At the beginning of the film, we learn from one of the characters that earthworms can be called to the surface with electricity, but somehow it turns them into vicious flesh-eaters. Sure ... See full summary »
Morgan and his friends are on a hunting trip on a remote Canadian island when they are attacked by a swarm of giant wasps. Looking for help, Morgan stumbles across a barn inhabited by an ... See full summary »
Bert I. Gordon
A newly married couple arrives at the home of the husband's late wife, where the gardens have been maintained by a gardener faithful to the dead woman's memory. Soon, eerie events lead the new wife to think she's losing her mind.
A video store clerk stumbles onto an alien plot to take over earth by brainwashing people with a bad '50s science fiction movie. He and his friends race to stop the aliens before the tapes ... See full summary »
At the beginning of the film, we learn from one of the characters that earthworms can be called to the surface with electricity, but somehow it turns them into vicious flesh-eaters. Sure enough, a storm that night causes some power lines to break and touch the ground, drawing millions of man-eating worms out of the earth, and into town where they quickly start munching on the locals. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
The amount of sea worms used in the film was countless, as the production would order shipments of 250,000 Glycera worms at a time. The production would end up wiping out New England's supply of Glycera fishing worms that year. See more »
When Mick, Geri and Roger are out in the boat, Roger shows the two of them his bitten-off thumb. In the next scene, when Roger grabs onto the dock, both of his thumbs are visible. See more »
Against FOOD OF THE GODS, DOGS, KINGDOM OF THE SPIDERS, the irrepressible SLUGS and other nature-gone-berserk flicks, SQUIRM stands tall.
The worms are the thing here, but their existence does not short-change the film's acting, storyline and characterizations. Director Jeff Lieberman, a fellow of immense cinematic intelligence (BLUE SUNSHINE, JUST BEFORE DAWN), has crafted a smart, stylish little thriller that delivers on its promise.
Rick Baker's worms are very impressive and Lieberman knows when to reveal them and when to keep them -- literally -- in the dark.
The set-up is simple. Following a filthy, dirty storm, downed powerlines send bolts of electricity into the earth. Shocked worms turn rabid and begin to menace "us".
The film is exceptionally well photographed and acted, the rural setting works beautifully, and the climax packs a punch.
Solid filmmaking all 'round.
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