Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck. After they are harried and beaten by the thugs who have been Eva's pimps, they join Bruno's neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin. In that winter bound, barren prairie, Bruno works as a mechanic, Eva as a waitress. They buy a trailer. Then, bills mount, the bank threatens to repossess the trailer, Eva wants privacy, and inexorably, the promise of a new life deserts Bruno. Written by
Did You Know?
The entire crew disliked the last sequence so much that director Werner Herzog
had to shoot it by himself. Incidentally, he considers this scene the best he has filmed. See more
The position of Bruno's hand when talking with Shertz about where Eva is changes twice during that sequence. See more
No-one kicks you here Bruno.
Der Bruno Stroszek
Not physically, here they do it spiritually.
Featured in Die Nacht der Regisseure
Moonlight Sonata No. 2 in C sharp, Op. 27
Composed by Ludwig van Beethoven See more