At the beginning of the film, we learn from one of the characters that earthworms can be called to the surface with electricity, but somehow it turns them into vicious flesh-eaters. Sure ... See full summary »
Colonel Reynolds and his group of government scientists continue their work on re-animating the dead for military use. His son Curt and his girlfriend Julie use Dad's security pass to sneak... See full summary »
James T. Callahan,
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
Lisa is a tourist in an ancient city. When she gets lost, she finds an old mansion in which to shelter. Soon she is sucked into a vortex of deception, debauchery and evil presided over by ... See full summary »
At the beginning of the film, we learn from one of the characters that earthworms can be called to the surface with electricity, but somehow it turns them into vicious flesh-eaters. Sure enough, a storm that night causes some power lines to break and touch the ground, drawing millions of man-eating worms out of the earth, and into town where they quickly start munching on the locals. Written by
Jean-Marc Rocher <email@example.com>
The shot of the worms pouring out of the living room ceiling was actually a reverse shot. The camera was turned upside down and filmed live worms being dropped onto a floor that was a mock-up of the ceiling. When the footage was reversed, it appeared as if the worms fell from a hole in the ceiling. See more »
When Roger throws a board at Mick it knocks Mick out and the board is clearly on top of him. When he wakes up, the board is off to his side. See more »
The 1970's saw a number of nature-strikes-back horror films, like Frogs (1972), Grizzly (1976), Empire of the Ants (1977), Day of the Animals (1977), and Prophecy (1979), but none that were quite as well-made and effectively frightening as this low-budget horror masterpiece!
Freak storm blows down power lines in a small Georgia town, and the resulting surge of voltage through the soil drives hordes of sand worms into a flesh-eating frenzy!
The debut film of director Jeff Lieberman, who would go on to make other great B thrillers like Blue Sunshine (1977) and Just Before Dawn (1981), Squirm is still one of his best. Lieberman wrote the story, which is clever and suspenseful, as it seems to enjoy its campy elements. The plot builds from a mysterious nature to a dark, claustrophobic climax. There's a number of memorably tense moments, such as the shower sequence and the infamous row boat sequence. Lieberman well uses the backwoods and swamps of coastal Georgia to convey a realistic setting and feverish summer atmosphere. Robert Prince's musical score is excellent, with some truly eerie and haunting themes that are perfect in conjunction with some of the dark sequences. The film also contains some of the early creations of a young Rick Baker, who does some awesome makeup effects that provide for more than one memorably creepy moment.
The cast of unknowns is quite good. Scardino is perfect as the out-of-towner hero who comes to visit his lady friend. Pearcy is attractive and genuine in her role as Scardino's southern girlfriend. R.A. Dow, Jean Sullivian, and Fran Higgins all make for perfect small-town characters.
Squirm is an undervalued film indeed. It's simply an unforgettable skin-crawler that never fails to entertain and thrill. It's above-average on all levels for a B horror film and is truly one of the best low-budget flicks of its time!
**** out of ****
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