| Photos (See all 13 | slideshow) |
| Don Scardino | ... | Mick | |
| Patricia Pearcy | ... | Geri Sanders | |
| R.A. Dow | ... | Roger Grimes | |
| Jean Sullivan | ... | Naomi Sanders | |
| Peter MacLean | ... | Sheriff Jim Reston (as Peter Mac Lean) | |
| Fran Higgins | ... | Alma Sanders | |
| William Newman | ... | Quigley | |
| Barbara Quinn | ... | Sheriff's Girl | |
| Carl Dagenhart | ... | Willie Grimes | |
| Angel Sande | ... | Millie | |
| Carol Jean Owens | ... | Lizzie | |
| Kim Iocouvozzi | ... | Hank | |
| Walter Dimmick | ... | Danny | |
| Leslie Thorsen | ... | Bonnie | |
| Julia Klopp | ... | Mrs. Klopp | |
| Ralph Flanders | ... | 1st Man at Lunch Counter | |
| Albert Smith | ... | 2nd Man at Lunch Counter | |
| Jim Shirah | ... | 3rd Man at Lunch Counter | |
| Harold Mumm | ... | Bus Driver | |
| W.A. Lindblad | ... | Power Line Repairman (as W.A. Lindblatt) |
Directed by | |||
| Jeff Lieberman | |||
Writing credits | ||
| Jeff Lieberman | (written by) | |
Produced by | |||
| Joseph Beruh | .... | executive producer | |
| Edgar Lansbury | .... | executive producer | |
| George Manasse | .... | producer | |
Original Music by | |||
| Robert Prince | |||
Cinematography by | |||
| Joseph Mangine | (director of photography) | ||
Film Editing by | |||
| Brian Smedley-Aston | |||
Casting by | |||
| Geri Windsor | |||
Art Direction by | |||
| Henry Shrady | |||
Costume Design by | |||
| Dianne Finn-Chapman | (as Dianne Finn Chapman) | ||
Makeup Department | |||
| Rick Baker | .... | makeup designer | |
| Norman Page | .... | makeup artist | |
Production Management | |||
| Don Blackburn | .... | unit manager | |
| Peter Kean | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mark Hindenburg | .... | assistant director | |
Art Department | |||
| Neal DeLuca | .... | assistant art director (as Neal De Luca) | |
| R. Bruce Steinheimer | .... | prop master (as Bruce Steinheimer) | |
Sound Department | |||
| Harriet Fidlow | .... | sound editor (as Harriet Glickstein) | |
| George Burton Goen II | .... | location sound (as George Goen) | |
| Al Gramaglia | .... | recording mixer: Magno Sound | |
| Dan Sable | .... | sound editor: Magnofex | |
| Bernard Stevens | .... | assistant sound editor | |
| Luis Vidal | .... | boom man | |
Special Effects by | |||
| Don Farnsworth | .... | special effects | |
| Lee Howard | .... | special effects | |
| Bill Milling | .... | special effects | |
Camera and Electrical Department | |||
| Chris Balton | .... | assistant camera | |
| Mik Cribben | .... | stillman | |
| Robert Ippolito | .... | key grip (as Bob Ippolito) | |
| Kevin Janicelli | .... | best boy | |
| William W. Lister | .... | gaffer (as Bill Lister) | |
| Jon Neuburger | .... | second assistant camera (as John Neuberger) | |
| Jerry Whittington | .... | electrician (uncredited) | |
Editorial Department | |||
| David Fatt | .... | assistant editor | |
| Lois Freeman | .... | apprentice editor | |
Music Department | |||
| Hal Hackady | .... | lyricist | |
Other crew | |||
| Bill Chant | .... | location coordinator | |
| Ed Geil | .... | assistant to production manager | |
| Rick Hutto | .... | production assistant | |
| Darrell Jonas | .... | production coordinator | |
| Deborah Kiser | .... | production assistant (as Debbie Kiser) | |
| Lee Minter | .... | production assistant | |
| Nan Pearlman | .... | production associate | |
| Connie Poindexter | .... | production assistant | |
| Judy Rosenthal | .... | script supervisor | |
| David Sheldon | .... | production executive (uncredited) | |
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| Mortuary | Psycho | The War of the Worlds | Cookie's Fortune | Desperation |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Against FOOD OF THE GODS, DOGS, KINGDOM OF THE SPIDERS, the irrepressible SLUGS and other nature-gone-berserk flicks, SQUIRM stands tall.
The worms are the thing here, but their existence does not short-change the film's acting, storyline and characterizations. Director Jeff Lieberman, a fellow of immense cinematic intelligence (BLUE SUNSHINE, JUST BEFORE DAWN), has crafted a smart, stylish little thriller that delivers on its promise.
Rick Baker's worms are very impressive and Lieberman knows when to reveal them and when to keep them -- literally -- in the dark.
The set-up is simple. Following a filthy, dirty storm, downed powerlines send bolts of electricity into the earth. Shocked worms turn rabid and begin to menace "us".
The film is exceptionally well photographed and acted, the rural setting works beautifully, and the climax packs a punch.
Solid filmmaking all 'round.