A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »
Can a bickering odd couple in Manhattan become friends and maybe more? Owlish Felix is an unpublished writer who vents his frustration by reporting to the super that the woman in a ... See full summary »
Henrietta Robins works out of her home and her husband Pete drives a cab to try to support her. When Pete gets a tip from one of his fellow drivers that a deal will be made by the Americans... See full summary »
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »
Rose and Gregory, both Columbia University professors meet when Rose's sister answers Gregory's "personals" ad. Several times burned, the handsome-but-boring Gregory believes that sex has ... See full summary »
Talented rock star John Norman Howard has seen his career begin to decline. Too many years of concerts and managers and life on the road have made him cynical and the monotony has taken its toll. Then he meets the innocent, pure and very talented singer Esther Hoffman. As one of his songs in the movie says "I'm gonna take you girl, I'm gonna show you how." And he does. He shows Esther the way to stardom while forsaking his own career. As they fall in love, her success only makes his decline even more apparent. Written by
A. Lloyd Adams [email@example.com]
When this project was first brought to Barbra Streisand by her boyfriend, producer and former Hollywood hairdresser Jon Peters, the title was "Rainbow Road" (according to an early report on the film by Rona Barrett). See more »
Before performing at the charity concert John detaches a label from Esther's jacket twice. See more »
Ms. Streisand's clothes from ... Her Closet. See more »
OK, granted the story of the born star is about Streisand's character, but the love story alone is fairly universal. Can love survive when one partner is seen as more successful than the other? Both Streisand and Kristofferson give solid performances. These characters are in love but are clearly on different trajectories.
The music is important for the forward movement of the film, but it's not really a musical, per se. Both Kristofferson's and Streisand's performances are great (so get the soundtrack if you don't have it).
I think this movie still holds up even almost 40 years (can you believe it?) later. The messages in the movie seem to be stronger once you've lived life, had success, had failure, been in love, and lost love.
Overall, do you need to be a Streisand fan to like the movie? It helps. If you don't like her, you won't likely enjoy the movie, but she doesn't come across as the sole focus of the movie. Her story, his story, and their story seems to be told in equal measure. Haven't seen it? Do. Saw it years ago? See it again soon.
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