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Stroszek (1977)

 -  Comedy | Drama  -  12 January 1977 (USA)
8.1
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Ratings: 8.1/10 from 7,116 users  
Reviews: 51 user | 37 critic

In Berlin, an alcoholic man, recently released from prison, joins his elderly friend and a prostitute in a determined dream to leave Germany and seek a better life in Wisconsin.

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Title: Stroszek (1977)

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Cast

Cast overview, first billed only:
Bruno S. ...
Der Bruno Stroszek
Eva Mattes ...
Eva
Clemens Scheitz ...
Scheitz
Wilhelm von Homburg ...
Souteneur
Burkhard Driest ...
Souteneur
Clayton Szalpinski ...
Mechanic
Ely Rodriguez ...
Indian mechanic's helper
Alfred Edel ...
Jail headmaster
Scott McKain ...
Scott
Ralph Wade ...
Auctioneer
Michael Gahr ...
Prisoner Hoss
Vaclav Vojta ...
Doctor
Yuecsel Topcuguerler ...
Turk prisoner
Pit Bedewitz ...
Souteneur
Bob Evans ...
Bob Evans
Edit

Storyline

Bruno Stroszek is released from prison and warned to stop drinking. He has few skills and fewer expectations: with a glockenspiel and an accordion, he ekes out a living as a street musician. He befriends Eva, a prostitute down on her luck. After they are harried and beaten by the thugs who have been Eva's pimps, they join Bruno's neighbor, Scheitz, an elderly eccentric, when he leaves Germany to live in Wisconsin. In that winter bound, barren prairie, Bruno works as a mechanic, Eva as a waitress. They buy a trailer. Then, bills mount, the bank threatens to repossess the trailer, Eva wants privacy, and inexorably, the promise of a new life deserts Bruno. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

12 January 1977 (USA)  »

Also Known As:

Stroszek  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The story about the sheets really happened to Bruno; like much of the film, it was shot in a single take (though a section had to be edited out when Bruno passed gas loudly). See more »

Goofs

Shadow on the car and Eva as she drives immediately after buying it. See more »

Quotes

Eva: No-one kicks you here Bruno.
Der Bruno Stroszek: Not physically, here they do it spiritually.
See more »

Connections

Referenced in Werner Herzog Eats His Shoe (1980) See more »

Soundtracks

Moonlight Sonata No. 2 in C sharp, Op. 27
Composed by Ludwig van Beethoven
See more »

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User Reviews

 
Preemies & dancing chickens
28 March 2006 | by (denver) – See all my reviews

This movie has been described as Herzog's take on the American Dream, and there is some overt USA bashing, but it is much more complex than that, as societies are not easily characterized. For instance, the gangster-pimps that terrorize and brutalize Bruno and Eva in Berlin are very much reflections of the Gestapo mentality and the feeling of being trapped and helpless in your own homeland. They are more fortunate than Nazi victims in the ease of their "escape" to America but unlike most of those refugees in the 30's and 40's, Bruno is unable to assimilate and contribute. He expects instant riches and does a little work for the horny hillbillies that give him a job but is still full of anger and paranoia. This is due primarily to his obvious faults, alcoholism and maybe paranoid schizophrenia, and not to the American system. All 3 of the German transplants are shown to be highly intelligent and cultured beyond the hellish railroad town they are plopped down into, and the obvious solution would have been for Bruno to seek employment as a musician, as he is very talented in that regard, but the dramatic arc of the story demands that he lose everything including Eva, and blame America and the insipid characters he is forced to deal with, and do something drastic, which he does. Eva knew that America is the same as every place: if you want a good life, you've got to work hard for it, using whatever tools & gifts you possess. But Bruno is too damaged to apply this principle, and this is the tragedy of "Stroszek" and of Bruno S.

The scene with the premature baby and the doctor is one of the greatest I've ever seen. It is just amazing, the character of that tiny infant, and shows Stroszek the fundamental power that he lacks, the tenacious nature of humanity to hold onto not only fellow human beings, but also to life itself.

The coin-operated live animals in the end represent not only cruelty and lack of compassion, but the obsessiveness of the American pursuit of entertainment. I personally felt more compassion for these creatures as victims of a system than I did for Bruno, who was pretty much doomed before he came to America.


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