A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Travis Bickle is an ex-Marine and Vietnam War veteran living in New York City. As he suffers from insomnia, he spends his time working as a taxi driver at night, watching porn movies at seedy cinemas during the day, or thinking about how the world, New York in particular, has deteriorated into a cesspool. He's a loner who has strong opinions about what is right and wrong with mankind. For him, the one bright spot in New York humanity is Betsy, a worker on the presidential nomination campaign of Senator Charles Palantine. He becomes obsessed with her. After an incident with her, he believes he has to do whatever he needs to make the world a better place in his opinion. One of his priorities is to be the savior for Iris, a twelve-year-old runaway and prostitute who he believes wants out of the profession and under the thumb of her pimp and lover Matthew. Written by
This was the last Columbia feature to use the classic Torch Lady logo in her classic appearance. See more »
The black-market gun dealer misidentifies the .380 Astra Constable in his case as a Walther PPK. The guns are very similar, so it could be an easy mistake or a deliberate lie. He tells Travis the Walther PPK .380 replaced the P-38 as the standard German military sidearm in WW2, which is false. The P-38, a full-size pistol, replaced the P-08 (Luger) as the standard military sidearm. The PPK was a compact pistol for use by police (PP stood for Polizeipistole) and personal protection, not as a combat sidearm. See more »
Best movie of the Seventies, and one of the greatest of all time.
So much has been written and talked about 'Taxi Driver' that it seems almost redundant to add anything more. But watching it again the other night for the nth time I was, as I have been every single time I've seen it, struck by just how perfect this movie is. It is as powerful and disturbing now as it was twenty-five years ago. It has not only NOT aged, it gets better and more relevant every year. This is without doubt a modern classic, and one of the handful of truly great, timeless movies.
Scorsese and Schrader went on to make other great movies after this, both separately ('The King Of Comedy', 'Light Sleeper') and together ('Raging Bull', 'The Last Temptation Of Christ'), but this is easily the best movie of their careers. And Robert De Niro's too. He has yet to top his stunning performance here as the deeply disturbed and alienated Vietnam veteran Travis Bickle, cabbie and would be assassin. This character has not surprisingly entered movie legend.
Scorsese surrounds De Niro with a first rate supporting cast, including small but effective roles from Harvey Keitel ('Reservoir Dogs'), Peter Boyle ('Hardcore'), the underrated Victor Argo ('The King Of New York') and Joe Spinell ('Maniac'). Albert Brooks and Jodie Foster are also very good, and even Cybil Shepherd, the butt of many jokes, is fine as Bickle's obsession.
When you combine these actors, Schrader's outstanding script, and Scorsese's brilliant direction, with the stunning cinematography (Michael Chapman) and haunting score (Hitchcock fave Bernard Herrmann's final effort), you have yourself a truly unforgettable cinematic experience. If you haven't seen 'Taxi Driver' I urge you to do so immediately. It is a masterpiece, pure and simple.
122 of 172 people found this review helpful.
Was this review helpful to you?