A storm causes some power lines to break and touch the ground, drawing millions of man-eating worms out of the earth, and into town where they quickly start munching on the locals.

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Cast

Cast overview, first billed only:
...
...
...
...
Peter MacLean ...
Sheriff Jim Reston (as Peter Mac Lean)
Fran Higgins ...
William Newman ...
Quigley
Barbara Quinn ...
Sheriff's Girl
Carl Dagenhart ...
Willie Grimes
Angel Sande ...
Millie
Carol Jean Owens ...
Lizzie
Kim Iocouvozzi ...
Hank
Walter Dimmick ...
Danny
Leslie Thorsen ...
Bonnie
Julia Klopp ...
Mrs. Klopp
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Storyline

At the beginning of the film, we learn from one of the characters that earthworms can be called to the surface with electricity, but somehow it turns them into vicious flesh-eaters. Sure enough, a storm that night causes some power lines to break and touch the ground, drawing millions of man-eating worms out of the earth, and into town where they quickly start munching on the locals. Written by Jean-Marc Rocher <rocher@fiberbit.net>

Plot Summary | Plot Synopsis

Taglines:

The Night is Crawling with Killers See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

30 July 1976 (USA)  »

Also Known As:

A Noite do Terror Rastejante  »

Filming Locations:


Box Office

Budget:

$470,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (uncut)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Director Jeff Lieberman cited Hitchcock's The Birds (1963) as the film's biggest influence. See more »

Goofs

When Mick is investigating the truck after getting off the boat and using his lighter as a source of light, shadows make it obvious that beneath him there is an unseen light source. See more »

Quotes

Sheriff: [making love to his girl in an empty jail cell] How do you like the accomodations?
The Sheriff's Girl: Just fine, honey!
See more »

Connections

Referenced in Blow Out (1981) See more »

Soundtracks

A Million Ways to Love You
(uncredited)
Music by Robert Prince
Lyrics by Hal Hackady
See more »

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User Reviews

 
Best when we're mired in rednecks
16 January 2005 | by (New York City) – See all my reviews

Fly Creek is a small southern town best known for it's "antiques" and the Grimes Worm Farm. During one particularly hot summer, while Mick (Don Scardino) is on his way on a bus to meet new girlfriend Geri Sanders (Patricia Pearcy), they're hit by a whopper of a thunderstorm. Fly Creek's roads are flooded and they've lost power due to a downed power line that is still sparking. And that leads to a big problem. Because when the film's worms are stimulated by electricity, they come out of the ground, ready to bite, and there are millions of them!

As is obvious from the premise, Squirm is a nature-gone-wild film, a subgenre of horror that was particularly active in the 70s. It's a pretty good example of the genre, and the film is successful more often than not, as long as you don't start to question the plot too much. Overall, it's a 7 out of 10 for me. I almost gave it an 8, but the ending is a bit too clichéd, so I knocked off a point. I've only seen one of director/writer Jeff Lieberman's other films so far--Blue Sunshine (1976)--and that also had points taken off for a less-than-satisfying ending.

Squirm is at its best when it's wallowing in small redneck town weirdness. The Sheriff (Peter MacLean) is frighteningly unresponsive, a bit pleasantly campy, and he's also a paranoid troublemaker. The Grimes family, Willie (Carl Dagenhart) and Roger (R.A. Dow), are demented and creepy. The Sanders family seems oddly dysfunctional, and Geri's sister, Alma (Fran Higgins), demonstrates that Juliette Lewis wasn't the first Juliette Lewis. When all of this stuff is combined with Squirm's initial slow-burning horror aspects--including a relatively subtle amount of worms and a well-placed (both literally and in terms of the script) skeleton--it is good, almost sublimely so.

But things begin to go slightly awry when we get to the big extravaganza near the end. The characters have either died off or Lieberman simply abandons them. Having a lot of characters die off by the end is understandable and even laudable in a film like this, but it's too bad we couldn't have seen them longer and had more emotional investment in them. Simply abandoning characters isn't as excusable. Of course the attacking worm quotient increases as the film continues, and this is handled well physically (I can't imagine having to be a worm wrangler), but plot points surrounding the worms become sketchier and almost contradictory at times. That saps too much tension out of the ending, and instead we're primarily engaged by physical effects for their own sake, plus a wonderfully campy change in personality from Roger.

Squirm is definitely worth seeing for anyone with a taste for lower-budget 1970s horror, and at times is quite a gem. Just don't set your expectations too high (but really, who would for a film like this?)


25 of 32 people found this review helpful.  Was this review helpful to you?

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