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Stroszek (1977)

Not Rated | | Comedy, Drama | 12 July 1977 (USA)
In Berlin, an alcoholic man, recently released from prison, joins his elderly friend and a prostitute in a determined dream to leave Germany and seek a better life in Wisconsin.

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2 wins & 2 nominations. See more awards »
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Cast

Cast overview:
...
Der Bruno Stroszek
Eva Mattes ...
Eva
Clemens Scheitz ...
Scheitz
...
Souteneur
Burkhard Driest ...
Souteneur
Clayton Szalpinski ...
Mechanic
Ely Rodriguez ...
Indian mechanic's helper
Alfred Edel ...
Jail headmaster
Scott McKain ...
Scott (as Scott Mc Kain)
Ralph Wade ...
Auctioneer
Michael Gahr ...
Prisoner Hoss
Vaclav Vojta ...
Doctor (as Dr. Vaclav Vojta)
Yuecsel Topcuguerler ...
Turk prisoner (as Yücsel Topcugürler)
Bob Evans ...
Bob Evans
Der Brave Beo ...
Beo
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Storyline

Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck. After they are harried and beaten by the thugs who have been Eva's pimps, they join Bruno's neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin. In that winter bound, barren prairie, Bruno works as a mechanic, Eva as a waitress. They buy a trailer. Then, bills mount, the bank threatens to repossess the trailer, Eva wants privacy, and inexorably, the promise of a new life deserts Bruno. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

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Release Date:

12 July 1977 (USA)  »

Also Known As:

Stroszek  »

Filming Locations:

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Technical Specs

Runtime:

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Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Stroszek is also the name of the leading character in Herzog's Lebenszeichen (1968). Herzog got the name Stroszek from one of his former classmates who once helped him cheat on a test and used his name as a tribute to him. See more »

Goofs

When Bruno and the gang buy the car, a camera reflection is visible on the window of the green pickup driving by. The driver of that vehicle looks at the camera. See more »

Quotes

Eva: Well, taking a boat to New York and Florida... Isn't there a park there? What's it called? Where the bears run around free?
Der Bruno Stroszek: That's the Grizzlies.
See more »

Connections

Referenced in Werner Herzog Eats His Shoe (1980) See more »

Soundtracks

Silver Bell
(uncredited)
Performed by Ada Jones, Billy Murray.
See more »

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User Reviews

 
Brilliant
5 February 2005 | by (somerville, ma) – See all my reviews

I discovered Werner Herzog first through his remake of Nosferatu and then through Fitzcarraldo and Aguirre: The Wrath of God. Though the brilliance of those movies is unimpeachable, Stroszek, at least for me, stands at the apex of Herzog's oeuvre.

This intensely moving and satisfying film which begins in Germany and winds up in Wisconsin is solid through and through. There's not a weak moment or weak element to be found. The acting, especially by Bruno S., is completely unaffected and without over-stylization (there is, perhaps, a reason for this - they aren't acting, simply being). The story itself deals with melodramatic elements without steering into soap opera territory and the film's ideology is not black in white. There's subtlety and complexity to the ideas put forth in this film about America, Germany, human beings, life, etc. Moreover, Stroszek avoids beating the audience's brains with its ideas; Herzog presents them in the context of the story, smoothly integrated.

And then there's the beautiful photography, particularly of the American Midwest; Herzog and his cameramen capture perfectly the cold, stark, desolate magnificence of the upper-Plains. To draw a weird comparison, the photography here is the equivalent of Husker Du's New Day Rising - crisp, harsh, and gorgeous simultaneously.

Stroszek also has a justifiably well-known ending, both surreal and completely sensible. Though any other director would be unable to top an ending such as that in Aguirre (the slumped conqueror, floating on a monkey-covered raft), Herzog does just that here.

Truly, if you have not seen any Herzog, this is a great place to start; then go see Aguirre, Fitzcarraldo, Nosferatu, Woyczek, and Invincible. The man is brilliant and I await with bated breath Grizzly Man, his new project.


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