle has with his mirror.
The clash between Martin Scorsese, the MPAA and the executives at Columbia over the violent content of this film has gone into legend. One of the biggest rumors is that, when facing an X rating from the MPAA and having to edit the film, Scorsese stayed up all night drinking with a loaded gun in his hand, preparing to shoot the executive at Columbia the next day. After an entire night of persuasion from his friends, Scorsese decided to mute the colors in the violent climax and subsequently got his R rating. There are many variations on this legend, one saying that Scorsese was actually planning to take his OWN life; another says that he actually brought the gun to Columbia and threatened the executive until the executive relented.
Producer Julia Phillips claimed Martin Scorsese cast Cybill Shepherd as Betsy because of the size of her bottom, which added to her sex appeal. Phillips further revealed that Scorsese and Shepard had a difficult relationship on set, with the director having to feed the actress line readings to achieve a credible performance.
Robert De Niro has claimed that the "You talkin' to me?" scene was inspired by Bruce Springsteen's banter with his audience at a mid-'70s gig
Before Jodie Foster was eventually cast as Iris, there were more than 250 applicants for the role, including newcomers Carrie Fisher, Mariel Hemingway, Bo Derek, Kim Cattrall, Rosanna Arquette, Kristy McNichol and Michelle Pfeiffer.
Paul Schrader was inspired to write the script after reading the published diary of Arthur Bremer, the man who was convicted of shooting presidential hopeful George Wallace. Eerily, Bremer was 26 years old in 1976 (the year the film was released), the same age as Travis Bickle in the film. And Schrader himself was 26 when he first wrote the screenplay, in 1972.
Melanie Griffith was originally offered the role of Iris, but her mother Tippi Hedren made her turn down the offer. She was the first choice to play the part.
This was the last Columbia feature to use the classic Torch Lady logo in her classic appearance.
Brian De Palma was also considered to direct but the producers were dragged to a private screening of Mean Streets (1973) (Robert De Niro and Martin Scorsese's previous collaboration) before they told Scorsese he could direct, but only if he got De Niro to play the lead. De Palma later regretted not directing the film.
The only camera direction that Paul Schrader wrote in the script was the overhead tracking shot after the bloody shoot out.
Due to injuries sustained in an accident during the production of the 1975 movie The Farmer (1977) actor George Memmoli had to decline the bit-part of the Travis's disturbed passenger who was ultimately played by the film's director Martin Scorsese.
The line "You talking to me?" was voted as the #10 movie quote by the American Film Institute, and as as the #8 of "The 100 Greatest Movie Lines" by Premiere in 2007.
The cab Travis drove was Checker. They stopped production after 1982 and the last one in New York City was retired in 1999. De Niro's temporary hack number was: 265216. The official taxicab driver's license issued by New York City had an expiration date of May 31, 1976.
Bernard Herrmann wasn't going to write the score for this film, but agreed to do it when he saw the scene where Bickle pours Schnapps on his bread. Herrmann died on Christmas Eve of 1975, just hours after completing the recording sessions for this film, and the movie was dedicated to his memory.
According to Albert Brooks in a conversation he had with Paul Schrader after the film wrapped, Schrader had praised Brooks' performance as Tom because that was the one character Schrader didn't understand. Brooks was amused at that fact, given that Schrader didn't understand the campaign manager but did understand Travis Bickle.
Even though then 12-year-old Jodie Foster played a very adult role in the movie, she would have been ineligible to attend the premiere unaccompanied by a parent or adult guardian due to the "R" rating.
Oliver Stone believes he was one of the models for Travis Bickle, pointing out that he was being taught by Martin Scorsese at NYU film school at the time, and like Travis he was a Vietnam veteran turned N.Y.C. cabdriver and wore his olive drab army coat while on duty.
Around the time Tony Bill was considering directing the movie, the Paul Schrader script was sent to Al Pacino, but he declined the role. Julia Phillips never knew whether Pacino declined the role because he didn't like the script or because he didn't want to work with Bill.
Mia Farrow reportedly wanted the role of Betsy but Martin Scorsese turned her down.
Premiere voted this movie as one of "The 25 Most Dangerous Movies".
The restaurant where the cabbies gather to eat was a real-life hangout for taxi drivers called the Belmore Cafeteria at 28th St. and Park Avenue South. It has since been demolished, but the apartment building that replaced it is named the Belmore.
When Travis calls Betsy from a payphone to apologize for having taken her to a porno movie (Ur kärlekens språk (1969)), he makes that call from the lobby of The Ed Sullivan Theater (1697 Broadway).
Bernard Herrmann's score is intentionally devoid of strings, giving the overall thrust of the soundtrack more 'muscle'.
The olive-colored army coat Travis is wearing, is a pre-mid 70's M65 jacket
According to Amy Taubin's book, the character of Iris was partially inspired by Paul Schrader's memory of 1950s' Coppertone ads. Jodie Foster, the actress who won the role of Iris, the underage prostitute, had her acting debut in a Coppertone ad when she was 3 years old.
The apartment building where Iris lived was 226 East 13th Street, as seen on an exterior shot, as well as in the Then-and-Now Special Feature on the 2 disc DVD. As a sad coda to the movie, in 1988, as reported by the NY Times, two young girls were killed when the stoop outside this address collapsed, crushing them both.
Many of Bernard Herrmann's cues for this film were either unused or used in the wrong scenes.
Amongst the unknowns at the time who tried out for the role of Iris were Ellen Barkin, Kim Basinger, Geena Davis, Michelle Pfeiffer, Brooke Shields and Debra Winger.
According to Robin Askwith's autobiography the main character was given the forename "Travis" after Martin Scorsese saw Malcolm McDowell play "Mick Travis" in If.... (1968).
In the lyrics to their song "Red Angel Dragnet," long-running British rock band The Clash mention Travis by name and then include two Travis quotes: "one of these days I'm gonna get myself organized," and, "all the animals come out at night: queens, fairies, dopers, junkies, sick venal - some day a real rain will come and wash all the scum off the streets."
After seeing "every blonde in town", producer Julia Phillips still preferred Farrah Fawcett over Cybill Shepherd for the role of Betsy.
The character of Tom originally had very few lines in the script but Albert Brooks worked with Martin Scorsese and Paul Schrader in fleshing out the role. Brooks was also allowed to improvise during filming.
When Brian De Palma was attached to the project, he wanted Melanie Griffith to play Iris, but after two weeks of casting, both Griffth and De Palma were fired. Martin Scorsese replaced Griffith with Linda Blair. However, Blair also withdrew, and Scorsese later replaced Blair with Jodie Foster, but there were more than 200 applicants for the role. Scorsese said that Jodie had the ability to play a 12-year-old prostitute.
Meryl Streep reportedly turned down the role of Betsy.
When Martin Scorsese agreed to direct, he brought Robert De Niro on board with him, much to the delight of Julia Phillips. Much less delightful was that De Niro was committed to making Bernardo Bertolucci's 1900 (1976) and when he left for Italy, Scorsese committed to Alice Doesn't Live Here Anymore (1974).
Uncredited Tom Scott delivered the dominant, haunting alto saxophone solos over the Bernard Herrmann score.
Jean-Paul Sartre's novel "La Naussee" proved to be a major inspiration for Paul Schrader's script.
Very few changes were made to Paul Schrader's script from the first draft pitched to Martin Scorsese to the final draft. However, the director allowed a great deal of improvisation in the final cut of the film.
In 2011, Empire magazine described this movie as "a vivid fever dream we still haven't woke up from."
Paul Schrader guessed that the thought of isolated anti-hero being a taxi driver may have been instilled by the Harry Chapin song "Taxi," which was a big hit at the time.
A nationwide search for a young actress to play the part of Iris was narrowed down to five finalists. Jodie Foster beat Mariel Hemingway, Jennifer Jason Leigh, Heather Locklear and Kristy McNichol for the role of Iris.
When Travis is talking to a Secret Service agent, he gives his address as 154 Hopper Avenue, Fair Lawn, New Jersey. There is a Hopper Avenue in Fair Lawn, but there is no 154 Hopper Avenue.
Various studios considered producing this film; one suggested Neil Diamond for the lead role.
As Robert De Niro and Cybill Shepherd walk past him, the street drummer says "now back to Gene Krupa syncopated style". This line was sampled by British band Apollo Four Forty for their song 'Krupa'. The track appeared on their 1997 album 'Electro Glide in Blue'.
In an interview with Roger Ebert upon the film's release, Martin Scorsese called it "my feminist film ... because it takes macho to its logical conclusion. The better man is the man who can kill you. This [movie] shows that kind of thinking, shows the kinds of problems some men have, bouncing back and forth between [their perception of women as] goddesses and whores."
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Tony Bill, the producing partner of Julia Phillips and her husband Michael Phillips, wanted to make his directorial debut with this movie after Brian De Palma was cashiered. He was convinced to wait to direct a film more suitable for his sensibilities.
In 2007, the American Film Institute ranked this as the #52 Greatest Movie of All Time.
Kim Basinger was offered the role of Iris, but had to turn down in order to continue to work as a model.
Rock Hudson was once considered for the role of Charles Palantine, but was not able to due to his commitment to the TV series, McMillan & Wife (1971).
The record that Travis buys for Betsy is "The Silver Tongued Devil and I" by Kris Kristofferson. In the restaurant they quote from a song on the album, "Pilgrim Chapter 33" ("he's a prophet...").
Jane Seymour auditioned for the role of Betsy. Both Glenn Close and Susan Sarandon also auditioned for the role but turned it down.
Due to a garbage strike, much of the on-screen filth is real.
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Cybill Shepherd turned down the chance to appear in Nickelodeon (1976) in order to accept the role of Betsy.
After Brian De Palma, who was originally attached to the project, was let go, producer Michael Phillips gave him a gross point as a parting gift, to assuage Phillips' guilt.
Jodie Foster, the actress who got the role of Iris, was actually the third choice to play it.
In 1988, two young girls were killed when out playing on the front stoop of the apartment building at 226 East 13th Street, which features prominently in the ending of the movie following the shootout; collapsed. Building inspectors at the scene said they had found corroded angle irons under the stoop of the six-story walk-up, which was built around the turn of the century and most likely gave-in due to age.
Linda Blair was the second choice to play Iris.
Before becoming a star, Robert De Niro thought about writing a screenplay himself. One of the ideas he had was, in the words of biographer Shawn Levy, "about a lonely man wandering New York City with guns and dreaming of an assassination." It never went any further than the idea stage, but it was an eerie coincidence when De Niro found Paul Schrader and this film a few years later.
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Paul Schrader decided to make Bickle a Vietnam vet because the national trauma of the war seemed to blend perfectly with Bickle's paranoid psychosis, making his experiences after the war more intense and threatening. Thus, Bickle chooses to drive his taxi anywhere in the city as a way to feed his hate.
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Taxi Driver actually got some boos when it first premiered at the Cannes Film Fesitval.
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At the porno theater Travis purchases two Clark bars, two boxes of Goobers, one box of Chuckles, a Royal Crown cola, and a box of popcorn... for $1.85!
Sigourney Weaver was offered the role of Betsy but turned down the part. She was the runner-up to Cybill Shepherd for that role.
Robert De Niro, having just broken out with The Godfather: Part II (1974), was being offered $500,000 to star in other films, but did this for $35,000. Paul Schrader agreed to take about the same amount for his screenplay, despite having just sold another one (The Yakuza (1974)) for 10 times that amount. The rest of the main cast and Martin Scorsese also worked for less than normal. Cybill Shepherd took $35,000; the director made $65,000. The total budget was around $1.8 million, of which less than $200,000 went to talent salaries.
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Goldie Hawn did an audition for the role of Betsy.
Debra Winger, when she was just starting out as an actress, auditioned for the role of Iris.
Isabelle Adjani and Ornella Muti were each offered the role of Iris, but both turned it down.
Robert De Niro thought of Travis Bickle as a crab - indirect and tended to shift from side to side.
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Anissa Jones reportedly turned down the role of Iris.
Kristy McNichol auditioned six times for the role of Iris before losing out to Jodie Foster.
Liza Minnelli and Barbara Hershey were each offered the role of Betsy, but both turned it down.
Ads for films starring Clint Eastwood and Charles Bronson can be seen in the film. Like Robert De Niro in this film, Eastwood and Bronson have also portrayed vigilantes on screen.
When talking to the secret service agent, Bickle gives the false name of Henry Krinkle. Steve Burns of Blue's Clues (1996) has a song called "Henry Krinkle's Lament" on his CD "Song for Dustmites."
Anjelica Huston auditioned for the role of Betsy.
When Betsy enters the campaign headquarters in slow motion, and Martin Scorsese is sitting by the door, the guy coming out of the headquarters, who is holding the door for her, is wearing a Columbia Pictures t-shirt turned inside out. Columbia Pictures is the studio that released the film.
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The film was shot on a tight schedule largely on location in 1974 during a sweltering New York summer. The conditions of the shoot helped define the film, from the night shooting during a heat wave ("there's an atmosphere at night that's like a seeping kind of virus") to the street shooting during the garbage strike ("everywhere I aimed the camera, there were mounds of garbage").
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The second movie in which Robert De Niro's character is a Vietnam Veteran. The first being Hi, Mom! (1970).
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The film cast includes three Oscar winners: Robert De Niro, Jodie Foster and Martin Scorsese; and two Oscar nominees: Albert Brooks and Harvey Keitel.
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Included among the "1001 Movies You Must See Before You Die"
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In Paul Schrader's original screenplay, Iris was named Garth and had an attention span of about twenty seconds. He rewrote her character after inadvertently picking up an underage prostitute. He later sent Martin Scorsese a note saying 'Iris is in my room. We're having breakfast at nine. Will you please join us?'
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Burt Reynolds, while promoting his memoirs in 2015, said he turned down the part of Travis Bickle. He said it was stupid of him in hindsight and regretted the decision.
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Mary Steenburgen auditioned for the role of Betsy and was director Martin Scorsese's preferred choice.
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Mariel Hemingway was the runner-up to Jodie Foster for the role of Iris.
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Jennifer Jason Leigh did an audition for the role of Iris, but came close to Jodie Foster on the final day of auditions.
In an early scene, another taxi driver shows Travis Bickle a piece of Errol Flynn's bathtub that he owns. Errol Flynn would be a character (played by Jude Law) in a later Martin Scorsese movie - The Aviator (2004).
Xzibit sampled the "Listen you fuckers, you screwheads, Here's a man who would not take it anymore A man who stood up against the scum the cunts the dogs the filth the shit Here is someone who stood up Here is..." speech for the title track of his 1996 album "At The Speed Of Life."
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Tatum O'Neal was offered the part of Iris, but she turned it down, telling the producers, "It's too small! After all I am an Oscar winner you know! " Instead she took the role of Amanda Wuerlitzer in The Bad News Bears (1976). Ironically, Jodie Foster was originally offered the role of Amanda, but she turned it down to play Iris! Tatum later said she would have preferred to have played Travis.
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Bernard Herrmann was initially reluctant to work on such a violent film.
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Martin Scorsese's mother Catherine Scorsese was supposed to have a cameo as a passenger in one of the scenes in Travis' taxi. Her cameo was eventually cut out of the film because the length of the movie was becoming too long.
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While filming the movie near Times Square, Martin Scorsese shot footage of protesters throwing smoke bombs at a theater that was screening Coonskin (1975), He sent the footage to Ralph Bakshi, who said of it "I didn't know whether to laugh or cry".
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Although Harvey Keitel's character is referred alternately as Matthew or Sport throughout the film, according to the text in the newspaper clippings seen at the end, his true name is Charles Rain.
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Paul Schrader originally set the film in Los Angeles, but it was moved to New York City because taxicabs were much more prevalent there than in Los Angeles.
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Kay Lenz tested for the role of Iris but failed the audition.
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Filmed in the Summer of 75.
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Travis says the word "moonlighting". Its a coincidental thing to say, considering Cybill Shepherd later got one of the starring roles in Moonlighting (1985).
This film draws many parallels with serial killer David Berkowitz, the 'Son of Sam'. Both he and Travis were mentally ill ex-soldiers who were disgusted by what they saw as the degradation of mid 70s New York, both were insomniacs, both used .44 calibre revolvers and Berkowitz worked as a taxi driver before famously joining the post office. Although Berkowitz had already committed non-fatal stabbings and arson before the release of the film in February 1976 he did not begin his shooting spree until several months afterwards. It is unknown whether Berkowitz ever saw 'Taxi Driver'.
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Closing credits: The characters and incidents portrayed and the names used herein are fictitious and any similarity to the name character or history of any persons is entirely coincidental and unintentional.
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Director Cameo 

Martin Scorsese: sitting down, behind Betsy as she walks into the Palantine campaign headquarters in slow-motion. He also appears as the irate husband in Bickle's cab.


The trivia items below may give away important plot points.

Martin Scorsese was reluctant to edit the climactic (and very bloody) shootout to avoid an X rating. However, he was amused by the changes ordered by the MPAA, because they made the final scene even more shocking than had originally been intended.
Director Martin Scorsese's parents (Charles Scorsese and Catherine Scorsese) appear as Iris' parents in the newspaper article hanging on Travis' wall at the end of the movie.
Washington Post film critic Stephen Hunter speculated that Travis Bickle's character wasn't a Vietnam War veteran at all, and his behavior could indicate a man so disturbed that he chose a war veteran "look" as a way to somehow connect to the post-war society. However, Martin Scorsese has confirmed in interviews that Bickle was definitely a Vietnam veteran: he said that Bickle's mental instability tied into the nation's feelings after the war ended in 1975, and also that the Mohawk haircut Travis gets before the climatic violent rampage was inspired by soldiers in Vietnam who would have their hair styled that way before major battles.
Robert De Niro's Mohawk was not real, due to the fact that De Niro still had to shoot scenes for the film with hair after the Mohawk portions. Makeup artist Dick Smith created a bald cap that was glued to De Niro's head and the mohawk was made of thick horse hair. That hairpiece is currently at the Museum of Moving Images in Astoria, New York.
Many critics and fans have speculated that Travis Bickle actually dies during the climatic shootout, and the scenes where he recovers, is thanked by Iris' parents via letter, and talks to Betsy when she happens to ride in his taxi by chance, are either his dying delusions or pure fantasy. Martin Scorsese and Paul Schrader both provided commentary on laserdisc/DVD releases of the film that deny this theory. Scorsese said that the cab ride with Travis and Betsy is a real event, with Travis's ambiguous look after she leaves the cab indicating uncertainty over his own thoughts. Schrader's comments were that Travis "is not cured" after surviving the shootout, and the writer added "next time, he's not going to be a hero".
Due to the bloody content of the brothel shootout scene, cinematographer Michael Chapman agreed to desaturate the colors in post-production. This explains why the blood appears to be pink instead of red in that scene. Later, when the DVD was being prepared, Martin Scorsese wanted to replace it with the original shot, with the blood in its original vivid redness, but no print of that original scene could be found, so the DVD still has the muted colors.
Despite being criticized for its violence, only four characters die: the armed robber in the corner shop that Travis shoots, the pimp, the Mafioso and the doorman. Some people believe that Travis actually dies in the shootout (and that the final sequences of the movie are a wish-fulfillment in Travis' head) so that would raise the body count to five.
In this film, Jodie Foster plays a woman held captive by the villain, played by Harvey Keitel. Robert De Niro's actions in this film provoked John Hinckley, who was obsessed with Foster, to try to get her attention by shooting President Ronald Reagan. The opportunity to reverse her role in this film, and also distance herself from Hinkley, is in part what inspired Foster to take the role of the heroine and rescuer in The Silence of the Lambs (1991). Harvey Keitel would play her future mentor in the prequel, Red Dragon (2002).
On the Laserdisc audio commentary, Martin Scorsese acknowledged several critics' interpretation of the film's ending as being Bickle's dying dream. He admits that the last scene of Bickle glancing at an unseen object implies that Bickle might fall into rage and recklessness in the future, and he is like "a ticking time bomb." Paul Schrader confirms this in his commentary on the 30th-anniversary DVD, stating that Travis "is not cured by the movie's end", and that "he's not going to be a hero next time." When asked on the website Reddit about the film's ending, Schrader said that it was not to be taken as a dream sequence, but that he envisioned it as returning to the beginning of the film-as if the last frame "could be spliced to the first frame, and the movie started all over again."
When Bickle decides to assassinate Senator Palantine, he cuts his hair into a Mohawk. This detail was suggested by actor Victor Magnotta, a friend of Martin Scorsese's who had a small role as a Secret Service agent and who had served in Vietnam. Scorsese later noted, "Magnotta had talked about certain types of soldiers going into the jungle. They cut their hair in a certain way; looked like a Mohawk ... and you knew that was a special situation, a commando kind of situation, and people gave them wide berths ... we thought it was a good idea."
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Taking place in an actual apartment, the tracking shot over the murder scene at the end took three months of preparation just because the production team had to cut through the ceiling in order to get it right.
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According to James Wan on the special features of Death Sentence (2007), the ending to that film was inspired by the shoot-out of Taxi Driver (1976).
Body count: 4.
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